History seminars at the IHR
Convenors: Seth Denbo (American Historical Association), Matthew Phillpott (IHR), Richard Deswarte (UEA), Beth Hartland (KCL), Tim Hitchcock (Sussex), Peter Webster (British Library), Charlotte Tupman (KCL), and James Baker (British Library), Adam Crymble (Hertfordshire)
For information and enquiries, please contact: Matt Phillpott on: email@example.com
Venue: John S Cohen Room 203, 2nd floor, IHR, North block, Senate House
Time: Tuesdays, 5.15 pm
A Pilot Historical Thesaurus of Scots (Title TBC)
Susan Rennie (Glasgow)
Please note: this session has been cancelled
Virtual Rome: a digital reconstruction of the ancient city
Matthew Nicholls (Reading)
Dr Matthew Nicholls of the Department of Classics at the University of Reading has made a detailed digital reconstruction of the city of Rome as it appeared c.AD315. In this talk he will introduce the model and discuss some of the tools and methodology involved in its creation, including questions about date, level of detail, and conjecture. He will then talk about the paedagogical uses of digital modelling and the digital Rome model’s potential as a research tool: current work includes investigation of illumination at specific times of day and year, and sightlines within the ancient city to, from, and between major monuments.
Please note: this session was cancelled, but has been reinstated.
Writing a Big Data History of Music Project
Stephen Rose (RHUL)
This seminar introduces the project A Big Data History of Music, which aimed to unlock the musical-bibliographical data held by libraries in order to create new research opportunities. The project cleaned and enhanced aspects of the British Library catalogues of printed and manuscript music, which are now available as open data from www.bl.uk/bibliographic/download.html. Analyses and visualisations of these datasets exposed previously uncharted patterns in the history of music, for instance involving the rise and fall of music printing in 16th- and 17th-century Europe, or the rise of nationalist colourings in music of the late 18th and early 19th centuries. The detection of these long-term trends permits new ways of linking music history to wider histories of culture, economics, society and politics.
ChartEX Traces Through Time (title TBC)
Sarah Rees-Jones (York) and Sonja Ranade (The National Archives)
This is a joint session with the Archives and Society seminar