Art History

Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship. At the forefront of scholarly enquiry, its contributions are opening up the discipline to new developments and to the interdisciplinary and cross-cultural approaches which are increasingly important in a globalised world.

Five issues per year: February, April, June, September, November.

Publisher: 
Wiley-Blackwell
ISSN (print): 
01416790
ISSN (online): 
1467-8365

Latest articles

Signatures, Authorship and Autographie in Eighteenth-Century French Painting
Charlotte Guichard, ONLINE EARLY
Frustrated Seeing: Scale, Visibility, and a Fifteenth-Century Portuguese Royal Monument
Jessica Barker, ONLINE EARLY
When Attitudes Became Toys: Jasia Reichardt's Play Orbit
Tim Stott, ONLINE EARLY
Eye Wandering the Ceiling: Ornament and New Brutalism
Mark Crinson, ONLINE EARLY

Volume 40 (5)

Mobile Things: On the Origins and the Meanings of Levantine Objects in Early Modern Venice
Elizabeth Rodini, vol. 40 (5): 0-0
Abstracts & Authors’ Biographies
vol. 40 (5): 934-937
Towards a Sweet Science of Images?
Sarah Hegenbart, vol. 40 (5): 1124-1126
Neither Black Nor White
Giles Fielke, vol. 40 (5): 1127-1130
To Obsolesce
Mark Crinson, vol. 40 (5): 1130-1133
Why Wasn't I Consulted About the Picnic?
Vid Simoniti, vol. 40 (5): 1134-1137
From the Counter-Reformation to the Birth of the Baroque: Art and Patronage in Rome, c. 1600
Dorigen Caldwell, vol. 40 (5): 1137-1140
Turning Around the Pictorial Turn in Art History
Amna Malik, vol. 40 (5): 1144-1148
Pay No Attention to the Man Behind the Curtain
Alexander Nemerov, vol. 40 (5): 1148-1151
Index to Volume 40
vol. 40 (5): 1152-1153

Volume 40 (4)

Abstracts & Authors' Biographies
vol. 40 (4): 690-694
Art History 40: Reading, Writing, Remembering
Genevieve Warwick, Gavin Parkinson, vol. 40 (4): 696-703
Art History and Memory, From the Couch to the Scanner: On How the New Art History Woke Up to a Neural Future
John Onians, vol. 40 (4): 704-723
Towards a New French Renaissance: Memory, Tradition and Cultural Conservatism in France before the First World War
Neil McWilliam, vol. 40 (4): 724-743
Enduring Characteristics and Unstable Hues: Men in Black in French Painting in the 1860s and 1870s
Marcia Pointon, vol. 40 (4): 744-769
Misprisions of London
Dana Arnold, vol. 40 (4): 770-783