Art History

Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship. At the forefront of scholarly enquiry, its contributions are opening up the discipline to new developments and to the interdisciplinary and cross-cultural approaches which are increasingly important in a globalised world.

Five issues per year: February, April, June, September, November.

Publisher: 
Wiley-Blackwell
ISSN (print): 
01416790
ISSN (online): 
1467-8365

Latest articles

Re-membering Surrealism in Charles Henri Ford's Poem Posters (1964–65)
Joanna Pawlik, ONLINE EARLY
The Politics of Inscription in Modern Chinese Art
Craig Clunas, ONLINE EARLY
Anonymity and Doubt: Reading Picasso's Papiers Collés with Mallarmé
Trevor Stark, ONLINE EARLY
Devotion and Dissent in Late-Medieval Illuminated World Chronicles
Nina Rowe, ONLINE EARLY
On the Origins of Abstraction: Seurat and the Screening of History
Alastair Wright, ONLINE EARLY
Signatures, Authorship and Autographie in Eighteenth-Century French Painting
Charlotte Guichard, ONLINE EARLY
Bewick's ‘Little Whimsies’: Printmaking, Paper Money and Currency Radicalism in Early Nineteenth-Century Britain
Esther Chadwick, ONLINE EARLY
Frustrated Seeing: Scale, Visibility, and a Fifteenth-Century Portuguese Royal Monument
Jessica Barker, ONLINE EARLY
When Attitudes Became Toys: Jasia Reichardt's Play Orbit
Tim Stott, ONLINE EARLY
Eye Wandering the Ceiling: Ornament and New Brutalism
Mark Crinson, ONLINE EARLY

Volume 40 (5)

Mobile Things: On the Origins and the Meanings of Levantine Objects in Early Modern Venice
Elizabeth Rodini, vol. 40 (5): 0-0
Abstracts & Authors’ Biographies
vol. 40 (5): 934-937
Towards a Sweet Science of Images?
Sarah Hegenbart, vol. 40 (5): 1124-1126
Neither Black Nor White
Giles Fielke, vol. 40 (5): 1127-1130
To Obsolesce
Mark Crinson, vol. 40 (5): 1130-1133
Why Wasn't I Consulted About the Picnic?
Vid Simoniti, vol. 40 (5): 1134-1137
From the Counter-Reformation to the Birth of the Baroque: Art and Patronage in Rome, c. 1600
Dorigen Caldwell, vol. 40 (5): 1137-1140
Turning Around the Pictorial Turn in Art History
Amna Malik, vol. 40 (5): 1144-1148
Pay No Attention to the Man Behind the Curtain
Alexander Nemerov, vol. 40 (5): 1148-1151
Index to Volume 40
vol. 40 (5): 1152-1153