Art History

Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship. At the forefront of scholarly enquiry, its contributions are opening up the discipline to new developments and to the interdisciplinary and cross-cultural approaches which are increasingly important in a globalised world.

Five issues per year: February, April, June, September, November.

Publisher: 
Wiley-Blackwell
ISSN (print): 
01416790
ISSN (online): 
1467-8365

Latest articles

Toward a Cultural Ecology of Architectural Glass in Early Modern Northern Europe
Morgan Ng, ONLINE EARLY
Fashioning the Passion: The Poor Clares and the Clothing of Christ
Holly Flora, ONLINE EARLY
‘His Wretched Hand’: Aubrey Beardsley, the Grotesque Body, and Viennese Modern Art
Nathan J. Timpano, ONLINE EARLY
‘No Picture more Charming’: The Family Portrait in Eighteenth-Century France
Emma Barker, ONLINE EARLY
Authorless Pictures: Uses of Photography in Christian Boltanski's Early Work (1969–75)
Olga Smith, ONLINE EARLY

Volume 40 (1)

Abstracts & Authors' Biographies
vol. 40 (1): 4-7
Editorial
Genevieve Warwick, vol. 40 (1): 8-9
Crafting Boundaries of the Unseeable World: Dialectics of Space in the Bhagavat Sutra Repository
Jeehee Hong, vol. 40 (1): 10-37
A Psalm for King James: Rubens's Peace Embracing Plenty and the Virtues of Female Affection at Whitehall
J. Vanessa Lyon, vol. 40 (1): 38-67
Against the ‘Statue Anatomized’: The ‘Art’ of Eighteenth-Century Anatomy on Trial
Lyle Massey, vol. 40 (1): 68-103
Composing the Spectacle: Colonial Portraiture and the Coronation Durbars of British India, 1877–1911
Sean Willcock, vol. 40 (1): 132-155
Close Looking and Conviction
Sam Rose, vol. 40 (1): 156-177
‘Painting like nature’: Chance and the Landscape in Gerhard Richter's Overpainted Photographs
Aline Guillermet, vol. 40 (1): 178-199
Creating Artists
Kate Aspinall, vol. 40 (1): 200-204
Hidden Trails in Art History
Samuel Bibby, vol. 40 (1): 204-209
In the Aura of the Object: Modernity's Re-Enchantment
Will Atkin, vol. 40 (1): 210-214
‘A Kind of Mental Explosion’: Modernism's Other Worlds
Charlotte de Mille, vol. 40 (1): 215-217
Meticulously Yours
Gavin Parkinson, vol. 40 (1): 217-220
Hallucinating Art History
Kamini Vellodi, vol. 40 (1): 220-224
Leverage on a Nineteenth-Century Maverick: Henri Regnault
Anna Green, vol. 40 (1): 225-228