Art History

Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship. At the forefront of scholarly enquiry, its contributions are opening up the discipline to new developments and to the interdisciplinary and cross-cultural approaches which are increasingly important in a globalised world.

Five issues per year: February, April, June, September, November.

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Latest articles

Abbott Thayer and the Invention of Camouflage
Dogs and Dogma: Perception and Revelation in Rembrandt's Presentation in the Temple, c. 1640
Elizabeth Sutton, ONLINE EARLY
Disaster in Paris: Andy Warhol and the French Automotive Imaginary, c. 1964
Liam Considine, ONLINE EARLY
Jimmie Durham's Building a Nation and the Ruins of American Exceptionalism
The Attraction of the American Author's House: Architecture, Guidebooks, and Display, 1853–1904
A Calendar of Happenings: Allan Kaprow, Counter-Chronologies and Cataloguing Performance, c. 1970
Catherine Spencer, ONLINE EARLY
On the Uses of Origins for Futurism
Rosalind McKever, ONLINE EARLY

Volume 39 (2)

Abstracts & Authors’ Biographies
vol. 39 (2): 192-197
After Prometheus: Art and Technology in Early Modern Europe
Genevieve Warwick, Richard Taws, vol. 39 (2): 198-209
Historians in the Laboratory: Reconstruction of Renaissance Art and Technology in the Making and Knowing Project
Pamela H. Smith, , vol. 39 (2): 210-233
Works in Progress: Painting and Modelling in Seventeenth-Century Holland
Jan Blanc, vol. 39 (2): 234-253
Looking in the Mirror of Renaissance Art
Genevieve Warwick, vol. 39 (2): 254-281
Squaring the Circle: The Telescopic View in Early Modern Landscapes
Amy Knight Powell, vol. 39 (2): 282-301
After Galileo: The Image of Science in Niccolò Tornioli's Astronomers
Giulia Martina Weston, vol. 39 (2): 302-317
The Monument to Louis XIV at the Place Vendôme (1699) as a Technical Achievement: A Question of Interest
Etienne Jollet, vol. 39 (2): 318-339
A Clock Picture as a Philosophical Experiment: The Tableau Mécanique in the Physics Cabinet of Bonnier de la Mosson
Hanneke Grootenboer, vol. 39 (2): 340-355
Of Air Pumps and Teapots: Joseph Wright of Derby, John Singleton Copley and the Technology of Seeing
Bryan J. Wolf, vol. 39 (2): 356-375
Technologies of Illusion: De Loutherbourg's Eidophusikon in Eighteenth-Century London
Ann Bermingham, vol. 39 (2): 376-399
Telegraphic Images in Post-Revolutionary France
Richard Taws, vol. 39 (2): 400-421
Seizing Attention: Devices and Desires
Barbara Maria Stafford, vol. 39 (2): 422-427