Art History articles

Volume 37 (3)

Picturing Autonomy: David Smith, Photography and Sculpture
Sarah Hamill, vol. 37 (3): 536-565
The Flowering
Martina Bagnoli, vol. 37 (3): 566-569
Performing Sculpture
Stephen Bann, vol. 37 (3): 569-572
Monumental History
Peter Guillery, vol. 37 (3): 573-575
Devolving Britons: New Unions of Image and Text
Jordan Mearns, vol. 37 (3): 576-581
Placing Orientalism
Luke Gartlan, vol. 37 (3): 581-585
Re-politicizing Early Twentieth-Century Modernism in Paris
Mark A. Cheetham, vol. 37 (3): 586-589
Roger Fry as Psychologist
Sam Rose, vol. 37 (3): 589-591
Democracy Stalled in Its Arms
James Day, vol. 37 (3): 591-596

Volume 37 (2)

Abstracts & Authors’ Biographies
vol. 37 (2): 204-207
In Search of Mantegna's Poetics: An Introduction
Stephen J. Campbell, Jérémie Koering, vol. 37 (2): 208-221
Andrea Mantegna: Painting's Mediality
Klaus Krüger, vol. 37 (2): 222-253
Signing Mantegna
Daniel Arasse, vol. 37 (2): 254-274
Mantegna the Grammarian
Guillaume Cassegrain, vol. 37 (2): 276-292
Changing Forms: Mantegna's Poietics in the Camera Picta
Jérémie Koering, vol. 37 (2): 294-312
Mantegna's Camera Picta: Visuality and Pathos
Stephen J. Campbell, vol. 37 (2): 314-332
The Griffin's Gaze and the Mask of Medusa: Self-Referential Motifs in Andrea Mantegna's Trial of St James
Andreas Hauser, vol. 37 (2): 334-351
Artifice and Stability in Late Mantegna
Andrea Bolland, vol. 37 (2): 352-375
Mantegna's Fictive Bronze Judith and Dido: Beyond Exemplarity
Francis Fletcher, vol. 37 (2): 376-399

Volume 37 (1)

Abstracts & Authors’ Biographies
vol. 37 (1): 4-7
Editorial
Gavin Parkinson, vol. 37 (1): 9-9
Ladies-in-Waiting in Waiting: Picturing Adolescence in Dmitry Levitsky's Smolny Portraits, 1772–76
Rosalind P. Blakesley, vol. 37 (1): 10-37
The Motionless Look of a Painting: Jules Bastien-Lepage, Les Foins, and the End of Realism
Marnin Young, vol. 37 (1): 38-67
Second Only to the Original: Rhetoric and Practice in the Photographic Reproduction of Art in Early Twentieth-Century China
Yu-jen Liu, vol. 37 (1): 68-95
Hands on the Table: Ernst Ludwig Kirchner and the Expressionist Still Life
William Sherwin Simmons, vol. 37 (1): 96-125
‘With an almost pathetic fatality doing what is right’: Late Sickert and his Critics
Sam Rose, vol. 37 (1): 126-147
The Branding of the Museum
Julian Stallabrass, vol. 37 (1): 148-165
Water Worlds: Examining Mobility, Power and Civilization in the Islamic World
Zainab Cheema, vol. 37 (1): 166-169
Fragonard's Reverse Whodunnit and Other Tales of Relocation
Melissa Percival, vol. 37 (1): 169-174
Victorian Shock Value
Ayla Lepine, vol. 37 (1): 175-180
Documents of American Art
David Peters Corbett, vol. 37 (1): 180-183
Sladey Ladies and Femmes Modernes
Brian Foss, vol. 37 (1): 184-188
Pop Art and Subjectivity: Diversification of Narrative Frameworks and Expansion of the Field's Scope
Elisa Schaar, vol. 37 (1): 189-194
Touched Photographs
Jane Blocker, vol. 37 (1): 195-199
Abstracts & Authors’ Biographies
vol. 37 (1): 600-605
Why Imitation, and Why Global?
Paul Duro, vol. 37 (1): 606-627
Post-Western Poetics: Postmodern Appropriation Art in Australia
Ian McLean, vol. 37 (1): 628-647
Essentially the Same: Eduardo Costa's Minimal Differences and Latin American Conceptualism
Patrick Greaney, vol. 37 (1): 648-665
Like Father, Like Son: Bernini's Filial Imitation of Michelangelo
Carolina Mangone, vol. 37 (1): 666-687
Navajo Sandpainting in the Age of Cross-Cultural Replication
Janet Catherine Berlo, vol. 37 (1): 688-707