Art History articles

Volume 37 (2)

Signing Mantegna
Daniel Arasse, vol. 37 (2): 254-274
Mantegna the Grammarian
Guillaume Cassegrain, vol. 37 (2): 276-292
Changing Forms: Mantegna's Poietics in the Camera Picta
Jérémie Koering, vol. 37 (2): 294-312
Mantegna's Camera Picta: Visuality and Pathos
Stephen J. Campbell, vol. 37 (2): 314-332
The Griffin's Gaze and the Mask of Medusa: Self-Referential Motifs in Andrea Mantegna's Trial of St James
Andreas Hauser, vol. 37 (2): 334-351
Artifice and Stability in Late Mantegna
Andrea Bolland, vol. 37 (2): 352-375
Mantegna's Fictive Bronze Judith and Dido: Beyond Exemplarity
Francis Fletcher, vol. 37 (2): 376-399

Volume 37 (1)

Abstracts & Authors’ Biographies
vol. 37 (1): 4-7
Editorial
Gavin Parkinson, vol. 37 (1): 9-9
Ladies-in-Waiting in Waiting: Picturing Adolescence in Dmitry Levitsky's Smolny Portraits, 1772–76
Rosalind P. Blakesley, vol. 37 (1): 10-37
Hands on the Table: Ernst Ludwig Kirchner and the Expressionist Still Life
William Sherwin Simmons, vol. 37 (1): 96-125
Water Worlds: Examining Mobility, Power and Civilization in the Islamic World
Zainab Cheema, vol. 37 (1): 166-169
Fragonard's Reverse Whodunnit and Other Tales of Relocation
Melissa Percival, vol. 37 (1): 169-174
Victorian Shock Value
Ayla Lepine, vol. 37 (1): 175-180
Documents of American Art
David Peters Corbett, vol. 37 (1): 180-183
Sladey Ladies and Femmes Modernes
Brian Foss, vol. 37 (1): 184-188
Pop Art and Subjectivity: Diversification of Narrative Frameworks and Expansion of the Field's Scope
Elisa Schaar, vol. 37 (1): 189-194
Touched Photographs
Jane Blocker, vol. 37 (1): 195-199

Volume 36 (5)

Abstracts & Authors’ Biographies
vol. 36 (5): 892-896
Framing the Miraculous: The Devotional Functions of Perspective in Italian Renaissance Tabernacle Design
Paul Davies, vol. 36 (5): 898-921
‘Sweet in the Mouth, Bitter in the Belly’: Seeing Double in an Eccentric French Renaissance Book of Hours
Rebecca Zorach, vol. 36 (5): 922-943
Salvator Rosa's Allegory of Philosophy as Ut Pictura Rhetorica: Eloquent Gesture and the Pursuit of Artistic Decorum
Alexandra Hoare, vol. 36 (5): 944-967
Shopping in St Petersburg: Lewis Carroll's Photographs and Icons
Lindsay Smith, vol. 36 (5): 968-993
A Hysterical Reading of Rodin's Gates of Hell
Natasha Ruiz-Gómez, vol. 36 (5): 994-1017
Heterogeneity, the City, and Cinema in Alberto Cavalcanti's Rien que les heures
Margaret Werth, vol. 36 (5): 1018-1041
Indian Nationalist Art History and the Writing and Exhibiting of Mughal Art, 1910–48
Devika Singh, vol. 36 (5): 1042-1069
Ways of Perceiving Late Imperial Chinese Art
Jennifer Purtle, vol. 36 (5): 1070-1076
Animating Classical Art History
Michael Squire, vol. 36 (5): 1077-1080
Reading Caravaggio
Victor I. Stoichita, vol. 36 (5): 1080-1083
Ever an Anarchist
Allan Antliff, vol. 36 (5): 1084-1086
Critical Silences in Spanish Art History, 1945–2010
Mark Stuart-Smith, vol. 36 (5): 1087-1094
Variantology
Barnaby Dicker, vol. 36 (5): 1095-1098
Reflections on Dress: Discussions of Philosophy, Identity and Fashion
Rebecca Arnold, vol. 36 (5): 1099-1100
Index to Volume 36
vol. 36 (5): 1102-1103

Volume 36 (4)

Abstracts & Authors’ Biographies
vol. 36 (4): 680-685
Redefining the Altarpiece in Early Renaissance Italy: Giotto's Stigmatization of Saint Francis and its Pisan Context
Donal Cooper, vol. 36 (4): 686-713
Nakedness and Other Peoples: Rethinking the Italian Renaissance Nude
Jill Burke, vol. 36 (4): 714-739
‘The fault of being purely French’: The Practice and Theory of Landscape Painting in Post-Revolutionary France
Steven Adams, vol. 36 (4): 740-767
The Ambivalence of Ornament: Silhouette Advertisements in Print and Film in Early Twentieth-Century Germany
Michael Cowan, vol. 36 (4): 784-809
Conflict and Consolation: British Art and the First World War, 1914–1919
James Fox, vol. 36 (4): 810-833