Art History articles

Volume 40 (3)

Looking Back at Bacon: Reviewing the Oeuvre
Rina Arya, vol. 40 (3): 665-671
Andean Sojourns
Michael Schreffler, vol. 40 (3): 672-674
Gossart's Netherlandish Courage
Albert Godycki, vol. 40 (3): 675-677
Architecture and Cultural Translation on India's Deccan Frontier
Crispin Branfoot, vol. 40 (3): 678-680
When Artistry, Materiality and Culture Meet
T. A. Heslop, vol. 40 (3): 681-682
Spectacles of Beauty
Nadine Schibille, vol. 40 (3): 683-686

Volume 40 (2)

Abstracts & Authors' Biographies
vol. 40 (2): 240-245
Introduction: Art and Religious Reform in Early Modern Europe
Bridget Heal, vol. 40 (2): 246-255
Karlstadt's Wagen: The First Visual Propaganda for the Reformation
Lyndal Roper, Jennifer Spinks, vol. 40 (2): 256-285
‘Between these Two Kingdoms’: Exile, Election, and Godly Law in Sebald Beham's Moses and Aaron
Mitchell B. Merback, vol. 40 (2): 286-311
The Unassembled Grammar of the Drawing in the Era of Reform
Shira Brisman, vol. 40 (2): 312-335
The Family at Table: Protestant Identity, Self-Representation and the Limits of the Visual in Seventeenth-Century Zurich
Andrew Morrall, vol. 40 (2): 336-357
Lutheran Baroque: The Afterlife of a Reformation Altarpiece
Bridget Heal, vol. 40 (2): 358-379
Images (Not) Made By Chance
Amy Knight Powell, vol. 40 (2): 380-403
The Art of Solitude: Environments of Prayer at the Bavarian Court of Wilhelm V
Christine Göttler, vol. 40 (2): 404-429
The Reliquary Reformed
Mia M. Mochizuki, vol. 40 (2): 430-449
Afterword
Joseph Leo Koerner, vol. 40 (2): 450-455

Volume 40 (1)

Abstracts & Authors' Biographies
vol. 40 (1): 4-7
Editorial
Genevieve Warwick, vol. 40 (1): 8-9
Crafting Boundaries of the Unseeable World: Dialectics of Space in the Bhagavat Sutra Repository
Jeehee Hong, vol. 40 (1): 10-37
A Psalm for King James: Rubens's Peace Embracing Plenty and the Virtues of Female Affection at Whitehall
J. Vanessa Lyon, vol. 40 (1): 38-67
Against the ‘Statue Anatomized’: The ‘Art’ of Eighteenth-Century Anatomy on Trial
Lyle Massey, vol. 40 (1): 68-103
Composing the Spectacle: Colonial Portraiture and the Coronation Durbars of British India, 1877–1911
Sean Willcock, vol. 40 (1): 132-155
Close Looking and Conviction
Sam Rose, vol. 40 (1): 156-177
‘Painting like nature’: Chance and the Landscape in Gerhard Richter's Overpainted Photographs
Aline Guillermet, vol. 40 (1): 178-199
Creating Artists
Kate Aspinall, vol. 40 (1): 200-204
Hidden Trails in Art History
Samuel Bibby, vol. 40 (1): 204-209
In the Aura of the Object: Modernity's Re-Enchantment
Will Atkin, vol. 40 (1): 210-214
‘A Kind of Mental Explosion’: Modernism's Other Worlds
Charlotte de Mille, vol. 40 (1): 215-217
Meticulously Yours
Gavin Parkinson, vol. 40 (1): 217-220
Hallucinating Art History
Kamini Vellodi, vol. 40 (1): 220-224
Leverage on a Nineteenth-Century Maverick: Henri Regnault
Anna Green, vol. 40 (1): 225-228
Perspectives on Eckersberg
Michael Hatt, vol. 40 (1): 229-236

Volume 39 (5)

Abstracts & Authors' Biographies
vol. 39 (5): 844-847
Anachronism's Mimetic Magic
Natasha Eaton, vol. 39 (5): 1014-1018
Trajectories of Looking in Renaissance Painting: The Legacy of Daniel Arasse
Paulina Faba, vol. 39 (5): 1019-1022
Making Modern Paintings
Lily Foster, vol. 39 (5): 1023-1027
Mining Germany's Cultural History
Elizabeth Kajs, vol. 39 (5): 1028-1031
The God that Failed Brâncuşi
Jonathan Vernon, vol. 39 (5): 1032-1036
A Legacy of Polemics: The American Reception of Surrealism
Abigail Susik, vol. 39 (5): 1036-1038