Art History articles

Volume 40 (1)

Creating Artists
Kate Aspinall, vol. 40 (1): 200-204
Hidden Trails in Art History
Samuel Bibby, vol. 40 (1): 204-209
In the Aura of the Object: Modernity's Re-Enchantment
Will Atkin, vol. 40 (1): 210-214
‘A Kind of Mental Explosion’: Modernism's Other Worlds
Charlotte de Mille, vol. 40 (1): 215-217
Meticulously Yours
Gavin Parkinson, vol. 40 (1): 217-220
Hallucinating Art History
Kamini Vellodi, vol. 40 (1): 220-224
Leverage on a Nineteenth-Century Maverick: Henri Regnault
Anna Green, vol. 40 (1): 225-228
Perspectives on Eckersberg
Michael Hatt, vol. 40 (1): 229-236

Volume 39 (5)

Abstracts & Authors' Biographies
vol. 39 (5): 844-847
Anachronism's Mimetic Magic
Natasha Eaton, vol. 39 (5): 1014-1018
Trajectories of Looking in Renaissance Painting: The Legacy of Daniel Arasse
Paulina Faba, vol. 39 (5): 1019-1022
Making Modern Paintings
Lily Foster, vol. 39 (5): 1023-1027
Mining Germany's Cultural History
Elizabeth Kajs, vol. 39 (5): 1028-1031
The God that Failed Brâncuşi
Jonathan Vernon, vol. 39 (5): 1032-1036
A Legacy of Polemics: The American Reception of Surrealism
Abigail Susik, vol. 39 (5): 1036-1038
Trademark Images
Thomas Morgan Evans, vol. 39 (5): 1039-1042
The Work of Feminist-Influenced Art History
Amy Tobin, vol. 39 (5): 1043-1046
Index to Volume 39
vol. 39 (5): 1047-1048

Volume 39 (4)

Abstracts & Authors' Biographies
vol. 39 (4): 636-639
Material Imagination: Art in Europe, 1946–72
Natalie Adamson, Steven Harris, vol. 39 (4): 640-653
Black Flowers Blossom: Bachelard, Soulages and the Material Imaginary of Abstract Painting
Natalie Adamson, vol. 39 (4): 654-675
Materialism and Intersubjectivity in Cobra
Karen Kurczynski, vol. 39 (4): 676-697
Makeshift Wholes: Interiority and Texture in Postwar British Design
Alex Kitnick, vol. 39 (4): 698-719
Materializing Modernism in Postwar Italy: Fausto Melotti, Gio Ponti, and the 1961 Esposizione Internazionale del Lavoro
Marin R. Sullivan, vol. 39 (4): 720-743
L'Optique Moderne: Daniel Spoerri's ‘Optical Readymades’
Jill Carrick, vol. 39 (4): 744-771
Terrain vague: Ben Vautier and the Ecole de Nice
Anna Dezeuze, vol. 39 (4): 772-795
‘Not Yet’ Materialized: Carlfriedrich Claus's ‘Talking Papers’
Sarah E. James, vol. 39 (4): 796-819
The Longevity of Roman Opałka
Alistair Rider, vol. 39 (4): 820-839

Volume 39 (3)

Abstracts & Authors’ Biographies
vol. 39 (3): 432-435
Relay and Delay: Dürer's Triumphal Chariots in the Era of the Post
Shira Brisman, vol. 39 (3): 436-465
Reassessing Piero di Cosimo
Paula Nuttall, vol. 39 (3): 600-603
Looking at Dutch Visual Culture
Caroline O. Fowler, vol. 39 (3): 604-608
Thinking Beauty Through: Paul Guyer's Narrative of Modern Aesthetics
Sarah Hegenbart, vol. 39 (3): 609-611
Paris Goes Global: Nineteenth-Century Art History's Transnational Turn
Alexis Clark, vol. 39 (3): 612-615
A Metaphysical Journey
Willard Bohn, vol. 39 (3): 616-619
Working It Out
Kamini Vellodi, vol. 39 (3): 619-622
Living Pluralism: Lawrence Alloway as Critic, Curator and Teacher
Rachel Stratton, vol. 39 (3): 622-627
Same Old Marxist Art History
James Day, vol. 39 (3): 627-631

Volume 39 (2)

Abstracts & Authors’ Biographies
vol. 39 (2): 192-197
After Prometheus: Art and Technology in Early Modern Europe
Genevieve Warwick, Richard Taws, vol. 39 (2): 198-209