Art History articles

Volume 40 (4)

Abstracts & Authors' Biographies
vol. 40 (4): 690-694
Art History 40: Reading, Writing, Remembering
Genevieve Warwick, Gavin Parkinson, vol. 40 (4): 696-703
Art History and Memory, From the Couch to the Scanner: On How the New Art History Woke Up to a Neural Future
John Onians, vol. 40 (4): 704-723
Towards a New French Renaissance: Memory, Tradition and Cultural Conservatism in France before the First World War
Neil McWilliam, vol. 40 (4): 724-743
Enduring Characteristics and Unstable Hues: Men in Black in French Painting in the 1860s and 1870s
Marcia Pointon, vol. 40 (4): 744-769
Misprisions of London
Dana Arnold, vol. 40 (4): 770-783
Suitcase Aesthetics: The Making of Memory in Diaspora Art in Britain in the Later 1980s
Deborah Cherry, vol. 40 (4): 784-807
‘The Pursuit of Understanding’: Art History and the Periodical Landscape of Late-1970s Britain
Samuel Bibby, vol. 40 (4): 808-837
Decreation and Undoing: George Bellows's Excavation Paintings, 1907–1909
David Peters Corbett, vol. 40 (4): 838-855
Myths and Memories of Brittany: Reviewing Gauguin's Stereotypes
Gavin Parkinson, vol. 40 (4): 856-883
Memory's Cut: Caravaggio's Sleeping Cupid of 1608
Genevieve Warwick, vol. 40 (4): 884-903
Herbert Read, the École de Paris and Art Criticism, c. 1946
Natalie Adamson, vol. 40 (4): 904-927

Volume 40 (3)

Abstracts & Authors' Biographies
vol. 40 (3): 460-463
Drawing's Prepositions
Patricia Allmer, vol. 40 (3): 658-660
Not Virtual
Michael Corris, vol. 40 (3): 661-665
Looking Back at Bacon: Reviewing the Oeuvre
Rina Arya, vol. 40 (3): 665-671
Andean Sojourns
Michael Schreffler, vol. 40 (3): 672-674
Gossart's Netherlandish Courage
Albert Godycki, vol. 40 (3): 675-677
Architecture and Cultural Translation on India's Deccan Frontier
Crispin Branfoot, vol. 40 (3): 678-680
When Artistry, Materiality and Culture Meet
T. A. Heslop, vol. 40 (3): 681-682
Spectacles of Beauty
Nadine Schibille, vol. 40 (3): 683-686

Volume 40 (2)

Abstracts & Authors' Biographies
vol. 40 (2): 240-245
Introduction: Art and Religious Reform in Early Modern Europe
Bridget Heal, vol. 40 (2): 246-255
Karlstadt's Wagen: The First Visual Propaganda for the Reformation
Lyndal Roper, Jennifer Spinks, vol. 40 (2): 256-285
‘Between these Two Kingdoms’: Exile, Election, and Godly Law in Sebald Beham's Moses and Aaron
Mitchell B. Merback, vol. 40 (2): 286-311
The Unassembled Grammar of the Drawing in the Era of Reform
Shira Brisman, vol. 40 (2): 312-335
The Family at Table: Protestant Identity, Self-Representation and the Limits of the Visual in Seventeenth-Century Zurich
Andrew Morrall, vol. 40 (2): 336-357
Lutheran Baroque: The Afterlife of a Reformation Altarpiece
Bridget Heal, vol. 40 (2): 358-379
Images (Not) Made By Chance
Amy Knight Powell, vol. 40 (2): 380-403
The Art of Solitude: Environments of Prayer at the Bavarian Court of Wilhelm V
Christine Göttler, vol. 40 (2): 404-429
The Reliquary Reformed
Mia M. Mochizuki, vol. 40 (2): 430-449
Afterword
Joseph Leo Koerner, vol. 40 (2): 450-455

Volume 40 (1)

Abstracts & Authors' Biographies
vol. 40 (1): 4-7
Editorial
Genevieve Warwick, vol. 40 (1): 8-9
Crafting Boundaries of the Unseeable World: Dialectics of Space in the Bhagavat Sutra Repository
Jeehee Hong, vol. 40 (1): 10-37
A Psalm for King James: Rubens's Peace Embracing Plenty and the Virtues of Female Affection at Whitehall
J. Vanessa Lyon, vol. 40 (1): 38-67
Against the ‘Statue Anatomized’: The ‘Art’ of Eighteenth-Century Anatomy on Trial
Lyle Massey, vol. 40 (1): 68-103
Composing the Spectacle: Colonial Portraiture and the Coronation Durbars of British India, 1877–1911
Sean Willcock, vol. 40 (1): 132-155
Close Looking and Conviction
Sam Rose, vol. 40 (1): 156-177
‘Painting like nature’: Chance and the Landscape in Gerhard Richter's Overpainted Photographs
Aline Guillermet, vol. 40 (1): 178-199