Art History articles

Volume 37 (5)

What is Violence?
Scott Nethersole, vol. 37 (5): 982-984
Who is Zorn?
Randall L. Anderson, vol. 37 (5): 985-988
Rethinking Hegel and Heidegger on Art
Emma Bennett, vol. 37 (5): 989-992
Futurism Revived in New York
Rosalind McKever, vol. 37 (5): 993-997
Charting an Amorphous Past: Surrealism in Japan
Michael Richardson, vol. 37 (5): 998-1001
Life Work
Sophie Nield, vol. 37 (5): 1001-1005
Aesthetics: Art and Non-Art
Dan Karlholm, vol. 37 (5): 1005-1009
Index to Volume 37
vol. 37 (5): 1010-1011

Volume 37 (3)

Abstracts & Authors’ Biographies
vol. 37 (3): 404-407
‘Private Pleasures’ of the Mughal Empire
Imma Ramos, vol. 37 (3): 408-427
Suspended Collectivity: Horace Vernet's The Crossing of the Arcole Bridge (1826)
Katie Hornstein, vol. 37 (3): 428-453
Caspar David Friedrich and the Anatomy of Nature
Nina Amstutz, vol. 37 (3): 454-481
Figures at the Intersection: Pierre Bonnard, Stéphane Mallarmé, and the Revue blanche
Janis Bergman-Carton, vol. 37 (3): 482-509
Private Lives and Interior Spaces: Raja Ravi Varma's Scholar Paintings
Niharika Dinkar, vol. 37 (3): 510-535
Picturing Autonomy: David Smith, Photography and Sculpture
Sarah Hamill, vol. 37 (3): 536-565
The Flowering
Martina Bagnoli, vol. 37 (3): 566-569
Performing Sculpture
Stephen Bann, vol. 37 (3): 569-572
Monumental History
Peter Guillery, vol. 37 (3): 573-575
Devolving Britons: New Unions of Image and Text
Jordan Mearns, vol. 37 (3): 576-581
Placing Orientalism
Luke Gartlan, vol. 37 (3): 581-585
Re-politicizing Early Twentieth-Century Modernism in Paris
Mark A. Cheetham, vol. 37 (3): 586-589
Roger Fry as Psychologist
Sam Rose, vol. 37 (3): 589-591
Democracy Stalled in Its Arms
James Day, vol. 37 (3): 591-596

Volume 37 (2)

Abstracts & Authors’ Biographies
vol. 37 (2): 204-207
In Search of Mantegna's Poetics: An Introduction
Stephen J. Campbell, Jérémie Koering, vol. 37 (2): 208-221
Andrea Mantegna: Painting's Mediality
Klaus Krüger, vol. 37 (2): 222-253
Signing Mantegna
Daniel Arasse, vol. 37 (2): 254-274
Mantegna the Grammarian
Guillaume Cassegrain, vol. 37 (2): 276-292
Changing Forms: Mantegna's Poietics in the Camera Picta
Jérémie Koering, vol. 37 (2): 294-312
Mantegna's Camera Picta: Visuality and Pathos
Stephen J. Campbell, vol. 37 (2): 314-332
The Griffin's Gaze and the Mask of Medusa: Self-Referential Motifs in Andrea Mantegna's Trial of St James
Andreas Hauser, vol. 37 (2): 334-351
Artifice and Stability in Late Mantegna
Andrea Bolland, vol. 37 (2): 352-375
Mantegna's Fictive Bronze Judith and Dido: Beyond Exemplarity
Francis Fletcher, vol. 37 (2): 376-399

Volume 37 (1)

Abstracts & Authors’ Biographies
vol. 37 (1): 4-7
Editorial
Gavin Parkinson, vol. 37 (1): 9-9
Ladies-in-Waiting in Waiting: Picturing Adolescence in Dmitry Levitsky's Smolny Portraits, 1772–76
Rosalind P. Blakesley, vol. 37 (1): 10-37
The Motionless Look of a Painting: Jules Bastien-Lepage, Les Foins, and the End of Realism
Marnin Young, vol. 37 (1): 38-67
Second Only to the Original: Rhetoric and Practice in the Photographic Reproduction of Art in Early Twentieth-Century China
Yu-jen Liu, vol. 37 (1): 68-95
Hands on the Table: Ernst Ludwig Kirchner and the Expressionist Still Life
William Sherwin Simmons, vol. 37 (1): 96-125
‘With an almost pathetic fatality doing what is right’: Late Sickert and his Critics
Sam Rose, vol. 37 (1): 126-147