Art History articles

Volume 39 (5)

Trademark Images
Thomas Morgan Evans, vol. 39 (5): 1039-1042
The Work of Feminist-Influenced Art History
Amy Tobin, vol. 39 (5): 1043-1046
Index to Volume 39
vol. 39 (5): 1047-1048

Volume 39 (4)

Abstracts & Authors' Biographies
vol. 39 (4): 636-639
Material Imagination: Art in Europe, 1946–72
Natalie Adamson, Steven Harris, vol. 39 (4): 640-653
Black Flowers Blossom: Bachelard, Soulages and the Material Imaginary of Abstract Painting
Natalie Adamson, vol. 39 (4): 654-675
Materialism and Intersubjectivity in Cobra
Karen Kurczynski, vol. 39 (4): 676-697
Makeshift Wholes: Interiority and Texture in Postwar British Design
Alex Kitnick, vol. 39 (4): 698-719
Materializing Modernism in Postwar Italy: Fausto Melotti, Gio Ponti, and the 1961 Esposizione Internazionale del Lavoro
Marin R. Sullivan, vol. 39 (4): 720-743
L'Optique Moderne: Daniel Spoerri's ‘Optical Readymades’
Jill Carrick, vol. 39 (4): 744-771
Terrain vague: Ben Vautier and the Ecole de Nice
Anna Dezeuze, vol. 39 (4): 772-795
‘Not Yet’ Materialized: Carlfriedrich Claus's ‘Talking Papers’
Sarah E. James, vol. 39 (4): 796-819
The Longevity of Roman Opałka
Alistair Rider, vol. 39 (4): 820-839

Volume 39 (3)

Abstracts & Authors’ Biographies
vol. 39 (3): 432-435
Relay and Delay: Dürer's Triumphal Chariots in the Era of the Post
Shira Brisman, vol. 39 (3): 436-465
Reassessing Piero di Cosimo
Paula Nuttall, vol. 39 (3): 600-603
Looking at Dutch Visual Culture
Caroline O. Fowler, vol. 39 (3): 604-608
Thinking Beauty Through: Paul Guyer's Narrative of Modern Aesthetics
Sarah Hegenbart, vol. 39 (3): 609-611
Paris Goes Global: Nineteenth-Century Art History's Transnational Turn
Alexis Clark, vol. 39 (3): 612-615
A Metaphysical Journey
Willard Bohn, vol. 39 (3): 616-619
Working It Out
Kamini Vellodi, vol. 39 (3): 619-622
Living Pluralism: Lawrence Alloway as Critic, Curator and Teacher
Rachel Stratton, vol. 39 (3): 622-627
Same Old Marxist Art History
James Day, vol. 39 (3): 627-631

Volume 39 (2)

Abstracts & Authors’ Biographies
vol. 39 (2): 192-197
After Prometheus: Art and Technology in Early Modern Europe
Genevieve Warwick, Richard Taws, vol. 39 (2): 198-209
Historians in the Laboratory: Reconstruction of Renaissance Art and Technology in the Making and Knowing Project
Pamela H. Smith, , vol. 39 (2): 210-233
Works in Progress: Painting and Modelling in Seventeenth-Century Holland
Jan Blanc, vol. 39 (2): 234-253
Looking in the Mirror of Renaissance Art
Genevieve Warwick, vol. 39 (2): 254-281
Squaring the Circle: The Telescopic View in Early Modern Landscapes
Amy Knight Powell, vol. 39 (2): 282-301
After Galileo: The Image of Science in Niccolò Tornioli's Astronomers
Giulia Martina Weston, vol. 39 (2): 302-317
The Monument to Louis XIV at the Place Vendôme (1699) as a Technical Achievement: A Question of Interest
Etienne Jollet, vol. 39 (2): 318-339
A Clock Picture as a Philosophical Experiment: The Tableau Mécanique in the Physics Cabinet of Bonnier de la Mosson
Hanneke Grootenboer, vol. 39 (2): 340-355
Of Air Pumps and Teapots: Joseph Wright of Derby, John Singleton Copley and the Technology of Seeing
Bryan J. Wolf, vol. 39 (2): 356-375
Technologies of Illusion: De Loutherbourg's Eidophusikon in Eighteenth-Century London
Ann Bermingham, vol. 39 (2): 376-399
Telegraphic Images in Post-Revolutionary France
Richard Taws, vol. 39 (2): 400-421
Seizing Attention: Devices and Desires
Barbara Maria Stafford, vol. 39 (2): 422-427

Volume 39 (1)

Abstracts & Authors’ Biographies
vol. 39 (1): 4-7
Editorial
Genevieve Warwick, vol. 39 (1): 8-9
Life Drawing and the Crisis of Historia in French Eighteenth-Century Painting
Susanna Caviglia, vol. 39 (1): 40-69
Wandering Gothic
Tom Nickson, vol. 39 (1): 152-155