Art History articles

Volume 37 (1)

Copying and Theory in Edo-Period Japan (1615–1868)
Kazuko Kameda-Madar, vol. 37 (1): 708-727
Original Imitations for Sale: Dafen and Artistic Commodification
Vivian Li, vol. 37 (1): 728-743
The Temporal Logic of Citation in Chinese Painting
Martin J. Powers, vol. 37 (1): 744-763
Ingemination
Richard Shiff, vol. 37 (1): 764-783
The Image Valued ‘As Found’ and the Reconfiguring of Mimesis in Post-War Art
Alex Potts, vol. 37 (1): 784-805
History Lessons: Imitation, Work and the Temporality of Contemporary Art
Jonathan Bordo, vol. 37 (1): 806-825

Volume 36 (5)

Abstracts & Authors’ Biographies
vol. 36 (5): 892-896
Framing the Miraculous: The Devotional Functions of Perspective in Italian Renaissance Tabernacle Design
Paul Davies, vol. 36 (5): 898-921
‘Sweet in the Mouth, Bitter in the Belly’: Seeing Double in an Eccentric French Renaissance Book of Hours
Rebecca Zorach, vol. 36 (5): 922-943
Salvator Rosa's Allegory of Philosophy as Ut Pictura Rhetorica: Eloquent Gesture and the Pursuit of Artistic Decorum
Alexandra Hoare, vol. 36 (5): 944-967
Shopping in St Petersburg: Lewis Carroll's Photographs and Icons
Lindsay Smith, vol. 36 (5): 968-993
A Hysterical Reading of Rodin's Gates of Hell
Natasha Ruiz-Gómez, vol. 36 (5): 994-1017
Heterogeneity, the City, and Cinema in Alberto Cavalcanti's Rien que les heures
Margaret Werth, vol. 36 (5): 1018-1041
Indian Nationalist Art History and the Writing and Exhibiting of Mughal Art, 1910–48
Devika Singh, vol. 36 (5): 1042-1069
Ways of Perceiving Late Imperial Chinese Art
Jennifer Purtle, vol. 36 (5): 1070-1076
Animating Classical Art History
Michael Squire, vol. 36 (5): 1077-1080
Reading Caravaggio
Victor I. Stoichita, vol. 36 (5): 1080-1083
Ever an Anarchist
Allan Antliff, vol. 36 (5): 1084-1086
Critical Silences in Spanish Art History, 1945–2010
Mark Stuart-Smith, vol. 36 (5): 1087-1094
Variantology
Barnaby Dicker, vol. 36 (5): 1095-1098
Reflections on Dress: Discussions of Philosophy, Identity and Fashion
Rebecca Arnold, vol. 36 (5): 1099-1100
Index to Volume 36
vol. 36 (5): 1102-1103

Volume 36 (4)

Abstracts & Authors’ Biographies
vol. 36 (4): 680-685
Redefining the Altarpiece in Early Renaissance Italy: Giotto's Stigmatization of Saint Francis and its Pisan Context
Donal Cooper, vol. 36 (4): 686-713
Nakedness and Other Peoples: Rethinking the Italian Renaissance Nude
Jill Burke, vol. 36 (4): 714-739
‘The fault of being purely French’: The Practice and Theory of Landscape Painting in Post-Revolutionary France
Steven Adams, vol. 36 (4): 740-767
In Search of Lost Time: Greek Sculpture and Display in Late Nineteenth-Century England
Michael Hatt, vol. 36 (4): 768-783
The Ambivalence of Ornament: Silhouette Advertisements in Print and Film in Early Twentieth-Century Germany
Michael Cowan, vol. 36 (4): 784-809
Conflict and Consolation: British Art and the First World War, 1914–1919
James Fox, vol. 36 (4): 810-833
Traumatic Subjectivity and the Continuum of History: Hermann Nitsch's Orgies Mysteries Theater
Susan Jarosi, vol. 36 (4): 834-863
Mapping Ethnography in Early Modern Germany
Surekha Davies, vol. 36 (4): 864-866
‘Sparks Set in Gold’: A New History of Jewellery
Peter McNeil, vol. 36 (4): 867-870
Subject Matters in Early Modern Art
Helen Hills, vol. 36 (4): 871-874
Surrealism, Always Young
Krzysztof Fijalkowski, vol. 36 (4): 875-878
Filming the Factory
James Boaden, vol. 36 (4): 879-882
Lucio Fontana's Dialectic
Jacopo Galimberti, vol. 36 (4): 883-885
Better Lyotard than never, I figure
Kiff Bamford, vol. 36 (4): 885-888

Volume 36 (3)

Abstracts & Authors’ Biographies
vol. 36 (3): 468-472
The Clever Object: Three Pavilions, Three Loggias, and a Planetarium
Matthew C. Hunter, Francesco Lucchini, vol. 36 (3): 474-497
Aleardino's Glass
Francesco Lucchini, vol. 36 (3): 498-517