Art History articles

Volume 36 (4)

Surrealism, Always Young
Krzysztof Fijalkowski, vol. 36 (4): 875-878
Filming the Factory
James Boaden, vol. 36 (4): 879-882
Lucio Fontana's Dialectic
Jacopo Galimberti, vol. 36 (4): 883-885
Better Lyotard than never, I figure
Kiff Bamford, vol. 36 (4): 885-888

Volume 36 (3)

Abstracts & Authors’ Biographies
vol. 36 (3): 468-472
The Clever Object: Three Pavilions, Three Loggias, and a Planetarium
Matthew C. Hunter, Francesco Lucchini, vol. 36 (3): 474-497
Aleardino's Glass
Francesco Lucchini, vol. 36 (3): 498-517
Object, Image, Cleverness: The Lienzo de Tlaxcala
Byron Ellsworth Hamann, vol. 36 (3): 518-545
Picture, Object, Puzzle, Prompter: Devilish Cleverness in Restoration London
Matthew C. Hunter, vol. 36 (3): 546-567
Screen Wise, Screen Play: Jacques de Lajoue and the Ruses of Rococo
Katie Scott, vol. 36 (3): 568-607
William Morris's Tapestry: Metamorphosis and Prophecy in The Woodpecker
Caroline Arscott, vol. 36 (3): 608-625
Fischli and Weiss's Equilibre/Quiet Afternoon (1984–5)
Rachel Wells, vol. 36 (3): 626-639
Clever Objects – Tell-Tale Objects
Simon Starling, Christiane Rekade, vol. 36 (3): 640-651
Fragments of Great Visions
Ian Kiaer, Christiane Rekade, vol. 36 (3): 652-663
Clever Fetishists
Roman Frigg, vol. 36 (3): 665-669
Playing Dumb
Glenn Adamson, vol. 36 (3): 670-676

Volume 36 (2)

Abstracts & Authors' Biographies
vol. 36 (2): 236-240
Embodied Ambiguities on the Prima Porta Augustus
Michael Squire, vol. 36 (2): 242-279
Art History from the Bottom Up
Patricia Rubin, vol. 36 (2): 280-309
Academic Intimacies: Portraits of Family, Friendship, and Rivalry at the Académie Royale
Hannah Williams, vol. 36 (2): 338-365
Ruins, Rhetoric and Revolution: Paul Signac's Le Démolisseur and Anarchism in the 1890s
Richard Thomson, vol. 36 (2): 366-391
Insectomania
Marion Endt-Jones, vol. 36 (2): 442-447
Radical Gothic
Ayla Lepine, vol. 36 (2): 447-450
Entering the Field of Play: New Approaches to Sport and Art
Bernard Vere, vol. 36 (2): 450-455
Expanding Art History
Samuel Rose, vol. 36 (2): 455-457
The Medium is the Memory
Margaret Iversen, vol. 36 (2): 457-460
Feminism and Visual Culture
Helen Hills, vol. 36 (2): 461-463

Volume 36 (1)

Abstracts & Authors’ Biographies
vol. 36 (1): 4-7
Editorial
Genevieve Warwick, Natalie Adamson, vol. 36 (1): 8-11
‘(Un)richtige Aufnahme’: Renaissance Sculpture and the Visual Historiography of Art History
Geraldine A. Johnson, vol. 36 (1): 12-51
How One Should Photograph Sculpture
Heinrich Wölfflin, Geraldine A. Johnson, vol. 36 (1): 52-71
Invention and Sexuality in the Raphael Workshop: Before the Modi
James Grantham Turner, vol. 36 (1): 72-99
Alternative Narratives
Susan Siegfried, vol. 36 (1): 100-127
A ‘Lavender Talent’ or ‘The Most Important Woman Painter in Europe’? Reassessing Vanessa Bell
Grace Brockington, vol. 36 (1): 128-153
Shiraga Kazuo: The Hero and Concrete Violence
Namiko Kunimoto, vol. 36 (1): 154-179
Burnout: Liam Gillick's Post-Fordist Aesthetics
Bill Roberts, vol. 36 (1): 180-205
Ford Madox Brown: Subversive Pioneer?
Lucetta Johnson, vol. 36 (1): 206-209
State of Play: Visual Culture and Music
Simon Shaw-Miller, vol. 36 (1): 210-217
Women Artists and the Surrealist Movement in the United States and Mexico
Vanja V. Malloy, vol. 36 (1): 217-220
Revisions and Projections: Two Recent Accounts of America's Twentieth-Century Vanguards
Christa Noel Robbins, vol. 36 (1): 221-223