Art History articles

Volume 38 (3)

A Study of Black British Art
Rina Arya, vol. 38 (3): 582-584
Outside-In: Art History Divided
Charlotte de Mille, vol. 38 (3): 585-587
Francis Bacon's Dominant Figure: Recent Theoretical and Archival Grapples
Catherine Howe, vol. 38 (3): 587-593

Volume 38 (2)

Abstracts & Authors’ Biographies
vol. 38 (2): 246-249
Scale to Size: An Introduction
Joan Kee, Emanuele Lugli, vol. 38 (2): 250-266
Scale and Pictoriality in Ancient Egyptian Painting and Sculpture
Whitney Davis, vol. 38 (2): 268-285
The Invisible Miniature: Framing the Soul in Chinese Art and Architecture
Wu Hung, vol. 38 (2): 286-303
The Monumental Miniature: Liquid Architecture in the Kilgas of Cairo
Margaret S. Graves, vol. 38 (2): 304-323
‘Freedom I do reveal to you’: Scale, Microarchitecture, and the Rise of the Turriform Civic Monument in Fourteenth-Century Northern Europe
Achim Timmermann, vol. 38 (2): 324-345
Measuring the Bones: On Francesco di Giorgio Martini's Saluzzianus Skeleton
Emanuele Lugli, vol. 38 (2): 346-363
The Measure of the World: Scenes from a Journey to Kaesŏng
Joan Kee, vol. 38 (2): 364-385
Photography and Scale: Projection, Exhibition, Collection
Olivier Lugon, vol. 38 (2): 386-403

Volume 38 (1)

Abstracts & Authors’ Biographies
vol. 38 (1): 4-7
Editorial
Genevieve Warwick, vol. 38 (1): 9-9
Cursed Mimicry: France and Haiti, Again (1848 - 51)
Darcy Grimaldo Grigsby, vol. 38 (1): 68-105
Sculpture and Ideas
Whitney Davis, vol. 38 (1): 210-214
Manet and the Logic of Practice
Liz Kim, vol. 38 (1): 215-218
From Salon to Salons: Paris 1871–1914
Malcolm Gee, vol. 38 (1): 218-220
Love at Work: Avant-Garde Couples in Expressionism, Dada and Beyond
Debbie Lewer, vol. 38 (1): 221-225
Presenting Alexander Calder: A Review of Current Exhibition Practices
Vanja V. Malloy, vol. 38 (1): 226-230
Impure Modernism
Alex J. Taylor, vol. 38 (1): 230-233
Asger Jorn at 100
Kristina Rapacki, vol. 38 (1): 234-239
Beware the Erotic Doll!
Will Atkin, vol. 38 (1): 239-242

Volume 37 (5)

Abstracts & Authors’ Biographies
vol. 37 (5): 832-835
T. J. Clark's Picasso
Christopher Green, vol. 37 (5): 978-981
What is Violence?
Scott Nethersole, vol. 37 (5): 982-984
Who is Zorn?
Randall L. Anderson, vol. 37 (5): 985-988
Rethinking Hegel and Heidegger on Art
Emma Bennett, vol. 37 (5): 989-992
Futurism Revived in New York
Rosalind McKever, vol. 37 (5): 993-997
Charting an Amorphous Past: Surrealism in Japan
Michael Richardson, vol. 37 (5): 998-1001
Life Work
Sophie Nield, vol. 37 (5): 1001-1005
Aesthetics: Art and Non-Art
Dan Karlholm, vol. 37 (5): 1005-1009
Index to Volume 37
vol. 37 (5): 1010-1011

Volume 37 (3)

Abstracts & Authors’ Biographies
vol. 37 (3): 404-407
‘Private Pleasures’ of the Mughal Empire
Imma Ramos, vol. 37 (3): 408-427
Suspended Collectivity: Horace Vernet's The Crossing of the Arcole Bridge (1826)
Katie Hornstein, vol. 37 (3): 428-453
Caspar David Friedrich and the Anatomy of Nature
Nina Amstutz, vol. 37 (3): 454-481
Figures at the Intersection: Pierre Bonnard, Stéphane Mallarmé, and the Revue blanche
Janis Bergman-Carton, vol. 37 (3): 482-509
Private Lives and Interior Spaces: Raja Ravi Varma's Scholar Paintings
Niharika Dinkar, vol. 37 (3): 510-535
Picturing Autonomy: David Smith, Photography and Sculpture
Sarah Hamill, vol. 37 (3): 536-565