Art History articles

Volume 39 (3)

Paris Goes Global: Nineteenth-Century Art History's Transnational Turn
Alexis Clark, vol. 39 (3): 612-615
A Metaphysical Journey
Willard Bohn, vol. 39 (3): 616-619
Working It Out
Kamini Vellodi, vol. 39 (3): 619-622
Living Pluralism: Lawrence Alloway as Critic, Curator and Teacher
Rachel Stratton, vol. 39 (3): 622-627
Same Old Marxist Art History
James Day, vol. 39 (3): 627-631

Volume 39 (2)

Abstracts & Authors’ Biographies
vol. 39 (2): 192-197
After Prometheus: Art and Technology in Early Modern Europe
Genevieve Warwick, Richard Taws, vol. 39 (2): 198-209
Historians in the Laboratory: Reconstruction of Renaissance Art and Technology in the Making and Knowing Project
Pamela H. Smith, , vol. 39 (2): 210-233
Works in Progress: Painting and Modelling in Seventeenth-Century Holland
Jan Blanc, vol. 39 (2): 234-253
Looking in the Mirror of Renaissance Art
Genevieve Warwick, vol. 39 (2): 254-281
Squaring the Circle: The Telescopic View in Early Modern Landscapes
Amy Knight Powell, vol. 39 (2): 282-301
After Galileo: The Image of Science in Niccolò Tornioli's Astronomers
Giulia Martina Weston, vol. 39 (2): 302-317
The Monument to Louis XIV at the Place Vendôme (1699) as a Technical Achievement: A Question of Interest
Etienne Jollet, vol. 39 (2): 318-339
A Clock Picture as a Philosophical Experiment: The Tableau Mécanique in the Physics Cabinet of Bonnier de la Mosson
Hanneke Grootenboer, vol. 39 (2): 340-355
Of Air Pumps and Teapots: Joseph Wright of Derby, John Singleton Copley and the Technology of Seeing
Bryan J. Wolf, vol. 39 (2): 356-375
Technologies of Illusion: De Loutherbourg's Eidophusikon in Eighteenth-Century London
Ann Bermingham, vol. 39 (2): 376-399
Telegraphic Images in Post-Revolutionary France
Richard Taws, vol. 39 (2): 400-421
Seizing Attention: Devices and Desires
Barbara Maria Stafford, vol. 39 (2): 422-427

Volume 39 (1)

Abstracts & Authors’ Biographies
vol. 39 (1): 4-7
Editorial
Genevieve Warwick, vol. 39 (1): 8-9
Life Drawing and the Crisis of Historia in French Eighteenth-Century Painting
Susanna Caviglia, vol. 39 (1): 40-69
Wandering Gothic
Tom Nickson, vol. 39 (1): 152-155
Making and Meaning
Beth Williamson, vol. 39 (1): 156-159
Seeing and Reading Modernist Art Historiography
Francesco Ventrella, vol. 39 (1): 160-166
Later Realism's Fifteen Minutes
Samuel Raybone, vol. 39 (1): 166-170
Rediscovering Kurt Seligmann
Gražina Subelytė, vol. 39 (1): 170-173
From Mousike to Synaesthesia: New Interdisciplinary Agendas in Music and Visual Culture
Mark Stuart-Smith, vol. 39 (1): 173-181
The Einsteinian Eclipse: The Paradigmatic Fourth Dimension in Modern Art Before and After Relativity
Fae Brauer, vol. 39 (1): 182-188

Volume 38 (5)

Abstracts & Authors’ Biographies
vol. 38 (5): 810-813
Sculpture Triumphant
Katherine Faulkner, vol. 38 (5): 964-967
American Laughter
David Peters Corbett, vol. 38 (5): 967-970
Gauguin's Vision, or Credulity as Method
Gavin Parkinson, vol. 38 (5): 970-975
Crossing Borders: Expressionist Encounters with the French Avant-Garde
Christian Weikop, vol. 38 (5): 976-981
From the Spanish Civil War to the ‘Nuclear Age’
Robert James Sutton, vol. 38 (5): 982-987
Art of Deception
Laura Morowitz, vol. 38 (5): 987-990
Neatness Isn't a Very Good Reason to Think about Art
Wouter Davidts, vol. 38 (5): 990-994
Un-Bound: Sites of Blackness Set Free
Nikki A. Greene, vol. 38 (5): 994-997
Index to Volume 38
vol. 38 (5): 998-999

Volume 38 (4)

Abstracts & Authors’ Biographies
vol. 38 (4): 598-603
Introduction: Objects in Motion in the Early Modern World
Meredith Martin, Daniela Bleichmar, vol. 38 (4): 604-619