Art History articles

Volume 36 (5)

Indian Nationalist Art History and the Writing and Exhibiting of Mughal Art, 1910–48
Devika Singh, vol. 36 (5): 1042-1069
Ways of Perceiving Late Imperial Chinese Art
Jennifer Purtle, vol. 36 (5): 1070-1076
Animating Classical Art History
Michael Squire, vol. 36 (5): 1077-1080
Reading Caravaggio
Victor I. Stoichita, vol. 36 (5): 1080-1083
Ever an Anarchist
Allan Antliff, vol. 36 (5): 1084-1086
Critical Silences in Spanish Art History, 1945–2010
Mark Stuart-Smith, vol. 36 (5): 1087-1094
Variantology
Barnaby Dicker, vol. 36 (5): 1095-1098
Reflections on Dress: Discussions of Philosophy, Identity and Fashion
Rebecca Arnold, vol. 36 (5): 1099-1100
Index to Volume 36
vol. 36 (5): 1102-1103

Volume 36 (4)

Abstracts & Authors’ Biographies
vol. 36 (4): 680-685
Redefining the Altarpiece in Early Renaissance Italy: Giotto's Stigmatization of Saint Francis and its Pisan Context
Donal Cooper, vol. 36 (4): 686-713
Nakedness and Other Peoples: Rethinking the Italian Renaissance Nude
Jill Burke, vol. 36 (4): 714-739
‘The fault of being purely French’: The Practice and Theory of Landscape Painting in Post-Revolutionary France
Steven Adams, vol. 36 (4): 740-767
In Search of Lost Time: Greek Sculpture and Display in Late Nineteenth-Century England
Michael Hatt, vol. 36 (4): 768-783
The Ambivalence of Ornament: Silhouette Advertisements in Print and Film in Early Twentieth-Century Germany
Michael Cowan, vol. 36 (4): 784-809
Conflict and Consolation: British Art and the First World War, 1914–1919
James Fox, vol. 36 (4): 810-833
Traumatic Subjectivity and the Continuum of History: Hermann Nitsch's Orgies Mysteries Theater
Susan Jarosi, vol. 36 (4): 834-863
Mapping Ethnography in Early Modern Germany
Surekha Davies, vol. 36 (4): 864-866
‘Sparks Set in Gold’: A New History of Jewellery
Peter McNeil, vol. 36 (4): 867-870
Subject Matters in Early Modern Art
Helen Hills, vol. 36 (4): 871-874
Surrealism, Always Young
Krzysztof Fijalkowski, vol. 36 (4): 875-878
Filming the Factory
James Boaden, vol. 36 (4): 879-882
Lucio Fontana's Dialectic
Jacopo Galimberti, vol. 36 (4): 883-885
Better Lyotard than never, I figure
Kiff Bamford, vol. 36 (4): 885-888

Volume 36 (3)

Abstracts & Authors’ Biographies
vol. 36 (3): 468-472
The Clever Object: Three Pavilions, Three Loggias, and a Planetarium
Matthew C. Hunter, Francesco Lucchini, vol. 36 (3): 474-497
Aleardino's Glass
Francesco Lucchini, vol. 36 (3): 498-517
Object, Image, Cleverness: The Lienzo de Tlaxcala
Byron Ellsworth Hamann, vol. 36 (3): 518-545
Picture, Object, Puzzle, Prompter: Devilish Cleverness in Restoration London
Matthew C. Hunter, vol. 36 (3): 546-567
Screen Wise, Screen Play: Jacques de Lajoue and the Ruses of Rococo
Katie Scott, vol. 36 (3): 568-607
William Morris's Tapestry: Metamorphosis and Prophecy in The Woodpecker
Caroline Arscott, vol. 36 (3): 608-625
Fischli and Weiss's Equilibre/Quiet Afternoon (1984–5)
Rachel Wells, vol. 36 (3): 626-639
Clever Objects – Tell-Tale Objects
Simon Starling, Christiane Rekade, vol. 36 (3): 640-651
Fragments of Great Visions
Ian Kiaer, Christiane Rekade, vol. 36 (3): 652-663
Clever Fetishists
Roman Frigg, vol. 36 (3): 665-669
Playing Dumb
Glenn Adamson, vol. 36 (3): 670-676

Volume 36 (2)

Abstracts & Authors' Biographies
vol. 36 (2): 236-240
Embodied Ambiguities on the Prima Porta Augustus
Michael Squire, vol. 36 (2): 242-279
Art History from the Bottom Up
Patricia Rubin, vol. 36 (2): 280-309
Academic Intimacies: Portraits of Family, Friendship, and Rivalry at the Académie Royale
Hannah Williams, vol. 36 (2): 338-365