Art History articles

Volume 36 (2)

Ruins, Rhetoric and Revolution: Paul Signac's Le Démolisseur and Anarchism in the 1890s
Richard Thomson, vol. 36 (2): 366-391
Insectomania
Marion Endt-Jones, vol. 36 (2): 442-447
Radical Gothic
Ayla Lepine, vol. 36 (2): 447-450
Entering the Field of Play: New Approaches to Sport and Art
Bernard Vere, vol. 36 (2): 450-455
Expanding Art History
Samuel Rose, vol. 36 (2): 455-457
The Medium is the Memory
Margaret Iversen, vol. 36 (2): 457-460
Feminism and Visual Culture
Helen Hills, vol. 36 (2): 461-463

Volume 36 (1)

Abstracts & Authors’ Biographies
vol. 36 (1): 4-7
Editorial
Genevieve Warwick, Natalie Adamson, vol. 36 (1): 8-11
‘(Un)richtige Aufnahme’: Renaissance Sculpture and the Visual Historiography of Art History
Geraldine A. Johnson, vol. 36 (1): 12-51
How One Should Photograph Sculpture
Heinrich Wölfflin, Geraldine A. Johnson, vol. 36 (1): 52-71
Invention and Sexuality in the Raphael Workshop: Before the Modi
James Grantham Turner, vol. 36 (1): 72-99
Alternative Narratives
Susan Siegfried, vol. 36 (1): 100-127
A ‘Lavender Talent’ or ‘The Most Important Woman Painter in Europe’? Reassessing Vanessa Bell
Grace Brockington, vol. 36 (1): 128-153
Shiraga Kazuo: The Hero and Concrete Violence
Namiko Kunimoto, vol. 36 (1): 154-179
Burnout: Liam Gillick's Post-Fordist Aesthetics
Bill Roberts, vol. 36 (1): 180-205
Ford Madox Brown: Subversive Pioneer?
Lucetta Johnson, vol. 36 (1): 206-209
State of Play: Visual Culture and Music
Simon Shaw-Miller, vol. 36 (1): 210-217
Women Artists and the Surrealist Movement in the United States and Mexico
Vanja V. Malloy, vol. 36 (1): 217-220
Revisions and Projections: Two Recent Accounts of America's Twentieth-Century Vanguards
Christa Noel Robbins, vol. 36 (1): 221-223
From Painting to Performance: Figuring the Abstract in Los Angeles Art
Harriet Curtis, vol. 36 (1): 224-226
Contemporary, Now and Forever
Dan Karlholm, vol. 36 (1): 226-231
Multiple Impressions: Christ in the Winepress and the Semiotics of the Printed Image
Elina Gertsman, vol. 36 (1): 310-337
Contemporary Art in Early Colonial Korea: The Self Portraits of Ko Hui-dong
Joan Kee, vol. 36 (1): 392-417
A Third-worldist Art? Germano Celant's Invention of Arte Povera
Jacopo Galimberti, vol. 36 (1): 418-441

Volume 35 (5)

Abstracts & Authors’ Biographies
vol. 35 (5): 868-873
The Erotics of Looking: Materiality, Solicitation and Netherlandish Visual Culture
Angela Vanhaelen, Bronwen Wilson, vol. 35 (5): 874-885
Beer and Loafing in Antwerp
Bret Rothstein, vol. 35 (5): 886-907
Perspectives in Flux: Viewing Dutch Pictures in Real Time
Celeste Brusati, vol. 35 (5): 908-933
The Turn of the Skull: Andreas Vesalius and the Early Modern Memento Mori
Rose Marie San Juan, vol. 35 (5): 958-975
Laying the Table: The Procedures of Still Life
Joanna Woodall, vol. 35 (5): 976-1003
Boredom's Threshold: Dutch Realism
Angela Vanhaelen, vol. 35 (5): 1004-1023
Art/Matter(s)
Larry Silver, vol. 35 (5): 1024-1035
On the Impulse of Mapping, or How a Flat Earth Theory of Dutch Maps Distorts the Thickness and Pictorial Proclivities of Early Modern Dutch Cartography (and Misses Its Picturing Impulse)
Benjamin Schmidt, vol. 35 (5): 1036-1049
Reflections on Temporality in Netherlandish Art
Lyle Massey, vol. 35 (5): 1050-1057
The Work of Realism
Bronwen Wilson, vol. 35 (5): 1058-1073
The Meaningful Image: Relational, Exegetical and Rhetorical Paradigms in the Study of Northern Art
Walter S. Melion, vol. 35 (5): 1074-1089
Index to Volume 35
vol. 35 (5): 1090-1091

Volume 35 (4)

Parading David
Anne Dunlop, vol. 35 (4): 0-0
‘Peculiar circumstances of the land’: Artists and Models in Nineteenth-Century Brazilian Slave Society
Daryle Williams, vol. 35 (4): 702-727