Art History articles

Volume 35 (2)

Realism, Brutalism, Pop
Alex Potts, vol. 35 (2): 288-313
The Independent Group’s ‘Anthropology of Ourselves’
Catherine Spencer, vol. 35 (2): 314-335
Dada’s Mama: Richard Hamilton’s Queer Pop
Jonathan D. Katz, vol. 35 (2): 336-353
Francis Bacon: Painting after Photography
Martin Hammer, vol. 35 (2): 354-371
Vulgar Pictures: Bacon, de Kooning, and the Figure under Abstraction
Andrew R. Lee, vol. 35 (2): 372-393
‘Export Britain’: Pop Art, Mass Culture and the Export Drive
Lisa Tickner, vol. 35 (2): 394-419
Painting and Sculpture of a Decade ’54–’64 Revisited
Andrew Stephenson, vol. 35 (2): 420-441
Varieties of Belatedness and Provincialism: Decolonization and British Pop
Leon Wainwright, vol. 35 (2): 442-461

Volume 35 (1)

Abstracts & Authors' Biographies
vol. 35 (1): 4-8
Orality, Writing and the Image in the Maqamat: Arabic Illustrated Books in Context
Alain George, vol. 35 (1): 10-37
Francis's Secret Stigmata
Paroma Chatterjee, vol. 35 (1): 38-61
In the Shadow of the Idol: Religion in British Art Theory, 1600–1800
Clare Haynes, vol. 35 (1): 62-85
Vestiges of the Future: Temporality in the Early Work of Pierre Soulages
Natalie Adamson, vol. 35 (1): 126-151
Picturing the Nation: The Visual Logic and Discontents of India’s Nationalism
Zainab Cheema, vol. 35 (1): 174-178
The Edwardians and After
Sarah Victoria Turner, vol. 35 (1): 178-181
Home-Front Aesthetics
Christa Noel Robbins, vol. 35 (1): 182-184
The Work of the Moment
Sophie Nield, vol. 35 (1): 185-187
Photography’s Modernity
Kathrin Yacavone, vol. 35 (1): 188-189
Colour between the Lines
Emily A. Engel, vol. 35 (1): 190-192
The Promise of Cosmopolitanism: Contemporary Art, Ethics and Imagination in a Global World
Alpesh Kantilal Patel, vol. 35 (1): 193-194

Volume 34 (5)

Abstracts & Authors' Biographies
vol. 34 (5): 880-883
The Brotherhood of Saint Leonard and Saint Francis: Banners, Sacred Topography and Confraternal Identity in Assisi
Jessica N. Richardson, vol. 34 (5): 884-913
Louis Marin, Poussin and the Sublime
Nigel Saint, vol. 34 (5): 914-933
Sympathetic Spectators: Henry Fuseli's Nightmare and Emma Hamilton's Attitudes
Andrei Pop, vol. 34 (5): 934-957
On the Singularity of Early Photography: William Henry Fox Talbot’s Botanical Images
Vered Maimon, vol. 34 (5): 958-977
Bohemianism and the Cultural Field: Trilby and Tarr
Lisa Tickner, vol. 34 (5): 978-1011
Jean Dubuffet and the Bodies of Ladies
Andrea Nicole Maier, vol. 34 (5): 1012-1041
Amateurs and Revolutionaries in Eighteenth-century France
Steven Adams, vol. 34 (5): 1042-1046
Details, Details
Anne Dunlop, vol. 34 (5): 1047-1050
Art Power
Martina Bagnoli, vol. 34 (5): 1051-1053
Commemorative Reconsiderations
Marion Endt-Jones, vol. 34 (5): 1053-1057
Putting California on the Map
Lucy Bradnock, vol. 34 (5): 1057-1061
Approaches to Giotto
Beth Williamson, vol. 34 (5): 1061-1065
German Expressionism as ‘Gesamtkunstwerk’?
Deborah Lewer, vol. 34 (5): 1065-1068
Groys’s Moscow Conceptualism
Marina Gerber, vol. 34 (5): 1068-1070
Index to Volume 34
vol. 34 (5): 1072-1073

Volume 34 (4)

Abstracts & Authors' Biographies
vol. 34 (4): 624-629
Anglo-American: Artistic Exchange between Britain and the USA
David Peters Corbett, vol. 34 (4): 630-651
The Wolfe Man: Benjamin West's Anglo-American Accent
Sarah Monks, vol. 34 (4): 652-673
Failure to Deliver: Watson and the Shark and the Boston Tea Party
Jennifer L. Roberts, vol. 34 (4): 674-695