Art History articles

Volume 35 (3)

Seeing in Black-and-White: Incidents in Print Culture
Meaghan Clarke, vol. 35 (3): 0-0
The Formation of the Avant-Garde in Paris and London, c. 1880–1915
David Cottington, vol. 35 (3): 0-0
Beyond Naturalism in Art and Poetry: Duccio and Dante on the Road to Emmaus
Gervase Rosser, vol. 35 (3): 0-0
‘Know Thyself’: Daniele da Volterra’s Contested Subject
Morten Steen Hansen, vol. 35 (3): 498-521
‘Mantras of Gibberish’: Wallace Berman's Visions of Artaud
Lucy Bradnock, vol. 35 (3): 622-643
Reading Leonardo Backwards
Matthew Landrus, vol. 35 (3): 644-647
After Michelangelo: Sculpture, Surface, Sex
Satish Padiyar, vol. 35 (3): 648-653
Crossing Cultures: Reading Europe’s First Kiosks, Mosques and Hammams
Perrin Stein, vol. 35 (3): 653-656
From Homes to Houses: The Shifting Nature of Artistic Creativity in European Interiors during the Nineteenth Century
Clive Edwards, vol. 35 (3): 657-660
Jacob Epstein: The First Fifty Years
Colin Turner, vol. 35 (3): 660-661
Art as a Portrait of the Modern State: The Development of Art History in Japan
Majella Munro, vol. 35 (3): 662-664
The Aesthete Barbarian
Dominic Johnson, vol. 35 (3): 664-667
State of the Nation: Writing Contemporary British Art
Alice Correia, vol. 35 (3): 667-672

Volume 35 (2)

The Politics of Possession: Edwin Long's Babylonian Marriage Market
Imogen Hart, vol. 35 (2): 86-105
Abstracts & Authors' Biographies
vol. 35 (2): 200-205
Being British and Going … Somewhere
Lisa Tickner, vol. 35 (2): 206-215
‘The morrow we left behind’: Landscape and the Rethinking of Modernism, 1939–53
Chris Stephens, vol. 35 (2): 216-233
Sculpture for the Hand: Herbert Read in the Studio of Kurt Schwitters
Megan R. Luke, vol. 35 (2): 234-251
Science, Art and Landscape in the Nuclear Age
Catherine Jolivette, vol. 35 (2): 252-269
Photography into Building in Post-war Architecture: The Smithsons and James Stirling
Claire Zimmerman, vol. 35 (2): 270-287
Realism, Brutalism, Pop
Alex Potts, vol. 35 (2): 288-313
The Independent Group’s ‘Anthropology of Ourselves’
Catherine Spencer, vol. 35 (2): 314-335
Dada’s Mama: Richard Hamilton’s Queer Pop
Jonathan D. Katz, vol. 35 (2): 336-353
Francis Bacon: Painting after Photography
Martin Hammer, vol. 35 (2): 354-371
Vulgar Pictures: Bacon, de Kooning, and the Figure under Abstraction
Andrew R. Lee, vol. 35 (2): 372-393
‘Export Britain’: Pop Art, Mass Culture and the Export Drive
Lisa Tickner, vol. 35 (2): 394-419
Painting and Sculpture of a Decade ’54–’64 Revisited
Andrew Stephenson, vol. 35 (2): 420-441
Varieties of Belatedness and Provincialism: Decolonization and British Pop
Leon Wainwright, vol. 35 (2): 442-461

Volume 35 (1)

Abstracts & Authors' Biographies
vol. 35 (1): 4-8
Orality, Writing and the Image in the Maqamat: Arabic Illustrated Books in Context
Alain George, vol. 35 (1): 10-37
Francis's Secret Stigmata
Paroma Chatterjee, vol. 35 (1): 38-61
In the Shadow of the Idol: Religion in British Art Theory, 1600–1800
Clare Haynes, vol. 35 (1): 62-85
Vestiges of the Future: Temporality in the Early Work of Pierre Soulages
Natalie Adamson, vol. 35 (1): 126-151
Picturing the Nation: The Visual Logic and Discontents of India’s Nationalism
Zainab Cheema, vol. 35 (1): 174-178
The Edwardians and After
Sarah Victoria Turner, vol. 35 (1): 178-181
Home-Front Aesthetics
Christa Noel Robbins, vol. 35 (1): 182-184
The Work of the Moment
Sophie Nield, vol. 35 (1): 185-187
Photography’s Modernity
Kathrin Yacavone, vol. 35 (1): 188-189
Colour between the Lines
Emily A. Engel, vol. 35 (1): 190-192
The Promise of Cosmopolitanism: Contemporary Art, Ethics and Imagination in a Global World
Alpesh Kantilal Patel, vol. 35 (1): 193-194