Art History articles

Volume 35 (4)

The Carte de Visite in the 1860s and the Serial Dynamic of Photographic Likeness
Lara Perry, vol. 35 (4): 728-749
Elizabeth Eastlake's History of our Lord as exemplified in works of art:Theology, Art and Aesthetic Reaction
Adele M. Ernstrom, vol. 35 (4): 750-777
Vico, Virginia Woolf and Adrian Stokes's Autobiographies: Fantasy, Providence and Isolation in Post-War British Aesthetics
Richard Read, vol. 35 (4): 778-795
Clones for a Queer Nation: George Segal's Gay Liberation and Temporality
Margo Hobbs Thompson, vol. 35 (4): 796-815
Contemporary Book Art in the Middle East: The Book as Document in Iraq
Sonja Mejcher-Atassi, vol. 35 (4): 816-839
Substitution and Subversion: Two Paths through the Renaissance
Katherine Hunt, vol. 35 (4): 840-843
Looking Back at Zoffany
Georgina Cole, vol. 35 (4): 844-847
On the Ways of Viewing Spanish Art
Claudia Heide, vol. 35 (4): 848-850
Art Meets Commerce
Katherine Faulkner, vol. 35 (4): 851-853
Resuscitating Gérôme?
Philippa Kaina, vol. 35 (4): 854-856
‘It Belonged to Time Now’: Modernizing Britain in the Twentieth Century
Charlotte Mille, vol. 35 (4): 857-859
Trash Talking: Yoruba Art beyond Beauty
Kate Cowcher, vol. 35 (4): 860-862

Volume 35 (3)

‘The mere relation of the sufferings of others’: Highmore, History Painting and the Foundling Hospital
Jacqueline Riding, vol. 35 (3): 0-0
Seeing in Black-and-White: Incidents in Print Culture
Meaghan Clarke, vol. 35 (3): 0-0
The Formation of the Avant-Garde in Paris and London, c. 1880–1915
David Cottington, vol. 35 (3): 0-0
Beyond Naturalism in Art and Poetry: Duccio and Dante on the Road to Emmaus
Gervase Rosser, vol. 35 (3): 0-0
‘Know Thyself’: Daniele da Volterra’s Contested Subject
Morten Steen Hansen, vol. 35 (3): 498-521
‘Mantras of Gibberish’: Wallace Berman's Visions of Artaud
Lucy Bradnock, vol. 35 (3): 622-643
Reading Leonardo Backwards
Matthew Landrus, vol. 35 (3): 644-647
After Michelangelo: Sculpture, Surface, Sex
Satish Padiyar, vol. 35 (3): 648-653
Crossing Cultures: Reading Europe’s First Kiosks, Mosques and Hammams
Perrin Stein, vol. 35 (3): 653-656
From Homes to Houses: The Shifting Nature of Artistic Creativity in European Interiors during the Nineteenth Century
Clive Edwards, vol. 35 (3): 657-660
Jacob Epstein: The First Fifty Years
Colin Turner, vol. 35 (3): 660-661
Art as a Portrait of the Modern State: The Development of Art History in Japan
Majella Munro, vol. 35 (3): 662-664
The Aesthete Barbarian
Dominic Johnson, vol. 35 (3): 664-667
State of the Nation: Writing Contemporary British Art
Alice Correia, vol. 35 (3): 667-672

Volume 35 (2)

The Politics of Possession: Edwin Long's Babylonian Marriage Market
Imogen Hart, vol. 35 (2): 86-105
Abstracts & Authors' Biographies
vol. 35 (2): 200-205
Being British and Going … Somewhere
Lisa Tickner, vol. 35 (2): 206-215
‘The morrow we left behind’: Landscape and the Rethinking of Modernism, 1939–53
Chris Stephens, vol. 35 (2): 216-233
Sculpture for the Hand: Herbert Read in the Studio of Kurt Schwitters
Megan R. Luke, vol. 35 (2): 234-251
Science, Art and Landscape in the Nuclear Age
Catherine Jolivette, vol. 35 (2): 252-269
Photography into Building in Post-war Architecture: The Smithsons and James Stirling
Claire Zimmerman, vol. 35 (2): 270-287
Realism, Brutalism, Pop
Alex Potts, vol. 35 (2): 288-313
The Independent Group’s ‘Anthropology of Ourselves’
Catherine Spencer, vol. 35 (2): 314-335
Dada’s Mama: Richard Hamilton’s Queer Pop
Jonathan D. Katz, vol. 35 (2): 336-353
Francis Bacon: Painting after Photography
Martin Hammer, vol. 35 (2): 354-371
Vulgar Pictures: Bacon, de Kooning, and the Figure under Abstraction
Andrew R. Lee, vol. 35 (2): 372-393
‘Export Britain’: Pop Art, Mass Culture and the Export Drive
Lisa Tickner, vol. 35 (2): 394-419
Painting and Sculpture of a Decade ’54–’64 Revisited
Andrew Stephenson, vol. 35 (2): 420-441