Art History articles

Volume 34 (5)

On the Singularity of Early Photography: William Henry Fox Talbot’s Botanical Images
Vered Maimon, vol. 34 (5): 958-977
Bohemianism and the Cultural Field: Trilby and Tarr
Lisa Tickner, vol. 34 (5): 978-1011
Jean Dubuffet and the Bodies of Ladies
Andrea Nicole Maier, vol. 34 (5): 1012-1041
Amateurs and Revolutionaries in Eighteenth-century France
Steven Adams, vol. 34 (5): 1042-1046
Details, Details
Anne Dunlop, vol. 34 (5): 1047-1050
Art Power
Martina Bagnoli, vol. 34 (5): 1051-1053
Commemorative Reconsiderations
Marion Endt-Jones, vol. 34 (5): 1053-1057
Putting California on the Map
Lucy Bradnock, vol. 34 (5): 1057-1061
Approaches to Giotto
Beth Williamson, vol. 34 (5): 1061-1065
German Expressionism as ‘Gesamtkunstwerk’?
Deborah Lewer, vol. 34 (5): 1065-1068
Groys’s Moscow Conceptualism
Marina Gerber, vol. 34 (5): 1068-1070
Index to Volume 34
vol. 34 (5): 1072-1073

Volume 34 (4)

Abstracts & Authors' Biographies
vol. 34 (4): 624-629
Anglo-American: Artistic Exchange between Britain and the USA
David Peters Corbett, vol. 34 (4): 630-651
The Wolfe Man: Benjamin West's Anglo-American Accent
Sarah Monks, vol. 34 (4): 652-673
Failure to Deliver: Watson and the Shark and the Boston Tea Party
Jennifer L. Roberts, vol. 34 (4): 674-695
Picturesque Nostalgia as Ironic Dislocation: Joshua Shaw’s Disruptive Visions of the Old New World
Kenneth Haltman, vol. 34 (4): 696-713
Details of Absence: Frederic Church and the Landscape of Post-Emancipation Jamaica
Jennifer Raab, vol. 34 (4): 714-731
Troubled Abstraction: Whiteness in Charles Dana Gibson and George Du Maurier
Jennifer A. Greenhill, vol. 34 (4): 732-753
‘In seen and unseen places’: The Henry G. Marquand House and Collections in England and America
Melody Barnett Deusner, vol. 34 (4): 754-773
Camden Town and Ashcan: Difference, Similarity and the ‘Anglo-American’ in the Work of Walter Sickert and John Sloan
David Peters Corbett, vol. 34 (4): 774-795
Losing Sight: War, Authority, and Blindness in British and American Visual Cultures, 1914–22
David M. Lubin, vol. 34 (4): 796-817
The Madness of Art: Georgia O'Keeffe and Virginia Woolf
Alexander Nemerov, vol. 34 (4): 818-837
‘Strange Encounters’: Claes Oldenburg’s ‘Proposed Colossal Monuments’ for New York and London
Jo Applin, vol. 34 (4): 838-857
David Hockney: A Taste for Los Angeles
Cécile Whiting, vol. 34 (4): 858-874

Volume 34 (3)

Abstracts & Authors' Biographies
vol. 34 (3): 428-431
Miraculous Images in Renaissance Florence
Megan Holmes, vol. 34 (3): 432-465
Drunkenness, War and Sovereignty: Three Stucco Panels from the Palazzo Scala in Florence
Scott Nethersole, vol. 34 (3): 466-485
Rural Memory, Pagan Idolatry: Pieter Bruegel's Peasant Shrines
Stephanie Porras, vol. 34 (3): 486-509
Dutch Still Lifes and Colonial Visual Culture in the Netherlands Indies, 1800–1949
Susie Protschky, vol. 34 (3): 510-535
Alex Janvier's Entangled Cartographies: Hunters’ Dreams, Bauhaus Aesthetics, and the Cold Lake Air Weapons Range
Chris Dueker, vol. 34 (3): 536-561
Pictorial Grammar: Chomsky, John Willats, and the Rules of Representation
Paul Smith, vol. 34 (3): 562-593
The Turner Inheritance
Catherine Roach, vol. 34 (3): 594-599
Testaments to a Troubled Heritage: Art in France, 1940–1944
Natalie Adamson, vol. 34 (3): 600-607
An Appetite for the Maternal: Reading Boyishly and the Unmaking of Effeminophobia
Tiffany Johnson Bidler, vol. 34 (3): 607-609
Lost in Space
Geoffrey Batchen, vol. 34 (3): 610-612
Redrawing the Medium
Matthew Bowman, vol. 34 (3): 612-614
Behind and Beyond, the Picturesque Still Lives
Luca Caddia, vol. 34 (3): 615-618
Foucault and Art
Luke Heighton, vol. 34 (3): 619-620

Volume 34 (2)

Abstracts & Authors' Biographies
vol. 34 (2): 224-228