Art History articles

Volume 34 (2)

‘A narrative of what wishes what it wishes it to be’: An Introduction to ‘Creative Writing and Art History’
Catherine Grant, vol. 34 (2): 230-243
Writing Perceptions: The Matter of Words and the Rollright Stones
Nicholas Chare, vol. 34 (2): 244-267
(Blind Summit) Art Writing, Narrative, Middle Voice
Gavin Parkinson, vol. 34 (2): 268-287
Connoisseurship, Painting, and Personhood
Jeremy Melius, vol. 34 (2): 288-309
Under the Hat of the Art Historian: Panofsky, Berenson, Warburg
Francesco Ventrella, vol. 34 (2): 310-331
‘The Liar’: Fictions of the Person
Patricia Rubin, vol. 34 (2): 332-351
‘Scattered notes’: Authorship and Originality in Paul Gauguin’s Diverses choses
Linda Goddard, vol. 34 (2): 352-369
‘Sudden gleams of (f)light’: ‘Intuition as Method’?
Charlotte de Mille, vol. 34 (2): 370-386
Rotten Sun
C. F. B. Miller, vol. 34 (2): 388-411
Notes on Writing as Vertigo
Satish Padiyar, vol. 34 (2): 412-422

Volume 34 (1)

Abstracts & Authors' Biographies
vol. 34 (1): 4-7
‘… con uno inbasamento et ornamento alto’: The Rhetoric of the Pedestal c. 1430–1550
Alison Wright, vol. 34 (1): 8-53
The Idea of a Scientific Discipline: Rudolf von Eitelberger and the Emergence of Art History in Vienna, 1847–1873
Matthew Rampley, vol. 34 (1): 54-79
‘Embryonic Phantoms’: Materiality, Marginality and Modernity in Whistler’s Black Portraits
Jonathan Shirland, vol. 34 (1): 80-101
Metamorphosis in 391: A Cryptographic Collaboration by Francis Picabia, Man Ray, and Erik Satie
Kenneth R. Allan, vol. 34 (1): 102-125
‘I am a native, rooted here’: Benjamin Britten, Samuel Palmer and the Neo-Romantic Pastoral
Tim Barringer, vol. 34 (1): 126-165
Black Painting (with Asheville Citizen)
James Boaden, vol. 34 (1): 166-191
Writing against Historicism: Accounting for Modernism in India
Karin Zitzewitz, vol. 34 (1): 192-195
Cardinals Reclaimed: Patrons and Artists Revisited
Simon Ditchfield, vol. 34 (1): 195-199
Reinventing and Reinterpreting Christ's Passion
Anthony Bale, vol. 34 (1): 200-202
The Writing on the Walls
Jody Patterson, vol. 34 (1): 203-208
Nazarenism: The ‘Other’ Romanticism
Nina Amstutz, vol. 34 (1): 209-211
Relocating Photographies, Histories and Modernisms
Elizabeth Edwards, vol. 34 (1): 211-213
Surrealism as Epistemology
Catriona McAra, vol. 34 (1): 214-218
The Artist as Worker
Dominic Rahtz, vol. 34 (1): 218-220