Historical Journal of Film, Radio and Television articles

Volume 35 (2)

Notice
vol. 35 (2): 347-347
Les catholiques et le cinéma. La construction d’un regard critique (France, 1895–1958)
vol. 35 (2): 348-349
Fascism in Italian cinema since 1945: the politics and aesthetics of memory
vol. 35 (2): 350-352
Television and British cinema. Convergence and divergence since 1990
vol. 35 (2): 352-354
Ethereal queer: television, historicity, desire
vol. 35 (2): 354-356
The shock of America: Europe and the challenge of the century
vol. 35 (2): 356-357
The collaboration: Hollywood’s pact with Hitler
vol. 35 (2): 357-359
Empire and film
vol. 35 (2): 359-361
Film and the end of empire
vol. 35 (2): 361-363
Propaganda, power and persuasion. From World War I to Wikileaks
vol. 35 (2): 364-367
Polish cinema in a transnational context
vol. 35 (2): 367-368
Shooting the great war: Albert Dawson and the American Correspondent Film Company, 1914–1918
vol. 35 (2): 369-371
British television drama: past, present and future
vol. 35 (2): 371-372
Importing Asta Nielsen: the international film star in the making 1910–1914
vol. 35 (2): 372-375
Walter Ruttmann and the cinema of multiplicity: avant-garde—advertising—modernity
vol. 35 (2): 375-378
French film in Britain: sex, art and cinephilia
vol. 35 (2): 378-379
Omnibus films. Theorizing transauthorial cinema
vol. 35 (2): 380-381
David Lean
vol. 35 (2): 382-384
The vision of a nation: making multiculturalism on British Television, 1960–80
vol. 35 (2): 384-385
Emmet Dalton: Somme soldier, Irish general, film pioneer
vol. 35 (2): 386-387
Listen in terror: British horror radio from the advent of broadcasting to the digital age
vol. 35 (2): 387-390
Hollywood Vault: film libraries before home video
vol. 35 (2): 390-392
Wochenschau und Tagesschau in den 1950er Jahren
vol. 35 (2): 392-394
The last western—Deadwood and the end of American empire
vol. 35 (2): 394-395
The postfeminist biopic. Narrating the lives of Plath, Kahlo, Woolf and Austen
vol. 35 (2): 396-397
Spectacular Digital Effects: CGI and contemporary cinema
vol. 35 (2): 397-399

Volume 35 (1)

Reception of War Propaganda in Fascist Italy: Second World War Fiction Films and Critical Audiences
vol. 35 (1): 1-26
Reception of War Propaganda in Fascist Italy: Second World War Fiction Films and Critical Audiences
vol. 35 (1): 1-26
British Governmental Institutions, the Regional Information Office in Singapore and the Use of the Official Film in Malaya and Singapore, 1948–1961
vol. 35 (1): 27-52
British Governmental Institutions, the Regional Information Office in Singapore and the Use of the Official Film in Malaya and Singapore, 1948–1961
vol. 35 (1): 27-52
‘If You Have Seen it, You Cannot Forget!’: Film Consumption and Memories of Cinema-Going in 1950s Rome
vol. 35 (1): 53-74
‘If You Have Seen it, You Cannot Forget!’: Film Consumption and Memories of Cinema-Going in 1950s Rome
vol. 35 (1): 53-74
Crisis At The Capitole: A Cultural Economics Analysis Of A Major First-Run Cinema In Ghent, 1953–1971
vol. 35 (1): 75-124
Crisis At The Capitole: A Cultural Economics Analysis Of A Major First-Run Cinema In Ghent, 1953–1971
vol. 35 (1): 75-124
Film policy, national identity and period adaptations in Flanders during the 1970s and 1980s
vol. 35 (1): 125-144
Film policy, national identity and period adaptations in Flanders during the 1970s and 1980s
vol. 35 (1): 125-144
W. B. Yeats and Broadcasting, 1924–1965
vol. 35 (1): 145-175
W. B. Yeats and Broadcasting, 1924–1965
vol. 35 (1): 145-175
‘The Kind Of Program Service All The People Want’: Pat Weaver’s Failed Fourth Network
vol. 35 (1): 176-194
‘The Kind Of Program Service All The People Want’: Pat Weaver’s Failed Fourth Network
vol. 35 (1): 176-194