Historical Journal of Film, Radio and Television articles

Volume 37 (3)

Notions of Genre: Writings on Popular Film Before Genre Theory
vol. 37 (3): 579-581
Notions of Genre: Writings on Popular Film Before Genre Theory
vol. 37 (3): 579-581
German Television: Historical and Theoretical Perspectives
vol. 37 (3): 581-583
German Television: Historical and Theoretical Perspectives
vol. 37 (3): 581-583
Julien Duvivier
vol. 37 (3): 583-585
Sergei M. Eisenstein: Notes for a General History of Cinema
vol. 37 (3): 585-587
A Companion to the War Film
vol. 37 (3): 587-589
The History of Genocide in Cinema: Atrocities on Screen
vol. 37 (3): 589-591
Gebannte Bewegung: Tableaux vivants und früher Film in der Kultur der Moderne
vol. 37 (3): 591-593

Volume 37 (2)

Lost adaptations: piracy, ‘Rip Offs’, and the Australian Copyright Act 1905
vol. 37 (2): 161-173
Lost adaptations: piracy, ‘Rip Offs’, and the Australian Copyright Act 1905
vol. 37 (2): 161-173
Early transcontinental film relations: Japan, Germany and the compromises of co-production, 1926–1933
vol. 37 (2): 174-202
Early transcontinental film relations: Japan, Germany and the compromises of co-production, 1926–1933
vol. 37 (2): 174-202
Conflicting interpretations of Rome, Open City in 1945 Italy
vol. 37 (2): 203-219
Conflicting interpretations of Rome, Open City in 1945 Italy
vol. 37 (2): 203-219
Anglo-Italian co-productions in the 1950s and 1960s: film finances, the Prince and Venice
vol. 37 (2): 220-241
Anglo-Italian co-productions in the 1950s and 1960s: film finances, the Prince and Venice
vol. 37 (2): 220-241
Banging the gong: the promotional strategies of Britain’s J. Arthur Rank Organisation in the 1950s
vol. 37 (2): 242-271
Banging the gong: the promotional strategies of Britain’s J. Arthur Rank Organisation in the 1950s
vol. 37 (2): 242-271
Hollywood’s Muddle East: political change in Egypt and Israel and the consequences for Hollywood’s Middle Eastern Movie Theaters
vol. 37 (2): 272-294
Hollywood’s Muddle East: political change in Egypt and Israel and the consequences for Hollywood’s Middle Eastern Movie Theaters
vol. 37 (2): 272-294
A crusade over the airwaves: the Blue Division on Radio Nacional de España (1941–1954)
vol. 37 (2): 295-314
A crusade over the airwaves: the Blue Division on Radio Nacional de España (1941–1954)
vol. 37 (2): 295-314
(Un)Familiar spaces of television production: the BBC’s visit to the Soviet Union in 1956
vol. 37 (2): 315-332
(Un)Familiar spaces of television production: the BBC’s visit to the Soviet Union in 1956
vol. 37 (2): 315-332
Changes to Book Reviewing for the Historical Journal of Film, Radio and Television
vol. 37 (2): 333-333
Changes to Book Reviewing for the Historical Journal of Film, Radio and Television
vol. 37 (2): 333-333
Creating Carmen Miranda: Race, Camp, and Transnational Stardom
vol. 37 (2): 334-336
Creating Carmen Miranda: Race, Camp, and Transnational Stardom
vol. 37 (2): 334-336
Of Elephants and Toothaches: Ethics, Politics, and Religion in Krzysztof Kieślowski’s Decalogue
vol. 37 (2): 336-338
Of Elephants and Toothaches: Ethics, Politics, and Religion in Krzysztof Kieślowski’s Decalogue
vol. 37 (2): 336-338
Broadcasting in the UK and the US in the 1950s: Historical Perspectives
vol. 37 (2): 338-340
Broadcasting in the UK and the US in the 1950s: Historical Perspectives
vol. 37 (2): 338-340
The Chaplin Machine: Slapstick, Fordism and the Communist Avant-Garde
vol. 37 (2): 340-342
The Chaplin Machine: Slapstick, Fordism and the Communist Avant-Garde
vol. 37 (2): 340-342
Hollywood and the Great Depression: American Film, Politics and Society in the 1930s
vol. 37 (2): 342-343
Hollywood and the Great Depression: American Film, Politics and Society in the 1930s
vol. 37 (2): 342-343
The Children’s Film Foundation: History and Legacy
vol. 37 (2): 343-345
The Children’s Film Foundation: History and Legacy
vol. 37 (2): 343-345
Cecil Hepworth and the Rise of the British Film Industry, 1899–1911
vol. 37 (2): 345-347