Historical Journal of Film, Radio and Television articles

Volume 36 (3)

What’s wrong with this picture: casual disregard for history in George Clooney’s The Monuments Men (2014)
vol. 36 (3): 392-414
A chance for a propaganda coup? The Reagan administration and The Day After (1983)
vol. 36 (3): 415-435
A transnational history of radio listening groups I: the United Kingdom and United States
vol. 36 (3): 436-465
Projektionen der Moral: Filmskandale in der Weimarer Republik
vol. 36 (3): 466-468
Fantasia of Color in Early Cinema
vol. 36 (3): 468-470
The adventures of Jonathan Dennis: bicultural film archiving practice in Aotearoa New Zealand
vol. 36 (3): 470-473
Hollywood Riots: Violent Crowds and Progressive Politics in American Film
vol. 36 (3): 473-475
Engel der Effizienz: eine Mediengeschichte der Unternehmensberatung
vol. 36 (3): 475-476
Hitchcock à la Carte
vol. 36 (3): 477-479
Alain Delon: style, stardom, and masculinity
vol. 36 (3): 479-481
British TV Comedies: cultural concepts, contexts and controversies
vol. 36 (3): 481-484
‘Russian Americans’ in Soviet Film: Cinematic Dialogues between the US and the USSR
vol. 36 (3): 484-486
Robert Altman: in the American grain
vol. 36 (3): 486-488
George Kleine and American cinema: the movie business and film culture in the silent era
vol. 36 (3): 488-489
The making of the Crew of the Dora
vol. 36 (3): 490-491

Volume 36 (2)

Early Film Theory Revisited: Historical Perspectives
vol. 36 (2): 127-132
Béla Balázs: a Gestalt theory of film
vol. 36 (2): 133-155
Taming the Cowboy: Early Danish Film Theory, 1910–1940
vol. 36 (2): 156-174
‘Never Let the Camera Catch me Acting’: Lillian Gish as Actress, Star, and Theorist
vol. 36 (2): 175-189
Third Reich Cinema and Film Theory
vol. 36 (2): 190-213
Film criticism as a political weapon: theory, ideology and film activism in Nuestro Cinema (1932–1935)
vol. 36 (2): 214-231
The literary origins of film criticism in Argentina and Uruguay: Horacio Quiroga’s reviews, 1918–1931
vol. 36 (2): 232-251
The Routledge-IAMHIST Best Article Prizes for 2015
vol. 36 (2): 252-252
Media and nostalgia: yearning for the past, present and future
vol. 36 (2): 253-255
The permanent crisis of film criticism: the anxiety of authority
vol. 36 (2): 255-257
Cinema of simulation: hyperreal Hollywood in the long 1990s
vol. 36 (2): 257-258
Jim Jarmusch: music, words and noise
vol. 36 (2): 258-260
Film programming: curating for cinemas, festivals, archives
vol. 36 (2): 260-262
Drei Sensationen und zwei Katastrophen: Feuilletons zur Welt der Kinos
vol. 36 (2): 262-264
The studios after the studios: neoclassical Hollywood (1970–2010)
vol. 36 (2): 264-266
Images of blood in American cinema: The Tingler to The Wild Bunch
vol. 36 (2): 266-268
Adapting Graham Greene
vol. 36 (2): 268-270
Surviving images: cinema, war, and cultural memory in the middle east
vol. 36 (2): 270-272
Latin American cinema
vol. 36 (2): 272-275
Batman
vol. 36 (2): 275-277
Jean Desmet’s dream factory: the adventurous years of film (1907–1916)
vol. 36 (2): 277-279
The Nordic media and the Cold War
vol. 36 (2): 279-281
Fünfzig Jahre Österreichisches Filmmuseum 1964–2014
vol. 36 (2): 281-283

Volume 36 (1)

The Cold War on Film: Then and Now
vol. 36 (1): 1-4
‘A rather tedious and unfortunate affair’: the Rahi saga and the troubled origins of Indo–Soviet cinematic exchange
vol. 36 (1): 5-20