Historical Journal of Film, Radio and Television articles

Volume 35 (3)

The Dictator as Spectator: Feature Film Screenings before Adolf Hitler, 1933–39
vol. 35 (3): 420-437
Filming the retreat from Burma, 1942: British newsreel coverage of the longest retreat in British Army history
vol. 35 (3): 438-453
The MacDonald Discussion Group: A Communist Conspiracy in Britain’s Cold War Film and Theatre Industry—Or MI5’s Honey-Pot?
vol. 35 (3): 454-472
Blood, Thunder and Showgirls: The Merchant Navy on the BBC, 1939–1945
vol. 35 (3): 473-488
Screening black political struggle on 1970s British Television: the case of the Play for Today, A Hole in Babylon (1979)
vol. 35 (3): 489-502
‘The Martyr’s Return’: A Poem Reflecting Relations within the All India Radio during the 1930s
vol. 35 (3): 503-510
The Rise of Market Information Regimes and the Historical Development of Audience Ratings
vol. 35 (3): 511-517
Stanley Kubrick: new perspectives
vol. 35 (3): 518-519
Images & animation: introduction au cinéma d'animation en République Démocratique de Congo, au Rwanda et au Burundi
vol. 35 (3): 519-521
International Noir
vol. 35 (3): 521-523
Kinematografija u NDH
vol. 35 (3): 523-525
The beginnings of the cinema in England 1894–1901, volumes I–V
vol. 35 (3): 525-526
Portuguese film, 1930-1960. The staging of the new state regime
vol. 35 (3): 527-528
Poitier Revisited: Reconsidering a Black Icon in the Obama Age
vol. 35 (3): 528-530
The Emergence of Film Culture. Knowledge Production, Institution Building and the Fate of the Avant-garde in Europe, 1919-1945
vol. 35 (3): 530-533
The man who was Old Mother Riley: the lives and films of Arthur Lucan and Kitty McShane
vol. 35 (3): 533-535
Hollywood and the Americanization of Britain from the 1920s to the present
vol. 35 (3): 535-537
Memory, subjectivity and independent Chinese cinema
vol. 35 (3): 537-539
Frank Capra’s Eastern Horizons: American identity and the cinema of international relations
vol. 35 (3): 539-541
The documentary film book
vol. 35 (3): 541-543
Akira Kurosawa
vol. 35 (3): 543-545
Nationalism and the cinema in France: political mythologies and film events, 1945–1995
vol. 35 (3): 545-547
Inside the Historical Film
vol. 35 (3): 547-549
Cinephemera: archives, ephemeral cinema, and new screen histories in Canada
vol. 35 (3): 549-551

Volume 35 (2)

Up, Up and Across: Superman, the Second World War and the Historical Development of Transmedia Storytelling
vol. 35 (2): 215-239
‘Did you ever notice this dot in the Mediterranean?’ Colonial Cyprus in the post-war British documentary
vol. 35 (2): 240-256
Crossroads (1970) and the origin of Islamic Cinema in Turkey
vol. 35 (2): 257-276
‘The Birth of Black Consciousness on the Screen’?: The African American Historical Experience, Blaxploitation, and the Production and Reception of Sounder (1972)
vol. 35 (2): 277-299
A Canadian Network? The CBC and Television, 1936–1939
vol. 35 (2): 300-318
Channeling anti-fascism: Macleish, Welles and the disorienting power of the announcer
vol. 35 (2): 319-338
The Office Cat Reports on World War II in Colour (Channel 5)
vol. 35 (2): 339-346
Notice
vol. 35 (2): 347-347
Les catholiques et le cinéma. La construction d’un regard critique (France, 1895–1958)
vol. 35 (2): 348-349
Fascism in Italian cinema since 1945: the politics and aesthetics of memory
vol. 35 (2): 350-352
Television and British cinema. Convergence and divergence since 1990
vol. 35 (2): 352-354
Ethereal queer: television, historicity, desire
vol. 35 (2): 354-356
The shock of America: Europe and the challenge of the century
vol. 35 (2): 356-357
The collaboration: Hollywood’s pact with Hitler
vol. 35 (2): 357-359
Empire and film
vol. 35 (2): 359-361
Film and the end of empire
vol. 35 (2): 361-363