Historical Journal of Film, Radio and Television articles

Volume 36 (2)

Taming the Cowboy: Early Danish Film Theory, 1910–1940
vol. 36 (2): 156-174
‘Never Let the Camera Catch me Acting’: Lillian Gish as Actress, Star, and Theorist
vol. 36 (2): 175-189
Third Reich Cinema and Film Theory
vol. 36 (2): 190-213
Film criticism as a political weapon: theory, ideology and film activism in Nuestro Cinema (1932–1935)
vol. 36 (2): 214-231
The literary origins of film criticism in Argentina and Uruguay: Horacio Quiroga’s reviews, 1918–1931
vol. 36 (2): 232-251
The Routledge-IAMHIST Best Article Prizes for 2015
vol. 36 (2): 252-252
Media and nostalgia: yearning for the past, present and future
vol. 36 (2): 253-255
The permanent crisis of film criticism: the anxiety of authority
vol. 36 (2): 255-257
Cinema of simulation: hyperreal Hollywood in the long 1990s
vol. 36 (2): 257-258
Jim Jarmusch: music, words and noise
vol. 36 (2): 258-260
Film programming: curating for cinemas, festivals, archives
vol. 36 (2): 260-262
Drei Sensationen und zwei Katastrophen: Feuilletons zur Welt der Kinos
vol. 36 (2): 262-264
The studios after the studios: neoclassical Hollywood (1970–2010)
vol. 36 (2): 264-266
Images of blood in American cinema: The Tingler to The Wild Bunch
vol. 36 (2): 266-268
Adapting Graham Greene
vol. 36 (2): 268-270
Surviving images: cinema, war, and cultural memory in the middle east
vol. 36 (2): 270-272
Latin American cinema
vol. 36 (2): 272-275
Batman
vol. 36 (2): 275-277
Jean Desmet’s dream factory: the adventurous years of film (1907–1916)
vol. 36 (2): 277-279
The Nordic media and the Cold War
vol. 36 (2): 279-281
Fünfzig Jahre Österreichisches Filmmuseum 1964–2014
vol. 36 (2): 281-283

Volume 36 (1)

The Cold War on Film: Then and Now
vol. 36 (1): 1-4
‘A rather tedious and unfortunate affair’: the Rahi saga and the troubled origins of Indo–Soviet cinematic exchange
vol. 36 (1): 5-20
A foot in the door: the Lacy–Zarubin agreement and Soviet-American film diplomacy during the Khrushchev era, 1953–1963
vol. 36 (1): 21-39
‘No communist could dream of a more effective anti-American film’: Dr. Strangelove and its red reviewers
vol. 36 (1): 40-52
‘There is Still Time … Brother’ antipodean cinema and nuclearism in the mid-to-late Cold war
vol. 36 (1): 53-67
Red flags in Tamil cinema: agitprop and art-house during the Cold War
vol. 36 (1): 68-87
Whores and angels of our striving selves: the cold war films of John le Carré, then and now
vol. 36 (1): 88-103
Geschichte der deutschen Filmkritik
vol. 36 (1): 104-106
Myth of the Western: new perspectives on Hollywood’s Frontier Narrative
vol. 36 (1): 106-108
Networking commercial television in Australia
vol. 36 (1): 108-110
Coproducing Asia: Locating Japanese-Chinese Regional Film and Media
vol. 36 (1): 110-112
Poitier Revisited: Reconsidering a Black Icon in the Obama Age
vol. 36 (1): 112-114
Franco Sells Spain to America. Hollywood, Tourism and Public Relations as Postwar Spanish Soft Power
vol. 36 (1): 114-116
Cinematicity in Media History
vol. 36 (1): 116-118
After the Fact: The Holocaust in Twenty-First Century Documentary Film
vol. 36 (1): 118-120
When Hollywood Was Right: How Movie Stars, Studio Moguls, and Big Business Remade American Politics
vol. 36 (1): 120-122
Crack of the Bat: A History of Baseball on the Radio
vol. 36 (1): 122-124
From Jesus to the Internet: A History of Christianity and Media
vol. 36 (1): 124-125

Volume 35 (4)

The Great War and the Moving Image
vol. 35 (4): 553-558