Historical Journal of Film, Radio and Television articles

Volume 34 (1)

The War That Won’t Die: the Spanish Civil War in cinema
vol. 34 (1): 169-170
Transnational Television Drama: special relations and mutual influence between the US and UK
vol. 34 (1): 171-172
Popular Television in Eastern Europe During and Since Socialism
vol. 34 (1): 172-175
Cinemas in Transition in Central and Eastern Europe After 1989
vol. 34 (1): 175-176
Visual Culture
vol. 34 (1): 176-178
Alfred Hitchcock’s America
vol. 34 (1): 178-179
Projecting Tomorrow: science fiction and popular culture
vol. 34 (1): 180-181
Film Stardom, Myth and Classicism: the rise of Hollywood’s gods
vol. 34 (1): 181-183
Spiel mit der Wirklichkeit. Zur Entwicklung doku-fiktionaler Formate in Film und Fernsehen
vol. 34 (1): 183-185

Volume 33 (4)

The Art and Craft of The Screen: Louis Reeves Harrison and The Moving Picture World
vol. 33 (4): 533-551
Singing Sci-Fi Cowboys: Gene Autry And Genre Amalgamation In The Phantom Empire (1935)
vol. 33 (4): 552-575
Rewriting European History: National And Transnational Identities In Rome
vol. 33 (4): 576-593
‘I Just Feel It’s Important to Know Exactly What he Went Through’: In Their Footsteps and The Role of Emotions in Australian Television History
vol. 33 (4): 594-611
The Revaluation of Associated British Films: ABPC’s Film Production Account for the Year ending 31 March 1942
vol. 33 (4): 612-620
Friday Night Fighter: Gaspar “Indio” Ortega and the golden age of television boxing
vol. 33 (4): 621-622
Germany in the Loud Twentieth Century an introduction
vol. 33 (4): 622-624
Tracking King Kong: a Hollywood icon in world cinema
vol. 33 (4): 624-626
Hollywood and Hitler, 1933-1939
vol. 33 (4): 626-628
Ealing Revisited
vol. 33 (4): 628-630
Visuell fostran. Film-och bildverksamheten i Sverige under andra världskriget
vol. 33 (4): 630-632
Twentieth Century-Fox: the Zanuck-Skouras years, 1935-1965
vol. 33 (4): 632-634
Memory and the Moving Image: French film in the digital era
vol. 33 (4): 634-636
Soviet Animation and the Thaw of the 1960s: not only for children
vol. 33 (4): 636-637
The Sounds of Capitalism: advertising, music, and the conquest of culture
vol. 33 (4): 638-639
Hollywood’s Italian American Filmmakers: Capra, Scorsese, Savoca, Coppola, and Tarantino
vol. 33 (4): 639-641
Antonioni: Centenary Essays
vol. 33 (4): 641-643
Schaufenster Schweiz. Dokumentarische Gebrauchsfilme 1896-1964
vol. 33 (4): 643-646
Intermediality and Media Change
vol. 33 (4): 646-648
Film Festival Yearbook 4: film festivals and activism
vol. 33 (4): 648-650
“Quit India”: The image of the Indian patriot on commercial British film and television, 1956-1985
vol. 33 (4): 650-653

Volume 33 (3)

EDITORS’ INTRODUCTION
vol. 33 (3): 355-364
The Two Faces of Channel Four: Some Notes in Retrospect
vol. 33 (3): 365-376
‘What We’re Trying to Do is Make Popular Politics’: The Birmingham Film and Video Workshop
vol. 33 (3): 377-395
Sex, Youth & Video Tape: Turn it Up and The Struggle to be Heard
vol. 33 (3): 396-417
A Cultural Exchange: S4C, Channel 4 and Film
vol. 33 (3): 418-433
Making Film Programmes for the BBC and Channel 4: The Shift From In-House ‘Producer Unit’ to Independent ‘Package-Unit’ Production
vol. 33 (3): 434-453
Interview Dossier
vol. 33 (3): 454-474
Deleuze & Cinema: the film concepts
vol. 33 (3): 475-477
The Decline and Fall of the United States Information Agency: American public diplomacy, 1989–2001
vol. 33 (3): 477-479
A Companion to Film Comedy
vol. 33 (3): 479-481