Historical Journal of Film, Radio and Television articles

Volume 35 (1)

The age of new waves: art cinema and the staging of globalization
vol. 35 (1): 195-197
The age of new waves: art cinema and the staging of globalization
vol. 35 (1): 195-197
Turkish German Cinema in the New Millennium: sites, sounds, and screens
vol. 35 (1): 197-198
Turkish German Cinema in the New Millennium: sites, sounds, and screens
vol. 35 (1): 197-198
Hollywood exiles in Europe: the blacklist and Cold War film culture
vol. 35 (1): 199-200
Hollywood exiles in Europe: the blacklist and Cold War film culture
vol. 35 (1): 199-200
Masculinity and gender in Greek cinema: 1946–1967
vol. 35 (1): 200-202
Masculinity and gender in Greek cinema: 1946–1967
vol. 35 (1): 200-202
Writing and producing television drama in Denmark. From the Kingdom to the killing
vol. 35 (1): 202-204
Writing and producing television drama in Denmark. From the Kingdom to the killing
vol. 35 (1): 202-204
‘Der Farbfilm marschiert!’ Frühe Farbfilmverfahren und NS-Propaganda 1933–1945
vol. 35 (1): 204-206
‘Der Farbfilm marschiert!’ Frühe Farbfilmverfahren und NS-Propaganda 1933–1945
vol. 35 (1): 204-206
A history of Spanish film. Cinema and society 1910–2010
vol. 35 (1): 206-208
A history of Spanish film. Cinema and society 1910–2010
vol. 35 (1): 206-208
Dansk film under nazismen
vol. 35 (1): 208-210
Dansk film under nazismen
vol. 35 (1): 208-210
Cinema in Central Asia: rewriting cultural histories
vol. 35 (1): 210-212
Cinema in Central Asia: rewriting cultural histories
vol. 35 (1): 210-212
The Phoenix Picturehouse: 100 years of Oxford cinema memories
vol. 35 (1): 212-214
The Phoenix Picturehouse: 100 years of Oxford cinema memories
vol. 35 (1): 212-214

Volume 34 (4)

Editorial Board
vol. 34 (4): 0-0
Screening Fascism in the Free State: Italian Propaganda Films and Diplomacy in Ireland, 1934–1940
vol. 34 (4): 493-510
The Changing Face of the Amateur Holiday Film In Britain as Constructed by Post-War Amateur Cine World (1945–1951)
vol. 34 (4): 511-527
The Monument and the Sewer: Memory and Death in Wajda’s Kanal (1957)
vol. 34 (4): 528-545
African Adventures: Film Finances Ltd and Actor-Producers on Safari
vol. 34 (4): 546-567
Playing with New Rules: Radio Quiz Shows and the Reorientation of the Japanese Under the US Occupation, 1945–1952
vol. 34 (4): 568-585
Nielsen And The Networks: Scientific Capitalism, Broadcasting And Congress, 1956–1958
vol. 34 (4): 586-598
America is Elsewhere: the noir tradition in the age of consumer culture
vol. 34 (4): 599-601
Hidden Chicano Cinema: film dramas in the borderlands
vol. 34 (4): 601-603
The Demons of Modernity. Ingmar Bergman and European cinema
vol. 34 (4): 603-605
History on Television
vol. 34 (4): 606-607
Mussolini’s Dream Factory: film stardom in fascist Italy
vol. 34 (4): 608-610
Swedish Broadcasting. Communicative ethos, genres and institutional change
vol. 34 (4): 610-612
Deeper than Oblivion. Trauma and Memory in Israeli Cinema
vol. 34 (4): 612-614
The Oxford Handbook of Chinese Cinemas
vol. 34 (4): 614-616
Buffoon Men: classic Hollywood comedians and queered masculinity
vol. 34 (4): 617-618
Paul Abbott
vol. 34 (4): 619-620
Work|s in Progress. Digital Film Restoration within Archives
vol. 34 (4): 621-623
The World Is Ever Changing
vol. 34 (4): 623-625
Screen Culture and the Social Question 1880–1914
vol. 34 (4): 625-627