Historical Journal of Film, Radio and Television articles

Volume 37 (2)

The Chaplin Machine: Slapstick, Fordism and the Communist Avant-Garde
vol. 37 (2): 340-342
The Chaplin Machine: Slapstick, Fordism and the Communist Avant-Garde
vol. 37 (2): 340-342
Hollywood and the Great Depression: American Film, Politics and Society in the 1930s
vol. 37 (2): 342-343
Hollywood and the Great Depression: American Film, Politics and Society in the 1930s
vol. 37 (2): 342-343
The Children’s Film Foundation: History and Legacy
vol. 37 (2): 343-345
The Children’s Film Foundation: History and Legacy
vol. 37 (2): 343-345
Cecil Hepworth and the Rise of the British Film Industry, 1899–1911
vol. 37 (2): 345-347
Cecil Hepworth and the Rise of the British Film Industry, 1899–1911
vol. 37 (2): 345-347
Expressionism in the Cinema
vol. 37 (2): 347-349
Expressionism in the Cinema
vol. 37 (2): 347-349
The US–Mexico Border in American Cold War film: Romance, Revolution, and Regulation
vol. 37 (2): 349-351
The US–Mexico Border in American Cold War film: Romance, Revolution, and Regulation
vol. 37 (2): 349-351
Exposing the Film Apparatus: The Film Archive as a Research Laboratory
vol. 37 (2): 351-354
Exposing the Film Apparatus: The Film Archive as a Research Laboratory
vol. 37 (2): 351-354
Aguirre, the Wrath of God
vol. 37 (2): 354-356
Aguirre, the Wrath of God
vol. 37 (2): 354-356
Twenty British Films: A Guided Tour
vol. 37 (2): 356-357
Twenty British Films: A Guided Tour
vol. 37 (2): 356-357
Euro-Visions: Europe in Contemporary Cinema
vol. 37 (2): 357-359
Euro-Visions: Europe in Contemporary Cinema
vol. 37 (2): 357-359
Mad Men: A Cultural History
vol. 37 (2): 359-361
Mad Men: A Cultural History
vol. 37 (2): 359-361
Memorial Notice: Daniel J. Leab (1936–2016)
vol. 37 (2): 362-364
Memorial Notice: Daniel J. Leab (1936–2016)
vol. 37 (2): 362-364
Corrigendum
vol. 37 (2): 365-365
Corrigendum
vol. 37 (2): 365-365

Volume 37 (1)

Introduction
vol. 37 (1): 1-4
Introduction
vol. 37 (1): 1-4
Exploring the Lost Television and Technique of Producer Fred O’Donovan
vol. 37 (1): 5-23
Exploring the Lost Television and Technique of Producer Fred O’Donovan
vol. 37 (1): 5-23
Forgotten, Neglected and Lost: The Television Play in the Early 1950s – The Case of Anastasia (1953)
vol. 37 (1): 24-33
Forgotten, Neglected and Lost: The Television Play in the Early 1950s – The Case of Anastasia (1953)
vol. 37 (1): 24-33
Drama for People ‘in the know’: Television World Theatre (BBC 1957–1959) and Festival (BBC 1963–1964)
vol. 37 (1): 34-48
Drama for People ‘in the know’: Television World Theatre (BBC 1957–1959) and Festival (BBC 1963–1964)
vol. 37 (1): 34-48
Revisiting Francis Durbridge: West German Television, European Reconciliation and the Representation of Morality During the Late 1950s and 1960s
vol. 37 (1): 49-64
Revisiting Francis Durbridge: West German Television, European Reconciliation and the Representation of Morality During the Late 1950s and 1960s
vol. 37 (1): 49-64
Dominic Behan and the Beginnings of Television ‘Troubles’ Drama
vol. 37 (1): 65-81
Dominic Behan and the Beginnings of Television ‘Troubles’ Drama
vol. 37 (1): 65-81
‘Must We Wait ‘Til Doomsday?’: The Making And Mauling Of Churchill’s People (BBC1, 1974–75)
vol. 37 (1): 82-95
‘Must We Wait ‘Til Doomsday?’: The Making And Mauling Of Churchill’s People (BBC1, 1974–75)
vol. 37 (1): 82-95