Historical Journal of Film, Radio and Television articles

Volume 34 (4)

Transatlantic Perspectives from Fidelity to History: film adaptations as cultural events in the twentieth century
vol. 34 (4): 633-635
Behind the Screen: inside European production cultures
vol. 34 (4): 635-637
Saying it with Songs: popular music and the coming of sound to Hollywood cinema
vol. 34 (4): 637-638
The Man Who Got Carter: Michael Klinger, independent production and the British film industry 1960–1980
vol. 34 (4): 639-640
The Biopic in Contemporary Film Culture
vol. 34 (4): 640-642
Geoffrey Donaldson: Een leven voor de film
vol. 34 (4): 642-643
Homemade Men in Postwar Austrian Cinema: nationhood, genre and masculinity
vol. 34 (4): 643-646
Malaysian Cinema in a Bottle: a century (and a bit more) of wayang
vol. 34 (4): 646-648

Volume 34 (2)

A Marxist in Hollywood: The Screenwriting Career of Michael Wilson (1914–1978)
vol. 34 (2): 187-207
‘Whose Films are These?’ Italian–Spanish Co-Productions of The Early 1940s
vol. 34 (2): 208-230
Hammering out a Deal: The Contractual and Commercial Contexts of The Curse of Frankenstein (1957) and Dracula (1958)
vol. 34 (2): 231-252
Till Death Us Do Part: Political Satire and Social Realism in the 1960s and 1970s
vol. 34 (2): 253-274
Local Radio, Going Global
vol. 34 (2): 275-276
Charles Urban: pioneering the non-fiction film in Britain and America, 1897–1925
vol. 34 (2): 276-278
Hollywood’s Last Golden Age: politics, society, and the seventies film in America
vol. 34 (2): 278-280
Eastwood’s Iwo Jima: critical engagement with Flags of Our Fathers and Letters from Iwo Jima
vol. 34 (2): 280-282
Inside the Tardis: the worlds of Doctor Who
vol. 34 (2): 283-286
Silent Film Comedy and American Culture
vol. 34 (2): 287-288
The Battle for the Bs: 1950s Hollywood and the rebirth of low-budget cinema
vol. 34 (2): 289-290
Archival Film Festivals
vol. 34 (2): 290-291
The Holiday and the British Film
vol. 34 (2): 292-294
John Wayne’s World: transnational masculinity in the Fifties
vol. 34 (2): 294-296
Screening Torture: media representations of state terror and political domination
vol. 34 (2): 296-298
Concentrationary Cinema: aesthetics as political resistance in Alain Resnais’s Night and Fog
vol. 34 (2): 298-300
Jimmy McGovern
vol. 34 (2): 300-302
British Trash Cinema
vol. 34 (2): 302-304
Postwall German Cinema: history, film history, and cinephilia
vol. 34 (2): 304-306
Im Anfang war das Experiment: das Weimarer Radio bei Hans Flesch und Ernst Schoen
vol. 34 (2): 306-309
Amazon Town TV: an audience ethnography in Gurupá, Brazil
vol. 34 (2): 309-311
British Film Culture in the 1970s. The Boundaries of Pleasure
vol. 34 (2): 311-315
Early Cinema Today: the art of programming and live performance
vol. 34 (2): 316-317
Myth, Media, and Culture in Star Wars: an anthology and Sex, Politics, and Religion in Star Wars: an anthology
vol. 34 (2): 318-320
British Films of the 1970s
vol. 34 (2): 320-321
Flickers of Desire: movie stars of the 1910s
vol. 34 (2): 322-323
Mary Pickford, Queen of the Movies
vol. 34 (2): 323-325
Between Still and Moving Images: photography and cinema in the 20th century
vol. 34 (2): 325-327

Volume 34 (1)

Introduction
vol. 34 (1): 1-1
Film Finances: The First Years
vol. 34 (1): 2-22
Film Finances and the British New Wave
vol. 34 (1): 23-42
The Trouble with Harry: The Difficult Relationship of Harry Saltzman and Film Finances
vol. 34 (1): 43-71