Historical Journal of Film, Radio and Television articles

Volume 33 (2)

Strange Bedfellows: Yiddish socialist radio and the collapse of broadcasting reform in the United States, 1927-1938
vol. 33 (2): 289-307
THE ROUTLEDGE–IAMHIST BEST ARTICLE PRIZES FOR 2012
vol. 33 (2): 308-0
Der Caligari-Komplex
vol. 33 (2): 309-311
Kollektive Erinnerung und nationale Identität. Nationalsozialismus, DDR und Wiedervereinigung im deutschen Spielfilm nach 1989
vol. 33 (2): 311-313
The Projection of Britain: a history of the GPO Film Unit
vol. 33 (2): 314-317
Olympia
vol. 33 (2): 317-318
Documenting Racism. African Americans in US Department of Agriculture Documentaries, 1921–42
vol. 33 (2): 318-319
Broadcasting Empire: the BBC and the British world, 1922–1970
vol. 33 (2): 319-321
The Passion of the Christ
vol. 33 (2): 321-322
Postcolonial Cinema Studies
vol. 33 (2): 323-324
The Classical Hollywood Reader
vol. 33 (2): 324-326
The Cinema and Cinema-Going in Scotland, 1896–1950
vol. 33 (2): 326-328
Film Exhibition and Distribution in Ireland, 1909–2010
vol. 33 (2): 328-329
Justifying War: propaganda, politics and the modern age
vol. 33 (2): 330-332
Peter Lorre: face maker. Constructing Stardom and Performance in Hollywood and Europe
vol. 33 (2): 332-334
Magic Lantern, Panorama and Moving Picture Shows in Ireland, 1786–1909
vol. 33 (2): 334-336
Culture of Class: radio and cinema in the making of a divided Argentina, 1920–1946
vol. 33 (2): 336-338
Straw Dogs
vol. 33 (2): 338-340
A History of Greek Cinema
vol. 33 (2): 340-343
Italian Neorealist Cinema
vol. 33 (2): 343-346
The American Success Myth on Film
vol. 33 (2): 346-347
New Argentine Cinema
vol. 33 (2): 347-349
Karl Ritter. His Life and ‘Zeitfilms’ under National Socialism
vol. 33 (2): 349-351
Film and Video Censorship in Modern Britain
vol. 33 (2): 351-352
The British Film Institute, the government and film culture, 1933–2000
vol. 33 (2): 353-354

Volume 33 (1)

‘A New Movie-Going Public’: 1930s Hollywood And The Emergence Of The ‘Family’ Film
vol. 33 (1): 1-23
‘Be Moviedom’s Guest In Your Own Easy Chair!’ Hollywood, Radio And The Movie Adaptation Series
vol. 33 (1): 24-54
The Distribution Of Powell And Pressburger’s Films In The United States, 1939–1949
vol. 33 (1): 55-76
Censorship In Black And White: The Burning Cross (1947), Band Of Angels (1957) And The Politics Of Film Censorship In The American South After World War II
vol. 33 (1): 77-98
TELEVISION DISTRIBUTION OF LOW-BUDGET INDEPENDENT FEATURES IN THE 1950S: THE CASES OF UNITED ARTISTS V. STRAND PRODUCTIONS AND EAGLE-LION CLASSICS V. BOGEAUS
vol. 33 (1): 99-114
Selling The Continuing Story Of Peyton Place: Negotiating The Content Of The Primetime Serial
vol. 33 (1): 115-128
De la chute du mur de Berlin au 11 septembre 2001: le journal télévisé, les memoires collectives et l’écriture de l’histoire
vol. 33 (1): 129-131
Hollywood's Detectives. Crime Series in the 1930s and 1940s from the Whodunnit to Hard-boiled Noir
vol. 33 (1): 131-132
A Little Solitaire: John Frankenheimer and American film
vol. 33 (1): 132-134
British Silent Cinema and the Great War
vol. 33 (1): 134-135
Forgotten Futures: British municipal cinema 1920–1980
vol. 33 (1): 135-138
Visions of Japanese Modernity: articulations of cinema, nation and spectatorship, 1895–1925
vol. 33 (1): 139-141
Screening Enlightenment: Hollywood and the cultural reconstruction of defeated Japan
vol. 33 (1): 141-143
Wanted, Cultured Ladies Only! Female stardom and cinema in India, 1930s–1950s
vol. 33 (1): 143-146
News in Transition
vol. 33 (1): 146-148