Historical Journal of Film, Radio and Television articles

Volume 35 (1)

British Governmental Institutions, the Regional Information Office in Singapore and the Use of the Official Film in Malaya and Singapore, 1948–1961
vol. 35 (1): 27-52
British Governmental Institutions, the Regional Information Office in Singapore and the Use of the Official Film in Malaya and Singapore, 1948–1961
vol. 35 (1): 27-52
‘If You Have Seen it, You Cannot Forget!’: Film Consumption and Memories of Cinema-Going in 1950s Rome
vol. 35 (1): 53-74
‘If You Have Seen it, You Cannot Forget!’: Film Consumption and Memories of Cinema-Going in 1950s Rome
vol. 35 (1): 53-74
Crisis At The Capitole: A Cultural Economics Analysis Of A Major First-Run Cinema In Ghent, 1953–1971
vol. 35 (1): 75-124
Crisis At The Capitole: A Cultural Economics Analysis Of A Major First-Run Cinema In Ghent, 1953–1971
vol. 35 (1): 75-124
Film policy, national identity and period adaptations in Flanders during the 1970s and 1980s
vol. 35 (1): 125-144
Film policy, national identity and period adaptations in Flanders during the 1970s and 1980s
vol. 35 (1): 125-144
W. B. Yeats and Broadcasting, 1924–1965
vol. 35 (1): 145-175
W. B. Yeats and Broadcasting, 1924–1965
vol. 35 (1): 145-175
‘The Kind Of Program Service All The People Want’: Pat Weaver’s Failed Fourth Network
vol. 35 (1): 176-194
‘The Kind Of Program Service All The People Want’: Pat Weaver’s Failed Fourth Network
vol. 35 (1): 176-194
The age of new waves: art cinema and the staging of globalization
vol. 35 (1): 195-197
The age of new waves: art cinema and the staging of globalization
vol. 35 (1): 195-197
Turkish German Cinema in the New Millennium: sites, sounds, and screens
vol. 35 (1): 197-198
Turkish German Cinema in the New Millennium: sites, sounds, and screens
vol. 35 (1): 197-198
Hollywood exiles in Europe: the blacklist and Cold War film culture
vol. 35 (1): 199-200
Hollywood exiles in Europe: the blacklist and Cold War film culture
vol. 35 (1): 199-200
Masculinity and gender in Greek cinema: 1946–1967
vol. 35 (1): 200-202
Masculinity and gender in Greek cinema: 1946–1967
vol. 35 (1): 200-202
Writing and producing television drama in Denmark. From the Kingdom to the killing
vol. 35 (1): 202-204
Writing and producing television drama in Denmark. From the Kingdom to the killing
vol. 35 (1): 202-204
‘Der Farbfilm marschiert!’ Frühe Farbfilmverfahren und NS-Propaganda 1933–1945
vol. 35 (1): 204-206
‘Der Farbfilm marschiert!’ Frühe Farbfilmverfahren und NS-Propaganda 1933–1945
vol. 35 (1): 204-206
A history of Spanish film. Cinema and society 1910–2010
vol. 35 (1): 206-208
A history of Spanish film. Cinema and society 1910–2010
vol. 35 (1): 206-208
Dansk film under nazismen
vol. 35 (1): 208-210
Dansk film under nazismen
vol. 35 (1): 208-210
Cinema in Central Asia: rewriting cultural histories
vol. 35 (1): 210-212
Cinema in Central Asia: rewriting cultural histories
vol. 35 (1): 210-212
The Phoenix Picturehouse: 100 years of Oxford cinema memories
vol. 35 (1): 212-214
The Phoenix Picturehouse: 100 years of Oxford cinema memories
vol. 35 (1): 212-214

Volume 34 (4)

Editorial Board
vol. 34 (4): 0-0
Screening Fascism in the Free State: Italian Propaganda Films and Diplomacy in Ireland, 1934–1940
vol. 34 (4): 493-510
The Changing Face of the Amateur Holiday Film In Britain as Constructed by Post-War Amateur Cine World (1945–1951)
vol. 34 (4): 511-527
The Monument and the Sewer: Memory and Death in Wajda’s Kanal (1957)
vol. 34 (4): 528-545
African Adventures: Film Finances Ltd and Actor-Producers on Safari
vol. 34 (4): 546-567
Playing with New Rules: Radio Quiz Shows and the Reorientation of the Japanese Under the US Occupation, 1945–1952
vol. 34 (4): 568-585
Nielsen And The Networks: Scientific Capitalism, Broadcasting And Congress, 1956–1958
vol. 34 (4): 586-598
America is Elsewhere: the noir tradition in the age of consumer culture
vol. 34 (4): 599-601