Historical Journal of Film, Radio and Television articles

Volume 37 (1)

Expressionism and Film
vol. 37 (1): 130-132
Film Bild Kunst: Visuelle Ästhetik des vorklassischen Stummfilms
vol. 37 (1): 132-134
Film Bild Kunst: Visuelle Ästhetik des vorklassischen Stummfilms
vol. 37 (1): 132-134
The Feel-Bad Film
vol. 37 (1): 134-136
The Feel-Bad Film
vol. 37 (1): 134-136
Julie Christie
vol. 37 (1): 136-138
Julie Christie
vol. 37 (1): 136-138
Lichtspiele im Schatten der Armut
vol. 37 (1): 138-140
Lichtspiele im Schatten der Armut
vol. 37 (1): 138-140
Aesthetics of Displacement: Turkey and its Minorities on Screen
vol. 37 (1): 140-143
Aesthetics of Displacement: Turkey and its Minorities on Screen
vol. 37 (1): 140-143
The Rise and Fall of the UK Film Council
vol. 37 (1): 143-145
The Rise and Fall of the UK Film Council
vol. 37 (1): 143-145
Producing Behind the Silver Screen: A Modern History of Filmmaking
vol. 37 (1): 145-147
Producing Behind the Silver Screen: A Modern History of Filmmaking
vol. 37 (1): 145-147
The Marvel Studios Phenomenon: Inside a Transmedia Universe
vol. 37 (1): 147-149
The Marvel Studios Phenomenon: Inside a Transmedia Universe
vol. 37 (1): 147-149
Animation: A World History
vol. 37 (1): 149-151
Animation: A World History
vol. 37 (1): 149-151
Cinema in Service of the State: Perspectives on Film Culture in the GDR and Czechoslovakia, 1945–1960
vol. 37 (1): 151-154
Cinema in Service of the State: Perspectives on Film Culture in the GDR and Czechoslovakia, 1945–1960
vol. 37 (1): 151-154
Moralizing Cinema: Film, Catholicism, and Power
vol. 37 (1): 154-156
Moralizing Cinema: Film, Catholicism, and Power
vol. 37 (1): 154-156
Shooting from the East: Filmmaking on the Canadian Atlantic
vol. 37 (1): 156-159
Shooting from the East: Filmmaking on the Canadian Atlantic
vol. 37 (1): 156-159

Volume 36 (4)

Editorial Board
vol. 36 (4): 0-0
Roger Casement on Screen: The Background Story on an Historical Film Opportunity, 1915–1916
vol. 36 (4): 493-508
Trophy, evidence, document: appropriating an archive film from Liepaja, 1941
vol. 36 (4): 509-528
Re-orientating Japanese cinema: cold war criticism of ‘anti-American’ films
vol. 36 (4): 529-547
Resisting Hollywood dominance in sixties British cinema: the NFFC/rank joint financing initiative
vol. 36 (4): 548-568
Cinema advertising and the Sea Witch ‘Lost Island’ film (1965)
vol. 36 (4): 569-586
Exploiting local controversy: regional British censorship of Last Tango in Paris (1972)
vol. 36 (4): 587-603
The ballad of Alan and Auntie Beeb: Alan Lomax’s radio programmes for the BBC, 1943–1960
vol. 36 (4): 604-626
A transnational history of radio listening groups II: Canada, Australia and the world
vol. 36 (4): 627-648
Reconfiguring radio drama after television: the historical significance of Theater 5, Earplay and CBS Radio Mystery Theater as post-network radio drama
vol. 36 (4): 649-667
Channel 4 and the declining influence of organized religion on UK television. The case of Jesus: The Evidence
vol. 36 (4): 668-688
Bollywood in Britain: cinema, brand, discursive complex
vol. 36 (4): 689-691
Icelandic National Cinema. Film- und Rezensionsanalysen nationaler Identität
vol. 36 (4): 691-694
French Cinema: A Critical Filmography
vol. 36 (4): 694-698
The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain
vol. 36 (4): 698-702