Historical Journal of Film, Radio and Television articles

Volume 30 (3)

Haunted Images: film, ethics, testimony and the Holocaust
Jordan, James, vol. 30 (3): 458-460
From Grain to Pixel: the archival life of film in transition
Knollmueller, Marit, vol. 30 (3): 460-462

Volume 30 (2)

Child Audiences in America's Nickelodeons, 1900-1915: The Keith/Albee Managers' Reports
Sullivan, Sara, vol. 30 (2): 155-168
Exploiting a Universal Nostalgia for Steak and Onions: The Ministry of Information and the Promotion of World of Plenty (1943)
Farmer, Richard, vol. 30 (2): 169-185
Comment
vol. 30 (2): 221-221
Stagestruck Filmmaker: D.W. Griffith and the American theatre
Posner, Miriam, vol. 30 (2): 225-227
The Man Who Made Movies: W.K.L. Dickson
Musser, Charles, vol. 30 (2): 227-229
Weimar Cinema: an essential guide to classic films of the era
Roberts, Ian, vol. 30 (2): 235-236
Das Böse im Blick: Die Gegenwart des Nationalsozialismus im Film
Lotze, Kathleen, vol. 30 (2): 236-239
Ulrike Ottinger: the autobiography of art cinema
Powell, Larson, vol. 30 (2): 239-241
The Religious Film: Christianity and the hagiopic
Way, Maria, vol. 30 (2): 241-244
Contemporary British Cinema: from heritage to horror
Allison, Deborah, vol. 30 (2): 244-246
Outsider Films on India 1950-1990
Vandevelde, Iris, vol. 30 (2): 248-250
The Blacklist: A Letter from Betty Kerby (1954)
Ceplair, Larry, vol. 30 (2): 261-263