Historical Journal of Film, Radio and Television articles

Volume 34 (1)

The price of oysters: Tom jones (1963) And film finances
vol. 34 (1): 72-84
Calculated Risks: Film Finances and British Independents in the 1970s
vol. 34 (1): 85-102
Placing a Dollar Value on History
vol. 34 (1): 103-115
Women and Turkish Cinema: gender politics, cultural identity and representation
vol. 34 (1): 116-119
Equivocal Subjects: Between Italy and Africa—constructions of racial and national identity in the Italian cinema
vol. 34 (1): 119-121
Il Concilio in diretta: il Vaticano II e la televisione tra informazione e partecipazione
vol. 34 (1): 121-122
The British Film Industry in the 1970s: capital, culture and creativity
vol. 34 (1): 123-125
The Hollywood Family Film. A history, from Shirley Temple to Harry Potter
vol. 34 (1): 125-126
Film and Fairy Tales. The Birth of Modern Fantasy
vol. 34 (1): 126-128
Laughing Matters: understanding film, television and radio comedy
vol. 34 (1): 128-130
The Concise Routledge Encyclopedia of the Documentary Film
vol. 34 (1): 130-133
Tony Richardson
vol. 34 (1): 133-135
Behind the Scenes at the BBFC. Film Classification from the Silver Screen to the Digital Age
vol. 34 (1): 135-137
André Bazin
vol. 34 (1): 138-140
To Dazzle the Eye and Stir the Heart: The Red Lantern, Nazimova and the Boxer Rebellion
vol. 34 (1): 140-141
Marcel Pagnol
vol. 34 (1): 142-144
Hollywood and the American Historical Film
vol. 34 (1): 144-146
Der absolute Film. Dokumente der Medienavantgarde (1912–1936)
vol. 34 (1): 146-148
Sensing the Past: Hollywood stars and historical vision
vol. 34 (1): 148-150
Cult Film Stardom: offbeat attractions and processes of cultification
vol. 34 (1): 151-152
A Companion to the Historical Film
vol. 34 (1): 152-154
Roberto Rossellini Documentarista: una cultura della realtà
vol. 34 (1): 155-157
D’Stater Kinoen. Eine Kinogeschichte der Stadt Luxemburg
vol. 34 (1): 157-159
Disney’s Most Notorious Film: race, convergence, and the hidden histories of Song of the South
vol. 34 (1): 159-161
A History of Colour in British Film: the negotiation of innovation 1900–1955
vol. 34 (1): 161-163
Scandal and Silence. Media responses to presidential misconduct
vol. 34 (1): 163-165
The Catholic Church and Hollywood: censorship and morality in 1930s cinema
vol. 34 (1): 166-167
Spanish Cinema 1973–2010: auteurism, politics, scenery and remembrance
vol. 34 (1): 167-168
The War That Won’t Die: the Spanish Civil War in cinema
vol. 34 (1): 169-170
Transnational Television Drama: special relations and mutual influence between the US and UK
vol. 34 (1): 171-172
Popular Television in Eastern Europe During and Since Socialism
vol. 34 (1): 172-175
Cinemas in Transition in Central and Eastern Europe After 1989
vol. 34 (1): 175-176
Visual Culture
vol. 34 (1): 176-178
Alfred Hitchcock’s America
vol. 34 (1): 178-179
Projecting Tomorrow: science fiction and popular culture
vol. 34 (1): 180-181
Film Stardom, Myth and Classicism: the rise of Hollywood’s gods
vol. 34 (1): 181-183
Spiel mit der Wirklichkeit. Zur Entwicklung doku-fiktionaler Formate in Film und Fernsehen
vol. 34 (1): 183-185

Volume 33 (4)

The Art and Craft of The Screen: Louis Reeves Harrison and The Moving Picture World
vol. 33 (4): 533-551
Singing Sci-Fi Cowboys: Gene Autry And Genre Amalgamation In The Phantom Empire (1935)
vol. 33 (4): 552-575
Rewriting European History: National And Transnational Identities In Rome
vol. 33 (4): 576-593