Historical Journal of Film, Radio and Television articles

Volume 36 (4)

Hitler, Mein Kampf: Eine kritische Edition
vol. 36 (4): 702-704
American Cinematographers in the Great War, 1914–1918
vol. 36 (4): 704-706
The Great War in Popular British Cinema of the 1920s: before Journey’s End
vol. 36 (4): 706-708
Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship
vol. 36 (4): 708-710
Borderland Films. American Cinema, Mexico, and Canada during the Progressive Era
vol. 36 (4): 710-712
Storyboarding: a Critical History
vol. 36 (4): 712-713
In Secrecy’s Shadow: the OSS and CIA in Hollywood Cinema 1941–1979
vol. 36 (4): 713-716
Border Crossing: Russian Literature into Film
vol. 36 (4): 716-719
Using Film as a Source
vol. 36 (4): 719-721
Grindhouse Nostalgia: Memory, Home Video and Exploitation Film Fandom
vol. 36 (4): 721-723
Teletext in Europe: from the Analog to the Digital Era
vol. 36 (4): 723-726

Volume 36 (3)

Preview Screenings and the Spaces of an Emerging Local Cinema Trade in Scotland
vol. 36 (3): 285-304
‘The good earth and the still waters’: new deal rhetoric in FDR’s political speeches and M-G-M’s captains courageous
vol. 36 (3): 305-330
‘Are You Proud to Be British?’: Mobile Film Shows, Local Voices and the Demise of the British Empire in Africa
vol. 36 (3): 331-351
The Creation of the Nippon Newsreel Company: Personal Rivalry and Profit in Wartime Japan
vol. 36 (3): 352-372
‘Adjuncts of Government’: Darryl F. Zanuck and 20th Century-Fox in Service to the Executive Branch, 1935–1971
vol. 36 (3): 373-391
What’s wrong with this picture: casual disregard for history in George Clooney’s The Monuments Men (2014)
vol. 36 (3): 392-414
A chance for a propaganda coup? The Reagan administration and The Day After (1983)
vol. 36 (3): 415-435
A transnational history of radio listening groups I: the United Kingdom and United States
vol. 36 (3): 436-465
Projektionen der Moral: Filmskandale in der Weimarer Republik
vol. 36 (3): 466-468
Fantasia of Color in Early Cinema
vol. 36 (3): 468-470
The adventures of Jonathan Dennis: bicultural film archiving practice in Aotearoa New Zealand
vol. 36 (3): 470-473
Hollywood Riots: Violent Crowds and Progressive Politics in American Film
vol. 36 (3): 473-475
Engel der Effizienz: eine Mediengeschichte der Unternehmensberatung
vol. 36 (3): 475-476
Hitchcock à la Carte
vol. 36 (3): 477-479
Alain Delon: style, stardom, and masculinity
vol. 36 (3): 479-481
British TV Comedies: cultural concepts, contexts and controversies
vol. 36 (3): 481-484
‘Russian Americans’ in Soviet Film: Cinematic Dialogues between the US and the USSR
vol. 36 (3): 484-486
Robert Altman: in the American grain
vol. 36 (3): 486-488
George Kleine and American cinema: the movie business and film culture in the silent era
vol. 36 (3): 488-489
The making of the Crew of the Dora
vol. 36 (3): 490-491

Volume 36 (2)

Early Film Theory Revisited: Historical Perspectives
vol. 36 (2): 127-132
Béla Balázs: a Gestalt theory of film
vol. 36 (2): 133-155
Taming the Cowboy: Early Danish Film Theory, 1910–1940
vol. 36 (2): 156-174
‘Never Let the Camera Catch me Acting’: Lillian Gish as Actress, Star, and Theorist
vol. 36 (2): 175-189
Third Reich Cinema and Film Theory
vol. 36 (2): 190-213
Film criticism as a political weapon: theory, ideology and film activism in Nuestro Cinema (1932–1935)
vol. 36 (2): 214-231
The literary origins of film criticism in Argentina and Uruguay: Horacio Quiroga’s reviews, 1918–1931
vol. 36 (2): 232-251
The Routledge-IAMHIST Best Article Prizes for 2015
vol. 36 (2): 252-252
Media and nostalgia: yearning for the past, present and future
vol. 36 (2): 253-255