Historical Journal of Film, Radio and Television articles

Volume 35 (1)

‘If You Have Seen it, You Cannot Forget!’: Film Consumption and Memories of Cinema-Going in 1950s Rome
vol. 35 (1): 53-74
‘If You Have Seen it, You Cannot Forget!’: Film Consumption and Memories of Cinema-Going in 1950s Rome
vol. 35 (1): 53-74
Crisis At The Capitole: A Cultural Economics Analysis Of A Major First-Run Cinema In Ghent, 1953–1971
vol. 35 (1): 75-124
Crisis At The Capitole: A Cultural Economics Analysis Of A Major First-Run Cinema In Ghent, 1953–1971
vol. 35 (1): 75-124
Film policy, national identity and period adaptations in Flanders during the 1970s and 1980s
vol. 35 (1): 125-144
Film policy, national identity and period adaptations in Flanders during the 1970s and 1980s
vol. 35 (1): 125-144
W. B. Yeats and Broadcasting, 1924–1965
vol. 35 (1): 145-175
W. B. Yeats and Broadcasting, 1924–1965
vol. 35 (1): 145-175
‘The Kind Of Program Service All The People Want’: Pat Weaver’s Failed Fourth Network
vol. 35 (1): 176-194
‘The Kind Of Program Service All The People Want’: Pat Weaver’s Failed Fourth Network
vol. 35 (1): 176-194
The age of new waves: art cinema and the staging of globalization
vol. 35 (1): 195-197
The age of new waves: art cinema and the staging of globalization
vol. 35 (1): 195-197
Turkish German Cinema in the New Millennium: sites, sounds, and screens
vol. 35 (1): 197-198
Turkish German Cinema in the New Millennium: sites, sounds, and screens
vol. 35 (1): 197-198
Hollywood exiles in Europe: the blacklist and Cold War film culture
vol. 35 (1): 199-200
Hollywood exiles in Europe: the blacklist and Cold War film culture
vol. 35 (1): 199-200
Masculinity and gender in Greek cinema: 1946–1967
vol. 35 (1): 200-202
Masculinity and gender in Greek cinema: 1946–1967
vol. 35 (1): 200-202
Writing and producing television drama in Denmark. From the Kingdom to the killing
vol. 35 (1): 202-204
Writing and producing television drama in Denmark. From the Kingdom to the killing
vol. 35 (1): 202-204
‘Der Farbfilm marschiert!’ Frühe Farbfilmverfahren und NS-Propaganda 1933–1945
vol. 35 (1): 204-206
‘Der Farbfilm marschiert!’ Frühe Farbfilmverfahren und NS-Propaganda 1933–1945
vol. 35 (1): 204-206
A history of Spanish film. Cinema and society 1910–2010
vol. 35 (1): 206-208
A history of Spanish film. Cinema and society 1910–2010
vol. 35 (1): 206-208
Dansk film under nazismen
vol. 35 (1): 208-210
Dansk film under nazismen
vol. 35 (1): 208-210
Cinema in Central Asia: rewriting cultural histories
vol. 35 (1): 210-212
Cinema in Central Asia: rewriting cultural histories
vol. 35 (1): 210-212
The Phoenix Picturehouse: 100 years of Oxford cinema memories
vol. 35 (1): 212-214
The Phoenix Picturehouse: 100 years of Oxford cinema memories
vol. 35 (1): 212-214

Volume 34 (4)

Editorial Board
vol. 34 (4): 0-0
Screening Fascism in the Free State: Italian Propaganda Films and Diplomacy in Ireland, 1934–1940
vol. 34 (4): 493-510
The Changing Face of the Amateur Holiday Film In Britain as Constructed by Post-War Amateur Cine World (1945–1951)
vol. 34 (4): 511-527
The Monument and the Sewer: Memory and Death in Wajda’s Kanal (1957)
vol. 34 (4): 528-545
African Adventures: Film Finances Ltd and Actor-Producers on Safari
vol. 34 (4): 546-567
Playing with New Rules: Radio Quiz Shows and the Reorientation of the Japanese Under the US Occupation, 1945–1952
vol. 34 (4): 568-585
Nielsen And The Networks: Scientific Capitalism, Broadcasting And Congress, 1956–1958
vol. 34 (4): 586-598
America is Elsewhere: the noir tradition in the age of consumer culture
vol. 34 (4): 599-601
Hidden Chicano Cinema: film dramas in the borderlands
vol. 34 (4): 601-603
The Demons of Modernity. Ingmar Bergman and European cinema
vol. 34 (4): 603-605