Historical Journal of Film, Radio and Television articles

Volume 33 (1)

Screening Enlightenment: Hollywood and the cultural reconstruction of defeated Japan
vol. 33 (1): 141-143
Wanted, Cultured Ladies Only! Female stardom and cinema in India, 1930s–1950s
vol. 33 (1): 143-146
News in Transition
vol. 33 (1): 146-148
Television, Japan, and Globalization
vol. 33 (1): 148-150
‘Eine gediegende Aufklärung und Führung in dieser Materie’. Katholische Filmarbeit in der Schweiz 1908–1972
vol. 33 (1): 150-152
Paving the Empire Road: BBC television and Black Britons
vol. 33 (1): 152-154
Distributing Silent Film Serials: local practices, changing forms, cultural transformation
vol. 33 (1): 154-156
Early Charlie Chaplin: the artist as apprentice at Keystone Studios
vol. 33 (1): 157-159
Virilio Now: current perspectives in Virilio studies
vol. 33 (1): 159-161
Film-Kino-Zuschauer: filmrezeption/Film—Cinema—Spectator: film reception
vol. 33 (1): 161-162
What is Media Archaeology?
vol. 33 (1): 162-164
Indian Media
vol. 33 (1): 164-165
Tragedia all’italiana. Italian Cinema and Italian Terrorisms 1970–2010
vol. 33 (1): 166-168
Italian TV Drama & Beyond. Stories from the Soil, Stories from the Sea
vol. 33 (1): 168-171
European Cinema and Intertextuality. History, Memory and Politics
vol. 33 (1): 171-172
Heritage Film Audiences: period films and contemporary audiences in the UK
vol. 33 (1): 172-174
The Birth of British Television
vol. 33 (1): 174-176
Nazisploitation! The Nazi Image in Low-Brow Cinema and Culture
vol. 33 (1): 176-178
Cinemas in Britain: a history of cinema architecture (revised edition)
vol. 33 (1): 178-179
The Cinema of Alexander Sokurov
vol. 33 (1): 179-181
The People's Pictures: National Lottery funding and British cinema
vol. 33 (1): 181-183
Watch and Learn: rhetorical devices in classroom films after 1940
vol. 33 (1): 184-185

Volume 32 (4)

Editorial Board
vol. 32 (4): 0-0
The Catholic Spectator: Cinema and the Church in France in the 1920s
vol. 32 (4): 501-520
Soviet Politics and the Mezhrabpom Studio in the Soviet Union during the 1920s and 1930s
vol. 32 (4): 521-535
English as she is Spoke: The First British Talkies
vol. 32 (4): 537-557
Alida Valli in Hollywood: From Star of Fascist Cinema to ‘Selznick Siren’
vol. 32 (4): 559-587
The Development of Official Film-Making in Hong Kong
vol. 32 (4): 589-609
Independent Production and Industrial Tactics in Britain: Michael Klinger and Baby Love
vol. 32 (4): 611-631
A Clockwork Orange
vol. 32 (4): 633-635
Knockout: the boxer and boxing in American cinema
vol. 32 (4): 635-637
Der Essayfilm. Ästhetik und Aktualität
vol. 32 (4): 637-639
Willi Forst. Ein filmkritisches Porträt
vol. 32 (4): 639-641
Celluloid Sermons: the emergence of the Christian film industry, 1930–1986
vol. 32 (4): 641-644
Cinematic Rotterdam. The Times and Tides of a Modern City
vol. 32 (4): 644-646
The Food Companions: cinema and consumption in wartime Britain, 1939–45
vol. 32 (4): 646-648
TV Critics and Popular Culture: a history of British television criticism
vol. 32 (4): 649-650
Cinema, Space and Polylocality in a Globalizing China
vol. 32 (4): 650-652

Volume 32 (3)

‘A Newsreel of Our Own’: The Culture and Commerce of Local Filmed News
vol. 32 (3): 355-360
‘British for the British—Irish Events for the Irish’: Indigenous Newsreel Production in Ireland
vol. 32 (3): 361-377