Historical Journal of Film, Radio and Television articles

Volume 37 (1)

The Rise and Fall of the UK Film Council
vol. 37 (1): 143-145
Producing Behind the Silver Screen: A Modern History of Filmmaking
vol. 37 (1): 145-147
Producing Behind the Silver Screen: A Modern History of Filmmaking
vol. 37 (1): 145-147
The Marvel Studios Phenomenon: Inside a Transmedia Universe
vol. 37 (1): 147-149
The Marvel Studios Phenomenon: Inside a Transmedia Universe
vol. 37 (1): 147-149
Animation: A World History
vol. 37 (1): 149-151
Animation: A World History
vol. 37 (1): 149-151
Cinema in Service of the State: Perspectives on Film Culture in the GDR and Czechoslovakia, 1945–1960
vol. 37 (1): 151-154
Cinema in Service of the State: Perspectives on Film Culture in the GDR and Czechoslovakia, 1945–1960
vol. 37 (1): 151-154
Moralizing Cinema: Film, Catholicism, and Power
vol. 37 (1): 154-156
Moralizing Cinema: Film, Catholicism, and Power
vol. 37 (1): 154-156
Shooting from the East: Filmmaking on the Canadian Atlantic
vol. 37 (1): 156-159
Shooting from the East: Filmmaking on the Canadian Atlantic
vol. 37 (1): 156-159

Volume 36 (4)

Editorial Board
vol. 36 (4): 0-0
Roger Casement on Screen: The Background Story on an Historical Film Opportunity, 1915–1916
vol. 36 (4): 493-508
Trophy, evidence, document: appropriating an archive film from Liepaja, 1941
vol. 36 (4): 509-528
Re-orientating Japanese cinema: cold war criticism of ‘anti-American’ films
vol. 36 (4): 529-547
Resisting Hollywood dominance in sixties British cinema: the NFFC/rank joint financing initiative
vol. 36 (4): 548-568
Cinema advertising and the Sea Witch ‘Lost Island’ film (1965)
vol. 36 (4): 569-586
Exploiting local controversy: regional British censorship of Last Tango in Paris (1972)
vol. 36 (4): 587-603
The ballad of Alan and Auntie Beeb: Alan Lomax’s radio programmes for the BBC, 1943–1960
vol. 36 (4): 604-626
A transnational history of radio listening groups II: Canada, Australia and the world
vol. 36 (4): 627-648
Reconfiguring radio drama after television: the historical significance of Theater 5, Earplay and CBS Radio Mystery Theater as post-network radio drama
vol. 36 (4): 649-667
Channel 4 and the declining influence of organized religion on UK television. The case of Jesus: The Evidence
vol. 36 (4): 668-688
Bollywood in Britain: cinema, brand, discursive complex
vol. 36 (4): 689-691
Icelandic National Cinema. Film- und Rezensionsanalysen nationaler Identität
vol. 36 (4): 691-694
French Cinema: A Critical Filmography
vol. 36 (4): 694-698
The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain
vol. 36 (4): 698-702
Hitler, Mein Kampf: Eine kritische Edition
vol. 36 (4): 702-704
American Cinematographers in the Great War, 1914–1918
vol. 36 (4): 704-706
The Great War in Popular British Cinema of the 1920s: before Journey’s End
vol. 36 (4): 706-708
Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship
vol. 36 (4): 708-710
Borderland Films. American Cinema, Mexico, and Canada during the Progressive Era
vol. 36 (4): 710-712
Storyboarding: a Critical History
vol. 36 (4): 712-713
In Secrecy’s Shadow: the OSS and CIA in Hollywood Cinema 1941–1979
vol. 36 (4): 713-716
Border Crossing: Russian Literature into Film
vol. 36 (4): 716-719
Using Film as a Source
vol. 36 (4): 719-721
Grindhouse Nostalgia: Memory, Home Video and Exploitation Film Fandom
vol. 36 (4): 721-723
Teletext in Europe: from the Analog to the Digital Era
vol. 36 (4): 723-726

Volume 36 (3)

Preview Screenings and the Spaces of an Emerging Local Cinema Trade in Scotland
vol. 36 (3): 285-304