Historical Journal of Film, Radio and Television articles

Volume 37 (1)

Drama as Science Documentary: The Ethics of Making and ‘Banning’ The Black Pool
vol. 37 (1): 96-112
Drama as Science Documentary: The Ethics of Making and ‘Banning’ The Black Pool
vol. 37 (1): 96-112
Uncovering Forgotten, Unseen and Contested Representations of ‘Black Britain’: Gloo Joo (1979) and Meadowlark (1982)
vol. 37 (1): 113-127
Uncovering Forgotten, Unseen and Contested Representations of ‘Black Britain’: Gloo Joo (1979) and Meadowlark (1982)
vol. 37 (1): 113-127
Filming Horror: Hindi Cinema, Ghosts and Ideologies
vol. 37 (1): 128-130
Filming Horror: Hindi Cinema, Ghosts and Ideologies
vol. 37 (1): 128-130
Expressionism and Film
vol. 37 (1): 130-132
Expressionism and Film
vol. 37 (1): 130-132
Film Bild Kunst: Visuelle Ästhetik des vorklassischen Stummfilms
vol. 37 (1): 132-134
Film Bild Kunst: Visuelle Ästhetik des vorklassischen Stummfilms
vol. 37 (1): 132-134
The Feel-Bad Film
vol. 37 (1): 134-136
The Feel-Bad Film
vol. 37 (1): 134-136
Julie Christie
vol. 37 (1): 136-138
Julie Christie
vol. 37 (1): 136-138
Lichtspiele im Schatten der Armut
vol. 37 (1): 138-140
Lichtspiele im Schatten der Armut
vol. 37 (1): 138-140
Aesthetics of Displacement: Turkey and its Minorities on Screen
vol. 37 (1): 140-143
Aesthetics of Displacement: Turkey and its Minorities on Screen
vol. 37 (1): 140-143
The Rise and Fall of the UK Film Council
vol. 37 (1): 143-145
The Rise and Fall of the UK Film Council
vol. 37 (1): 143-145
Producing Behind the Silver Screen: A Modern History of Filmmaking
vol. 37 (1): 145-147
Producing Behind the Silver Screen: A Modern History of Filmmaking
vol. 37 (1): 145-147
The Marvel Studios Phenomenon: Inside a Transmedia Universe
vol. 37 (1): 147-149
The Marvel Studios Phenomenon: Inside a Transmedia Universe
vol. 37 (1): 147-149
Animation: A World History
vol. 37 (1): 149-151
Animation: A World History
vol. 37 (1): 149-151
Cinema in Service of the State: Perspectives on Film Culture in the GDR and Czechoslovakia, 1945–1960
vol. 37 (1): 151-154
Cinema in Service of the State: Perspectives on Film Culture in the GDR and Czechoslovakia, 1945–1960
vol. 37 (1): 151-154
Moralizing Cinema: Film, Catholicism, and Power
vol. 37 (1): 154-156
Moralizing Cinema: Film, Catholicism, and Power
vol. 37 (1): 154-156
Shooting from the East: Filmmaking on the Canadian Atlantic
vol. 37 (1): 156-159
Shooting from the East: Filmmaking on the Canadian Atlantic
vol. 37 (1): 156-159

Volume 36 (4)

Editorial Board
vol. 36 (4): 0-0
Roger Casement on Screen: The Background Story on an Historical Film Opportunity, 1915–1916
vol. 36 (4): 493-508
Trophy, evidence, document: appropriating an archive film from Liepaja, 1941
vol. 36 (4): 509-528
Re-orientating Japanese cinema: cold war criticism of ‘anti-American’ films
vol. 36 (4): 529-547
Resisting Hollywood dominance in sixties British cinema: the NFFC/rank joint financing initiative
vol. 36 (4): 548-568
Cinema advertising and the Sea Witch ‘Lost Island’ film (1965)
vol. 36 (4): 569-586
Exploiting local controversy: regional British censorship of Last Tango in Paris (1972)
vol. 36 (4): 587-603
The ballad of Alan and Auntie Beeb: Alan Lomax’s radio programmes for the BBC, 1943–1960
vol. 36 (4): 604-626