Historical Journal of Film, Radio and Television articles

Volume 33 (1)

Heritage Film Audiences: period films and contemporary audiences in the UK
vol. 33 (1): 172-174
The Birth of British Television
vol. 33 (1): 174-176
Nazisploitation! The Nazi Image in Low-Brow Cinema and Culture
vol. 33 (1): 176-178
Cinemas in Britain: a history of cinema architecture (revised edition)
vol. 33 (1): 178-179
The Cinema of Alexander Sokurov
vol. 33 (1): 179-181
The People's Pictures: National Lottery funding and British cinema
vol. 33 (1): 181-183
Watch and Learn: rhetorical devices in classroom films after 1940
vol. 33 (1): 184-185

Volume 32 (4)

Editorial Board
vol. 32 (4): 0-0
The Catholic Spectator: Cinema and the Church in France in the 1920s
vol. 32 (4): 501-520
Soviet Politics and the Mezhrabpom Studio in the Soviet Union during the 1920s and 1930s
vol. 32 (4): 521-535
English as she is Spoke: The First British Talkies
vol. 32 (4): 537-557
Alida Valli in Hollywood: From Star of Fascist Cinema to ‘Selznick Siren’
vol. 32 (4): 559-587
The Development of Official Film-Making in Hong Kong
vol. 32 (4): 589-609
Independent Production and Industrial Tactics in Britain: Michael Klinger and Baby Love
vol. 32 (4): 611-631
A Clockwork Orange
vol. 32 (4): 633-635
Knockout: the boxer and boxing in American cinema
vol. 32 (4): 635-637
Der Essayfilm. Ästhetik und Aktualität
vol. 32 (4): 637-639
Willi Forst. Ein filmkritisches Porträt
vol. 32 (4): 639-641
Celluloid Sermons: the emergence of the Christian film industry, 1930–1986
vol. 32 (4): 641-644
Cinematic Rotterdam. The Times and Tides of a Modern City
vol. 32 (4): 644-646
The Food Companions: cinema and consumption in wartime Britain, 1939–45
vol. 32 (4): 646-648
TV Critics and Popular Culture: a history of British television criticism
vol. 32 (4): 649-650
Cinema, Space and Polylocality in a Globalizing China
vol. 32 (4): 650-652

Volume 32 (3)

‘A Newsreel of Our Own’: The Culture and Commerce of Local Filmed News
vol. 32 (3): 355-360
‘British for the British—Irish Events for the Irish’: Indigenous Newsreel Production in Ireland
vol. 32 (3): 361-377
Filmed News and Nationalism in Belgium: Flemish Events At the Crossroads of Politics, Culture and Commerce (1929–1942)
vol. 32 (3): 379-399
‘An Added Bonus’: Local Films, Local Newsreels and the Strand News in Warsaw, Indiana (1938–1955)
vol. 32 (3): 401-417
Local Newsreels and City Marketing in West Germany: A Case Study of the Karlsruher Monatsspiegel (1957–1966)
vol. 32 (3): 419-433
‘Help to Preserve the Real Story of Our Cinema and Television Industries’: The BECTU History Project and the Construction of British Media History, 1986–2010
vol. 32 (3): 435-448
The BECTU History Project: A Postscript
vol. 32 (3): 449-451
Film England. Culturally English Filmmaking since the 1990s
vol. 32 (3): 453-455
Leslie Howard. The Lost Actor
vol. 32 (3): 455-456
Eadweard Muybridge
vol. 32 (3): 457-458
Movies in American History. An Encyclopedia
vol. 32 (3): 458-459
Washed in Blood: male sacrifice, trauma, and the cinema; Masculinity and Film Performance: male angst in contemporary American cinema
vol. 32 (3): 459-462
Liberty—Shtunk! Die Freiheit wird abgeschafft. Charlie Chaplin und die Nationalsozialisten
vol. 32 (3): 462-464
Baz Luhrmann
vol. 32 (3): 464-466
The Media at War
vol. 32 (3): 466-468
Jew Süss—life, legend, fiction, film
vol. 32 (3): 468-470
The Essential Sopranos Reader
vol. 32 (3): 470-471