Historical Journal of Film, Radio and Television articles

Volume 33 (3)

Those Girls: single women in sixties and seventies popular culture
vol. 33 (3): 512-515
Radio Propaganda and the Broadcasting of Hatred: historical development and definitions
vol. 33 (3): 515-516
Framing Pictures: film and the visual arts
vol. 33 (3): 516-518
J. Edgar Hoover Goes to the Movies: the FBI and the origins of Hollywood’s Cold War
vol. 33 (3): 518-521
Spike Lee’s America
vol. 33 (3): 521-523
American Documentary Film: projecting the nation
vol. 33 (3): 523-525
Polish Film and the Holocaust: politics and memory
vol. 33 (3): 525-528
Beyond the Screen: institutions, networks, and publics of early cinema
vol. 33 (3): 528-530
Hollywood’s Detectives: crime series in the 1930s and 1940s from the whodunnit to hard-boiled noir
vol. 33 (3): 530-532

Volume 33 (2)

The Euro-British Flagship That Sank: The short life and lingering death of Associated Sound Film Industries, 1929-1936
vol. 33 (2): 187-213
‘It’s About Time British Actors Kicked Against these Roles in “Horror” Films’: Horror stars, psychological films and the tyranny of the Old World in classical horror cinema
vol. 33 (2): 214-233
Rome, Open for British Production: The lost world of ‘Britalian’ films, 1946-1954
vol. 33 (2): 234-269
A ‘Glittering Landmark for a 21st Century Entertainment Centre’: The history of The Point multiplex cinema in Milton Keynes
vol. 33 (2): 270-288
Strange Bedfellows: Yiddish socialist radio and the collapse of broadcasting reform in the United States, 1927-1938
vol. 33 (2): 289-307
THE ROUTLEDGE–IAMHIST BEST ARTICLE PRIZES FOR 2012
vol. 33 (2): 308-0
Der Caligari-Komplex
vol. 33 (2): 309-311
Kollektive Erinnerung und nationale Identität. Nationalsozialismus, DDR und Wiedervereinigung im deutschen Spielfilm nach 1989
vol. 33 (2): 311-313
The Projection of Britain: a history of the GPO Film Unit
vol. 33 (2): 314-317
Olympia
vol. 33 (2): 317-318
Documenting Racism. African Americans in US Department of Agriculture Documentaries, 1921–42
vol. 33 (2): 318-319
Broadcasting Empire: the BBC and the British world, 1922–1970
vol. 33 (2): 319-321
The Passion of the Christ
vol. 33 (2): 321-322
Postcolonial Cinema Studies
vol. 33 (2): 323-324
The Classical Hollywood Reader
vol. 33 (2): 324-326
The Cinema and Cinema-Going in Scotland, 1896–1950
vol. 33 (2): 326-328
Film Exhibition and Distribution in Ireland, 1909–2010
vol. 33 (2): 328-329
Justifying War: propaganda, politics and the modern age
vol. 33 (2): 330-332
Peter Lorre: face maker. Constructing Stardom and Performance in Hollywood and Europe
vol. 33 (2): 332-334
Magic Lantern, Panorama and Moving Picture Shows in Ireland, 1786–1909
vol. 33 (2): 334-336
Culture of Class: radio and cinema in the making of a divided Argentina, 1920–1946
vol. 33 (2): 336-338
Straw Dogs
vol. 33 (2): 338-340
A History of Greek Cinema
vol. 33 (2): 340-343
Italian Neorealist Cinema
vol. 33 (2): 343-346
The American Success Myth on Film
vol. 33 (2): 346-347
New Argentine Cinema
vol. 33 (2): 347-349
Karl Ritter. His Life and ‘Zeitfilms’ under National Socialism
vol. 33 (2): 349-351
Film and Video Censorship in Modern Britain
vol. 33 (2): 351-352
The British Film Institute, the government and film culture, 1933–2000
vol. 33 (2): 353-354

Volume 33 (1)

‘A New Movie-Going Public’: 1930s Hollywood And The Emergence Of The ‘Family’ Film
vol. 33 (1): 1-23
‘Be Moviedom’s Guest In Your Own Easy Chair!’ Hollywood, Radio And The Movie Adaptation Series
vol. 33 (1): 24-54