Historical Journal of Film, Radio and Television articles

Volume 32 (2)

Cinema and the Swastika: the international expansion of Third Reich cinema
vol. 32 (2): 311-313
Hitler im deutschsprachigen Spielfilm nach 1945—Ein filmgeschichtlicher Überblick
vol. 32 (2): 313-314
The New Entrepreneurs: an institutional history of television anthology writers
vol. 32 (2): 315-317
Je t’aime … Moi non plus: Franco-British cinematic relations
vol. 32 (2): 317-320
The Sound of Musicals
vol. 32 (2): 320-322
Big Bigger Cinema. Film- und Kinomarketing in Deutschland (1910–1933)
vol. 32 (2): 322-324
Chromatic Cinema: a history of screen colour
vol. 32 (2): 325-327
Cinema Babel: translating global cinema
vol. 32 (2): 327-328
Von Sternberg
vol. 32 (2): 328-330
Moscow Believes in Tears: Russians and their movies
vol. 32 (2): 330-332
Police Aesthetics: literature, film and the secret police in Soviet times
vol. 32 (2): 332-333
Film im Sozialismus—Die DEFA; Im Schatten der DEFA. Private Filmproduzenten in der DDR
vol. 32 (2): 334-336
Richard Lester
vol. 32 (2): 336-338
Popular Music and Television in Britain
vol. 32 (2): 338-339
Kurdisches Kino. Vom akzentuierten Exil- und Diasporakino zum internationalen Film
vol. 32 (2): 340-0
Points on the Dial: golden age radio beyond the networks
vol. 32 (2): 341-342
Filming the Middle Ages
vol. 32 (2): 342-343
Left of Hollywood: cinema, modernism and the emergence of US radical film culture
vol. 32 (2): 344-345
100 Silent Films
vol. 32 (2): 345-346
On Media Memory. Collective Memory in a New Media Age
vol. 32 (2): 347-348
Hollywood's War with Poland, 1939–1945
vol. 32 (2): 348-350
TV China
vol. 32 (2): 351-353
Film and Literature: an introduction and reader (2nd edition)
vol. 32 (2): 353-354

Volume 32 (1)

The Citadel (1938): Doctors, Censors and the Cinema
vol. 32 (1): 1-17
Selznick International Pictures and the Global Distribution of The Adventures of Tom Sawyer (1938); or How Europe Didn’t Care a ‘Tinker's Cuss’
vol. 32 (1): 19-39
‘Good Business, Good Policy, Good Patriotism’: The British Film Weeks of 1924
vol. 32 (1): 41-56
Authorship and Propaganda: Phyllis Bottome and the Making of The Mortal Storm (1940)
vol. 32 (1): 57-72
One Hundred Years of The Titanic on Film
vol. 32 (1): 73-93
Paul Rotha and the Making of Strand Films’ Air Outpost (1937)
vol. 32 (1): 95-111
Book Reviews
vol. 32 (1): 113-164
Erratum: Erratum
vol. 32 (1): 165-0

Volume 31 (4)

Editorial Board
vol. 31 (4): 0-0
British Cinema and The Second World War: Audiences, Cinema-Going and Popular Films
vol. 31 (4): 451-0
Picturegoer: The Fan Magazine and Popular Film Culture in Britain During The Second World War
vol. 31 (4): 453-478
‘A Temporarily Vanished Civilisation’: Ice Cream, Confectionery and Wartime Cinema-Going
vol. 31 (4): 479-497
Britain Finds Andy Hardy: British Cinema Audiences and The American Way of Life in The Second World War
vol. 31 (4): 499-521
In Racket Town: Gangster Chic in Austerity Britain, 1939–1953
vol. 31 (4): 523-541
Betty Grable: An American Icon in Wartime Britain
vol. 31 (4): 543-559
‘Much Pleasure and Relaxation in These Hard Times’: Churchill and Cinema in The Second World War
vol. 31 (4): 561-586
‘Media History and Cultural Memory’ XXIV IAMHIST Congress, University of Copenhagen, 6–9 July 2011
vol. 31 (4): 587-591