Historical Journal of Film, Radio and Television articles

Volume 31 (4)

Comment
vol. 31 (4): 593-0
Television and Criticism
vol. 31 (4): 595-596
Changing Stations: the story of Australian commercial radio
vol. 31 (4): 596-598
Filming the Unfilmable: Casper Wrede's One Day in the Life of Ivan Denisovich
vol. 31 (4): 598-600
Entertaining Television: the BBC and popular television culture in the 1950s
vol. 31 (4): 600-601
Geschichtsästhetik und Affektpolitik. Stauffenberg und der 20. Juli im Film 1948–2008
vol. 31 (4): 601-603
Documentary Display: re-viewing nonfiction film and video
vol. 31 (4): 603-605
Film Festival Yearbook 1: the festival circuit
vol. 31 (4): 606-609
Medieval Film
vol. 31 (4): 609-610
Israeli Cinema. East/west and the politics of representation
vol. 31 (4): 611-613
Entertainment Industrialised. The Emergence of the International Film Industry, 1890–1940
vol. 31 (4): 613-614

Volume 31 (2)

Who Watched that Masked Man? Hollywood's Serial Audiences in the 1930S
Barefoot, Guy, vol. 31 (2): 167-190
Film Criticism as 'Women's Work': the Gendered Economy of Film Criticism in Britain, 1945-65
Bell, Melanie, vol. 31 (2): 191-209
Joseph E. Levine and A Bridge Too Far (1977): A Producer's Labour of Love
McKenna, A. T., vol. 31 (2): 211-227
Jonathan Miller's Alice In Wonderland (1966): A Suitable Case for Treatment
McWilliam, Rohan, vol. 31 (2): 229-246
Television and History: The World at War
Chapman, James, vol. 31 (2): 247-275
Using Visual Evidence
Bell, Erin, vol. 31 (2): 277-278
Henri Storck, le cinéma belge et l'Occupation
Biltereyst, Daniel, vol. 31 (2): 279-281
Cinema and History: the telling of stories
De Wever, Bruno, vol. 31 (2): 281-283
Stellar Encounters: stardom in popular European cinema
Geraghty, Christine, vol. 31 (2): 283-285
Hollywood Catwalk: exploring costume and transformation in American film
Harper, Sue, vol. 31 (2): 286-288
The French New Wave: a new look
Koos, Leonard R., vol. 31 (2): 288-291
Sweet Smell of Success
Ceplair, Larry, vol. 31 (2): 291-293
Kinoöffentlichkeit (1895-1920) Cinema's Public Sphere (1895-1920)
Lotze, Kathleen, vol. 31 (2): 293-297
Abandoned Images: film and film's end
Op Den Kamp, Claudy, vol. 31 (2): 297-299
Optical Media: Berlin Lectures 1999
Powell, Larson, vol. 31 (2): 299-301
Cinema Wars: Hollywood film and politics in the Bush-Cheney era
Rawnsley, Gary, vol. 31 (2): 301-303
Scotland: global cinema, genres, modes and identities
Schlotterbeck, Jesse, vol. 31 (2): 303-305
Private Eyes and the Public Gaze. The Manipulation and Valorisation of Amateur Images
Shand, Ryan, vol. 31 (2): 305-307
Das europäische Studiosystem. Traum und Wirklichkeit
Tieber, Claus, vol. 31 (2): 307-308
Screening Strangers. Migration and Diaspora in Contemporary European Cinema
Van Heuckelom, Kris, vol. 31 (2): 309-311
Anatomy of Film
Verstraten, Peter, vol. 31 (2): 311-314
Jacques Rivette
Wiles, Mary M., vol. 31 (2): 314-316
Das Kino und der Krieg. Deutschland 1914-1929
Zachau, Reinhard, vol. 31 (2): 316-317
Hollywood Lighting: from the silent era to film noir
Deutsch, James I., vol. 31 (2): 317-318
Calling All Cars: radio dragnets and the technology of policing
Wilson, Ron, vol. 31 (2): 318-320
The Uncanny Gaze: the drama of early German cinema
Weigel, Moira G., vol. 31 (2): 320-323
Hard Hats, Rednecks, and Macho Men: class in 1970s American cinema
Briley, Ron, vol. 31 (2): 323-325
Shell Shock Cinema: Weimar culture and the wounds of war
Roberts, Ian, vol. 31 (2): 325-327
Italy in Early American Cinema: race, landscape, and the picturesque
Verheul, Jaap, vol. 31 (2): 327-329