Historical Journal of Film, Radio and Television articles

Volume 32 (4)

Knockout: the boxer and boxing in American cinema
vol. 32 (4): 635-637
Der Essayfilm. Ästhetik und Aktualität
vol. 32 (4): 637-639
Willi Forst. Ein filmkritisches Porträt
vol. 32 (4): 639-641
Celluloid Sermons: the emergence of the Christian film industry, 1930–1986
vol. 32 (4): 641-644
Cinematic Rotterdam. The Times and Tides of a Modern City
vol. 32 (4): 644-646
The Food Companions: cinema and consumption in wartime Britain, 1939–45
vol. 32 (4): 646-648
TV Critics and Popular Culture: a history of British television criticism
vol. 32 (4): 649-650
Cinema, Space and Polylocality in a Globalizing China
vol. 32 (4): 650-652

Volume 32 (3)

‘A Newsreel of Our Own’: The Culture and Commerce of Local Filmed News
vol. 32 (3): 355-360
‘British for the British—Irish Events for the Irish’: Indigenous Newsreel Production in Ireland
vol. 32 (3): 361-377
Filmed News and Nationalism in Belgium: Flemish Events At the Crossroads of Politics, Culture and Commerce (1929–1942)
vol. 32 (3): 379-399
‘An Added Bonus’: Local Films, Local Newsreels and the Strand News in Warsaw, Indiana (1938–1955)
vol. 32 (3): 401-417
Local Newsreels and City Marketing in West Germany: A Case Study of the Karlsruher Monatsspiegel (1957–1966)
vol. 32 (3): 419-433
‘Help to Preserve the Real Story of Our Cinema and Television Industries’: The BECTU History Project and the Construction of British Media History, 1986–2010
vol. 32 (3): 435-448
The BECTU History Project: A Postscript
vol. 32 (3): 449-451
Film England. Culturally English Filmmaking since the 1990s
vol. 32 (3): 453-455
Leslie Howard. The Lost Actor
vol. 32 (3): 455-456
Eadweard Muybridge
vol. 32 (3): 457-458
Movies in American History. An Encyclopedia
vol. 32 (3): 458-459
Washed in Blood: male sacrifice, trauma, and the cinema; Masculinity and Film Performance: male angst in contemporary American cinema
vol. 32 (3): 459-462
Liberty—Shtunk! Die Freiheit wird abgeschafft. Charlie Chaplin und die Nationalsozialisten
vol. 32 (3): 462-464
Baz Luhrmann
vol. 32 (3): 464-466
The Media at War
vol. 32 (3): 466-468
Jew Süss—life, legend, fiction, film
vol. 32 (3): 468-470
The Essential Sopranos Reader
vol. 32 (3): 470-471
Hollywood Film 1963–1976: years of revolution and reaction
vol. 32 (3): 472-473
Ken Loach: the politics of film and television
vol. 32 (3): 473-475
Red, White & Black: cinema and the structure of U.S. antagonisms
vol. 32 (3): 475-477
Cinema and Radio in Britain and America, 1920–60
vol. 32 (3): 477-479
Shadows of Progress: documentary film in post-war Britain
vol. 32 (3): 479-482
The continental connection German-speaking émigrés and British cinema, 1927–45
vol. 32 (3): 482-484
Out of Time: desire in atemporal cinema
vol. 32 (3): 484-485
Destabilizing the Hollywood Musical: music, masculinity and mayhem
vol. 32 (3): 485-488
Explorations in New Cinema History: approaches and case studies; Cinema, Audiences and Modernity: new perspectives on European cinema history
vol. 32 (3): 489-491
Humphrey Jennings and British Documentary Film: a re-assessment
vol. 32 (3): 492-494
Disappearing Tricks: silent film, Houdini, and the new magic of the twentieth century
vol. 32 (3): 494-496
Moscow Prime Time: how the Soviet Union built the media empire that lost the cultural Cold War
vol. 32 (3): 496-498
Screening the East. Heimat, Memory and Nostalgia in German Film since 1989
vol. 32 (3): 498-500

Volume 32 (2)

The Reith Mission: Global Telecommunications and The Decline of The British Empire
vol. 32 (2): 167-185
Making Early American Broadcasting's Public Sphere: Radio Fortune Telling and The Demarcation of Private and Public Speech
vol. 32 (2): 187-205