Historical Journal of Film, Radio and Television articles

Volume 33 (2)

The British Film Institute, the government and film culture, 1933–2000
vol. 33 (2): 353-354

Volume 33 (1)

‘A New Movie-Going Public’: 1930s Hollywood And The Emergence Of The ‘Family’ Film
vol. 33 (1): 1-23
‘Be Moviedom’s Guest In Your Own Easy Chair!’ Hollywood, Radio And The Movie Adaptation Series
vol. 33 (1): 24-54
The Distribution Of Powell And Pressburger’s Films In The United States, 1939–1949
vol. 33 (1): 55-76
Censorship In Black And White: The Burning Cross (1947), Band Of Angels (1957) And The Politics Of Film Censorship In The American South After World War II
vol. 33 (1): 77-98
TELEVISION DISTRIBUTION OF LOW-BUDGET INDEPENDENT FEATURES IN THE 1950S: THE CASES OF UNITED ARTISTS V. STRAND PRODUCTIONS AND EAGLE-LION CLASSICS V. BOGEAUS
vol. 33 (1): 99-114
Selling The Continuing Story Of Peyton Place: Negotiating The Content Of The Primetime Serial
vol. 33 (1): 115-128
De la chute du mur de Berlin au 11 septembre 2001: le journal télévisé, les memoires collectives et l’écriture de l’histoire
vol. 33 (1): 129-131
Hollywood's Detectives. Crime Series in the 1930s and 1940s from the Whodunnit to Hard-boiled Noir
vol. 33 (1): 131-132
A Little Solitaire: John Frankenheimer and American film
vol. 33 (1): 132-134
British Silent Cinema and the Great War
vol. 33 (1): 134-135
Forgotten Futures: British municipal cinema 1920–1980
vol. 33 (1): 135-138
Visions of Japanese Modernity: articulations of cinema, nation and spectatorship, 1895–1925
vol. 33 (1): 139-141
Screening Enlightenment: Hollywood and the cultural reconstruction of defeated Japan
vol. 33 (1): 141-143
Wanted, Cultured Ladies Only! Female stardom and cinema in India, 1930s–1950s
vol. 33 (1): 143-146
News in Transition
vol. 33 (1): 146-148
Television, Japan, and Globalization
vol. 33 (1): 148-150
‘Eine gediegende Aufklärung und Führung in dieser Materie’. Katholische Filmarbeit in der Schweiz 1908–1972
vol. 33 (1): 150-152
Paving the Empire Road: BBC television and Black Britons
vol. 33 (1): 152-154
Distributing Silent Film Serials: local practices, changing forms, cultural transformation
vol. 33 (1): 154-156
Early Charlie Chaplin: the artist as apprentice at Keystone Studios
vol. 33 (1): 157-159
Virilio Now: current perspectives in Virilio studies
vol. 33 (1): 159-161
Film-Kino-Zuschauer: filmrezeption/Film—Cinema—Spectator: film reception
vol. 33 (1): 161-162
What is Media Archaeology?
vol. 33 (1): 162-164
Indian Media
vol. 33 (1): 164-165
Tragedia all’italiana. Italian Cinema and Italian Terrorisms 1970–2010
vol. 33 (1): 166-168
Italian TV Drama & Beyond. Stories from the Soil, Stories from the Sea
vol. 33 (1): 168-171
European Cinema and Intertextuality. History, Memory and Politics
vol. 33 (1): 171-172
Heritage Film Audiences: period films and contemporary audiences in the UK
vol. 33 (1): 172-174
The Birth of British Television
vol. 33 (1): 174-176
Nazisploitation! The Nazi Image in Low-Brow Cinema and Culture
vol. 33 (1): 176-178
Cinemas in Britain: a history of cinema architecture (revised edition)
vol. 33 (1): 178-179
The Cinema of Alexander Sokurov
vol. 33 (1): 179-181
The People's Pictures: National Lottery funding and British cinema
vol. 33 (1): 181-183
Watch and Learn: rhetorical devices in classroom films after 1940
vol. 33 (1): 184-185

Volume 32 (4)

Editorial Board
vol. 32 (4): 0-0
The Catholic Spectator: Cinema and the Church in France in the 1920s
vol. 32 (4): 501-520
Soviet Politics and the Mezhrabpom Studio in the Soviet Union during the 1920s and 1930s
vol. 32 (4): 521-535
English as she is Spoke: The First British Talkies
vol. 32 (4): 537-557
Alida Valli in Hollywood: From Star of Fascist Cinema to ‘Selznick Siren’
vol. 32 (4): 559-587