Historical Journal of Film, Radio and Television articles

Volume 31 (2)

Jacques Rivette
Wiles, Mary M., vol. 31 (2): 314-316
Das Kino und der Krieg. Deutschland 1914-1929
Zachau, Reinhard, vol. 31 (2): 316-317
Hollywood Lighting: from the silent era to film noir
Deutsch, James I., vol. 31 (2): 317-318
Calling All Cars: radio dragnets and the technology of policing
Wilson, Ron, vol. 31 (2): 318-320
The Uncanny Gaze: the drama of early German cinema
Weigel, Moira G., vol. 31 (2): 320-323
Hard Hats, Rednecks, and Macho Men: class in 1970s American cinema
Briley, Ron, vol. 31 (2): 323-325
Shell Shock Cinema: Weimar culture and the wounds of war
Roberts, Ian, vol. 31 (2): 325-327
Italy in Early American Cinema: race, landscape, and the picturesque
Verheul, Jaap, vol. 31 (2): 327-329
The Enchanted Screen: the unknown history of fairy-tale films
Mihailova, Mihaela, vol. 31 (2): 329-331

Volume 31 (1)

Dutch Anti-Semitic Colour Animation in World War II: Robert Van Genechten's Van Den Vos Reynaerde (1943)
Barten, Egbert, vol. 31 (1): 1-41
'Front in Farbe': Color Cinematography for the Nazi Newsreel, 1941-1945
Alt, Dirk, vol. 31 (1): 43-60
The Amanda Knox Case: The Representation of Italy in American Media Coverage
Annunziato, Sarah, vol. 31 (1): 61-78
Hollywood under Siege: Martin Scorsese, the religious right, and the culture wars
Quanbeck, Aaron, vol. 31 (1): 79-81
Whither Quo Vadis? Sienkiewicz's novel in film and television
Kelly, Rachael, vol. 31 (1): 81-83
Inherent Vice: bootleg histories of videotape and copyright
Hughes, Kit, vol. 31 (1): 83-85
Don't Look Now: British cinema in the 1970s
Flanagan, Kevin M., vol. 31 (1): 85-87
Epics, Spectacles, and Blockbusters: a Hollywood history
Tieber, Claus, vol. 31 (1): 87-88
Beyond the Subtitle: remapping European art cinema
Knollmueller, Marit, vol. 31 (1): 88-90
The Decline of Sentiment: American film in the 1920s
Johnson, Martin L., vol. 31 (1): 90-91
Dreams of Difference, Songs of the Same: the musical moment in film
Holtmeier, Matthew, vol. 31 (1): 92-93
It's the Pictures that Got Small: Hollywood film stars on 1950s television
Davis, Blair, vol. 31 (1): 93-95
Early Irish Cinema 1895-1921
Chambers, Ciara, vol. 31 (1): 95-96
War and Film
Chopra-Gant, Mike, vol. 31 (1): 96-98
Alternative Film Culture in Inter-war Britain
Thomas Croft, Andrew, vol. 31 (1): 98-99
Lebanese Cinema: imagining the Civil War and beyond
Marks, Laura, vol. 31 (1): 99-102
Travelling Cinema in Europe: sources and perspectives
Van Oort, Thunnis, vol. 31 (1): 102-103
The Propaganda Warriors: the Wehrmacht and the consolidation of the German home front
ZöLler, Alexander, vol. 31 (1): 104-106
The Cinema of Basil Dearden and Michael Relph
Barr, Charles, vol. 31 (1): 106-108
The British 'B' Film
Barton, Ruth, vol. 31 (1): 108-110
Film in der DDR - Daten Fakten Strukturen
Berghahn, Daniela, vol. 31 (1): 110-112
Media and Monarchy in Sweden
Bull, Sofia, vol. 31 (1): 112-113
The Great War on the Small Screen: representing the First World War in contemporary Britain
Burke, Wendy, vol. 31 (1): 113-115
Projecting Empire: imperialism and popular cinema
Burns, James, vol. 31 (1): 115-116
The Fall of the Roman Empire: film and history
Clauss, James J., vol. 31 (1): 116-119
British Cinema and Middlebrow Culture in the Interwar Years
Croft, Andrew Thomas, vol. 31 (1): 119-121
'They Thought it was a Marvel'. Arthur Melbourne-Cooper (1874-1961), Pioneer of Puppet Animation
Dahlquist, Marina, vol. 31 (1): 121-123
Shooting the Civil War: cinema, history and American national identity
Goldfield, David, vol. 31 (1): 123-125
The British Cinema Book (3rd edition)
Henderson, Scott, vol. 31 (1): 125-127
The Concise CineGraph. Encyclopaedia of German Cinema
Hochscherf, Tobias, vol. 31 (1): 127-130
La larga sombra de Hitler. El cine nazi en España (1933-1945)
Labanyi, Jo, vol. 31 (1): 130-132