Historical Journal of Film, Radio and Television articles

Volume 31 (1)

It's the Pictures that Got Small: Hollywood film stars on 1950s television
Davis, Blair, vol. 31 (1): 93-95
Early Irish Cinema 1895-1921
Chambers, Ciara, vol. 31 (1): 95-96
War and Film
Chopra-Gant, Mike, vol. 31 (1): 96-98
Alternative Film Culture in Inter-war Britain
Thomas Croft, Andrew, vol. 31 (1): 98-99
Lebanese Cinema: imagining the Civil War and beyond
Marks, Laura, vol. 31 (1): 99-102
Travelling Cinema in Europe: sources and perspectives
Van Oort, Thunnis, vol. 31 (1): 102-103
The Propaganda Warriors: the Wehrmacht and the consolidation of the German home front
ZöLler, Alexander, vol. 31 (1): 104-106
The Cinema of Basil Dearden and Michael Relph
Barr, Charles, vol. 31 (1): 106-108
The British 'B' Film
Barton, Ruth, vol. 31 (1): 108-110
Film in der DDR - Daten Fakten Strukturen
Berghahn, Daniela, vol. 31 (1): 110-112
Media and Monarchy in Sweden
Bull, Sofia, vol. 31 (1): 112-113
The Great War on the Small Screen: representing the First World War in contemporary Britain
Burke, Wendy, vol. 31 (1): 113-115
Projecting Empire: imperialism and popular cinema
Burns, James, vol. 31 (1): 115-116
The Fall of the Roman Empire: film and history
Clauss, James J., vol. 31 (1): 116-119
British Cinema and Middlebrow Culture in the Interwar Years
Croft, Andrew Thomas, vol. 31 (1): 119-121
'They Thought it was a Marvel'. Arthur Melbourne-Cooper (1874-1961), Pioneer of Puppet Animation
Dahlquist, Marina, vol. 31 (1): 121-123
Shooting the Civil War: cinema, history and American national identity
Goldfield, David, vol. 31 (1): 123-125
The British Cinema Book (3rd edition)
Henderson, Scott, vol. 31 (1): 125-127
The Concise CineGraph. Encyclopaedia of German Cinema
Hochscherf, Tobias, vol. 31 (1): 127-130
La larga sombra de Hitler. El cine nazi en España (1933-1945)
Labanyi, Jo, vol. 31 (1): 130-132
Chinese Martial Arts Cinema: the Wuxia tradition
Rawnsley, Ming-Yeh T., vol. 31 (1): 132-134
Ireland's Theatre on Film: style, stars and the national stage on screen
Tracy, Tony, vol. 31 (1): 134-136
Hollywood Speaks Out: pictures that dared to protest real world issues
Treacey, Mia, vol. 31 (1): 137-139
The Age of the Dream Palace: cinema and society in 1930s Britain
Williams, Michael, vol. 31 (1): 139-141
'Ein sonderbar Ding'. Essays und Materialien zum Stummfilm Der Rosenkavalier
Brill, Olaf, vol. 31 (1): 141-143
Der deutsche Musikfilm. Archäologie eines Genres 1914-1945
Hochscherf, Tobias, vol. 31 (1): 143-144
Science Fiction Cinema: between fantasy and reality
Landon, Brooks, vol. 31 (1): 144-147
The Cinema of Small Nations
Meers, Philippe, vol. 31 (1): 147-149
City Girls. Frauenbilder im Stummfilm
Scheidgen, Irina, vol. 31 (1): 149-152
European Media Governance: national and regional dimension
Van Den Bulck, Hilde, vol. 31 (1): 152-154
Media and the Making of Modern Germany: mass communication, society and politics from the Empire to the Third Reich
Zimmermann, Clemens, vol. 31 (1): 154-156
Zwischenspiele der Filmgeschichte. Zur Rezeption des Kinos der Weimarer Republik in Südafrika 1928-1933
Echle, Evelyn, vol. 31 (1): 157-158
Going to the Movies: Hollywood and the social experience of cinema
Hanson, Stuart, vol. 31 (1): 158-160
Video and DVD Industries
Cordeiro, Paula, vol. 31 (1): 160-162
Remembering Philip M. Taylor (1954-2010)
Cull, Nicholas J., vol. 31 (1): 163-165

Volume 30 (4)

Editorial Board
vol. 30 (4): 0-0
The Cult Imaginary: Fringe Religions and Fan Cultures on American Television
Diffrient, David Scott, vol. 30 (4): 463-485
The Dawn of the Jet Age in Austerity Britain: David Lean's The Sound Barrier (1952)
Smith, Adrian, vol. 30 (4): 487-514
Inflation (1943) and the Blacklist: The Disrupted Film Career of Cy Endfield
Neve, Brian, vol. 30 (4): 515-528
The Friendly Games— The 'Official' IOC Film of the 1956 Melbourne Olympics as Historical Record
Hughson, John, vol. 30 (4): 529-542