Historical Journal of Film, Radio and Television articles

Volume 32 (1)

One Hundred Years of The Titanic on Film
vol. 32 (1): 73-93
Paul Rotha and the Making of Strand Films’ Air Outpost (1937)
vol. 32 (1): 95-111
Book Reviews
vol. 32 (1): 113-164
Erratum: Erratum
vol. 32 (1): 165-0

Volume 31 (4)

Editorial Board
vol. 31 (4): 0-0
British Cinema and The Second World War: Audiences, Cinema-Going and Popular Films
vol. 31 (4): 451-0
Picturegoer: The Fan Magazine and Popular Film Culture in Britain During The Second World War
vol. 31 (4): 453-478
‘A Temporarily Vanished Civilisation’: Ice Cream, Confectionery and Wartime Cinema-Going
vol. 31 (4): 479-497
Britain Finds Andy Hardy: British Cinema Audiences and The American Way of Life in The Second World War
vol. 31 (4): 499-521
In Racket Town: Gangster Chic in Austerity Britain, 1939–1953
vol. 31 (4): 523-541
Betty Grable: An American Icon in Wartime Britain
vol. 31 (4): 543-559
‘Much Pleasure and Relaxation in These Hard Times’: Churchill and Cinema in The Second World War
vol. 31 (4): 561-586
‘Media History and Cultural Memory’ XXIV IAMHIST Congress, University of Copenhagen, 6–9 July 2011
vol. 31 (4): 587-591
Comment
vol. 31 (4): 593-0
Television and Criticism
vol. 31 (4): 595-596
Changing Stations: the story of Australian commercial radio
vol. 31 (4): 596-598
Filming the Unfilmable: Casper Wrede's One Day in the Life of Ivan Denisovich
vol. 31 (4): 598-600
Entertaining Television: the BBC and popular television culture in the 1950s
vol. 31 (4): 600-601
Geschichtsästhetik und Affektpolitik. Stauffenberg und der 20. Juli im Film 1948–2008
vol. 31 (4): 601-603
Documentary Display: re-viewing nonfiction film and video
vol. 31 (4): 603-605
Film Festival Yearbook 1: the festival circuit
vol. 31 (4): 606-609
Medieval Film
vol. 31 (4): 609-610
Israeli Cinema. East/west and the politics of representation
vol. 31 (4): 611-613
Entertainment Industrialised. The Emergence of the International Film Industry, 1890–1940
vol. 31 (4): 613-614

Volume 31 (2)

Who Watched that Masked Man? Hollywood's Serial Audiences in the 1930S
Barefoot, Guy, vol. 31 (2): 167-190
Film Criticism as 'Women's Work': the Gendered Economy of Film Criticism in Britain, 1945-65
Bell, Melanie, vol. 31 (2): 191-209
Joseph E. Levine and A Bridge Too Far (1977): A Producer's Labour of Love
McKenna, A. T., vol. 31 (2): 211-227
Jonathan Miller's Alice In Wonderland (1966): A Suitable Case for Treatment
McWilliam, Rohan, vol. 31 (2): 229-246
Television and History: The World at War
Chapman, James, vol. 31 (2): 247-275
Using Visual Evidence
Bell, Erin, vol. 31 (2): 277-278
Henri Storck, le cinéma belge et l'Occupation
Biltereyst, Daniel, vol. 31 (2): 279-281
Cinema and History: the telling of stories
De Wever, Bruno, vol. 31 (2): 281-283
Stellar Encounters: stardom in popular European cinema
Geraghty, Christine, vol. 31 (2): 283-285
Hollywood Catwalk: exploring costume and transformation in American film
Harper, Sue, vol. 31 (2): 286-288
The French New Wave: a new look
Koos, Leonard R., vol. 31 (2): 288-291
Sweet Smell of Success
Ceplair, Larry, vol. 31 (2): 291-293
Kinoöffentlichkeit (1895-1920) Cinema's Public Sphere (1895-1920)
Lotze, Kathleen, vol. 31 (2): 293-297
Abandoned Images: film and film's end
Op Den Kamp, Claudy, vol. 31 (2): 297-299
Optical Media: Berlin Lectures 1999
Powell, Larson, vol. 31 (2): 299-301
Cinema Wars: Hollywood film and politics in the Bush-Cheney era
Rawnsley, Gary, vol. 31 (2): 301-303