Journal of Design History articles

Volume 28 (4)

50 Years of the National Institute of Design 1961-2011
Varadarajan, S., vol. 28 (4): 439-441
New Territories: Laboratories for Design, Craft and Art in Latin America
Castaneda, L. M., vol. 28 (4): 441-443
The Making of European Consumption: Facing the American Challenge
Warde, A., vol. 28 (4): 443-445
Finn Juhl and His House
Obniski, M., vol. 28 (4): 446-448
Isotype: Design and Contexts, 1925-1971
Vossoughian, N., vol. 28 (4): 448-450
Design and the Question of History
Keshavarz, M., vol. 28 (4): 451-452
Design Anthropology: Theory and Practice
Magee, S., vol. 28 (4): 453-455
Books Received
vol. 28 (4): 456-458

Volume 28 (3)

Commercial Art to Graphic Design: The Rise and Decline of Commercial Art in Australia
Young, A. S., vol. 28 (3): 219-234
Olivetti: A Work of Art in the Age of Immaterial Labour
Brennan, A., vol. 28 (3): 235-253
Selling Folk Art and Modern Design: Alexander Girard and Herman Miller's Textiles and Objects Shop (1961-1967)
Obniski, M., vol. 28 (3): 254-274
Making 'Foreign Orders': Australian Print-workers and Clandestine Creative Production in the 1980s
Stein, J. A., vol. 28 (3): 275-292
Graphic Design in South Africa: A Post-Colonial Perspective
Pretorius, D., vol. 28 (3): 293-315
British Army Uniform and the First World War: Men in Khaki
Mentges, G., vol. 28 (3): 316-317
Szenasy, Design Advocate: Writings and Talks by Metropolis Magazine Editor Susan S. Szenasy
Williamson, B., vol. 28 (3): 318-319
The Newspaper Clipping: A Modern Paper Object
Egginton, H., vol. 28 (3): 319-321
Spectacular Mexico: Design, Propaganda, and the 1968 Olympics
Carranza, L. E., vol. 28 (3): 321-323
Design at Home: Domestic Advice Books in Britain and the USA since 1945
McLaren, G., vol. 28 (3): 323-325
Textiles, Fashion, and Design Reform in Austria-Hungary Before the First World War: Principles of Dress
Buckley, C., vol. 28 (3): 325-326
Il Design Italiano Oltre le Crisi: Autarchia, Austerita, Autoproduzione. Italian Design Beyond the Crisis: Autarky, Austerity, Autonomy
Rossi, C., vol. 28 (3): 327-328
Advertising Menswear: Masculinity and Fashion in the British Media since 1945
Sprecher, D., vol. 28 (3): 329-330

Volume 28 (2)

The Good Women of Peterhouse: Patriarchal Community, Femininity and University Reform
Carter, V., vol. 28 (2): 113-127
E. C. Bowra and the Chinese collections in the 1873 Vienna Weltausstellung, with particular reference to the loan collections of E. C. Bowra, J. H. Gray, Hu Tao-tai and H. Kopsch
Baird, C., vol. 28 (2): 128-141
Tracking the Poster Movement: An Inquiry into British Modernism by Way of the 'British and Foreign Posters' Exhibition, Victoria and Albert Museum, 1931
Christensen, L. H., vol. 28 (2): 142-160
Like A 'Girl in a Bikini Suit' and Other Stories: The Herman Miller Furniture Company, Gender and Race at Mid-Century
Wilson, K., vol. 28 (2): 161-181
Globalizing Design History and Global Design History
Huppatz, D. J., vol. 28 (2): 182-202
Queer Domesticities: Homosexuality and Home Life in Twentieth-Century London * Bachelors of a Different Sort: Queer Aesthetics, Material Culture and the Modern Interior in Britain
McBrinn, J., vol. 28 (2): 203-207
The Accidental Playground: Brooklyn Waterfront Narratives of the Undesigned and Unplanned
Mogilevich, M., vol. 28 (2): 207-208
Delete: A Design History of Computer Vapourware
Kelkar, S., vol. 28 (2): 209-210
Chinoiserie: Commerce and Critical Ornament in Eighteenth-Century Britain
de Bruijn, E., vol. 28 (2): 210-211
Consumers, Tinkerers, Rebels: The People Who Shaped Europe
Fallan, K., vol. 28 (2): 212-213
Speculative Everything: Design, Fiction, and Social Dreaming
Yelavich, S., vol. 28 (2): 214-215
Playing with the Past: Digital Games and the Simulation of History
Hatlen, J. F., vol. 28 (2): 216-217
Book Reviews Editor
vol. 28 (2): 218-218

Volume 28 (1)

Between Avant-Garde and Commercialism: Reconsidering Emigres and Design
Engelke, H., Hochscherf, T., vol. 28 (1): 1-14
'Fit for its purpose': Nikolaus Pevsner Argues for the Modern Movement
Engel, U., vol. 28 (1): 15-32
Home at a Distance: The Design of Nazi Germany in Exile Films from the Soviet Union
Hesse, C., vol. 28 (1): 33-47
Colour Magic at Pinewood: Hein Heckroth, The Archers and Avant-Garde Production Design in The Red Shoes (1948)
Engelke, H., Hochscherf, T., vol. 28 (1): 48-66
American Fashion and European Art--Alexander Liberman and the Politics of Taste in Vogue of the 1950s
Krause-Wahl, A., vol. 28 (1): 67-82
Emigre Designers in the University of Brighton Design Archives
Breakell, S., Whitworth, L., vol. 28 (1): 83-97