Journal of Victorian Culture articles

Volume 22 (1)

Place and Progress in the Works of Elizabeth Gaskell
vol. 22 (1): 123-126
Place and Progress in the Works of Elizabeth Gaskell
vol. 22 (1): 123-126
Dickens and the Business of Death
vol. 22 (1): 127-128
Dickens and the Business of Death
vol. 22 (1): 127-128
Engines of Truth: Producing Veracity in the Victorian Courtroom
vol. 22 (1): 128-131
Engines of Truth: Producing Veracity in the Victorian Courtroom
vol. 22 (1): 128-131
Full of Eastern Promise
vol. 22 (1): 131-133
Full of Eastern Promise
vol. 22 (1): 131-133
Weeping Britannia: Portrait of a Nation in Tears
vol. 22 (1): 134-136
Weeping Britannia: Portrait of a Nation in Tears
vol. 22 (1): 134-136
Iron, Ornament and Architecture in Victorian Britain; Myth and Modernity, Excess and Enchantment
vol. 22 (1): 136-139
Iron, Ornament and Architecture in Victorian Britain; Myth and Modernity, Excess and Enchantment
vol. 22 (1): 136-139
Notes on Contributors
vol. 22 (1): 140-142
Notes on Contributors
vol. 22 (1): 140-142

Volume 21 (4)

The Freak Show’s ‘Missing Links’: Krao Farini and the Pleasures of Archiving Prehistory
vol. 21 (4): 433-455
The Freak Show’s ‘Missing Links’: Krao Farini and the Pleasures of Archiving Prehistory
vol. 21 (4): 433-455
‘Under Cross-Examination She Fainted’: Sexual Crime and Swooning in the Victorian Courtroom
vol. 21 (4): 456-470
‘Under Cross-Examination She Fainted’: Sexual Crime and Swooning in the Victorian Courtroom
vol. 21 (4): 456-470
Amateur Hours: The Visual Interpretation of Tennyson’s Poetry in Two Manuscript Albums
vol. 21 (4): 471-499
Amateur Hours: The Visual Interpretation of Tennyson’s Poetry in Two Manuscript Albums
vol. 21 (4): 471-499
Candid Lying and Precocious Storytelling in Victorian Literature and Psychology
vol. 21 (4): 500-513
Candid Lying and Precocious Storytelling in Victorian Literature and Psychology
vol. 21 (4): 500-513
‘Startling; Nay, Almost Repulsive’: Light Effects and Nascent Sensation in John Everett Millais’s The Rescue
vol. 21 (4): 514-547
‘Startling; Nay, Almost Repulsive’: Light Effects and Nascent Sensation in John Everett Millais’s The Rescue
vol. 21 (4): 514-547
Digital Pedagogy in and beyond the Classroom
vol. 21 (4): 548-549
Digital Pedagogy in and beyond the Classroom
vol. 21 (4): 548-549
Open Annotation and Close Reading the Victorian Text: Using Hypothes.is with Students
vol. 21 (4): 550-558
Open Annotation and Close Reading the Victorian Text: Using Hypothes.is with Students
vol. 21 (4): 550-558
Data Copperfield: A Pedagogical Experiment in Distributed Collaboration
vol. 21 (4): 559-566
Data Copperfield: A Pedagogical Experiment in Distributed Collaboration
vol. 21 (4): 559-566
Our Virtual Friends: Dickens, Digital Communities, and Performative Learning
vol. 21 (4): 567-574
Our Virtual Friends: Dickens, Digital Communities, and Performative Learning
vol. 21 (4): 567-574
Love, Toil, Laughter, and Devotion
vol. 21 (4): 575-578
Love, Toil, Laughter, and Devotion
vol. 21 (4): 575-578
Notes on Contributors
vol. 21 (4): 579-580
Notes on Contributors
vol. 21 (4): 579-580

Volume 21 (3)

Portraits of the Artist as Politician, the Politician as Artist: Commemorating the Disraeli Phenomenon
vol. 21 (3): 281-300
Wilful Design: The Sampler in Nineteenth-Century Britain
vol. 21 (3): 301-321
Pressure Groups, Contested ‘Land-Spaces’ and the Politics of Ridicule in Sevenoaks, Kent 1881–85
vol. 21 (3): 322-345
The Stereoscope and Popular Fiction: Imagination and Narrative in the Victorian Home
vol. 21 (3): 346-362