Renaissance Studies articles

Volume 28 (1)

A Poetics of the natural: sensation, decorum, and bodily appeal in Puttenham's Art of English Poesy
Rebecca Wiseman, vol. 28 (1): 33-49
The Jewish nose in early modern art and music
Don Harrán, vol. 28 (1): 50-70
The philosopher Hobbes as the poet Homer
Conal Condren, vol. 28 (1): 71-89
The quintessential Christian tomb: saints, professors, and Riccio's tomb design
Rebekah Carson, vol. 28 (1): 90-111
Rubens and the bird of paradise. Painting natural knowledge in the early seventeenth century
José Ramón Marcaida, vol. 28 (1): 112-127
Renaissance eloquence and female exemplarity: Coriolanus and the matrona docta
Danielle Clarke, vol. 28 (1): 128-146
The Renaissance Portrait from Donatello to Bellini (Gesichter der Renaissance: Meisterwerke italienische Portrait-Kunst), (Berlin, Bode-Museum, 25 August–20 November 2011, and New York, The Metropolitan Museum of Art, 21 December 2011–18 March 2012) edit
Dennis Geronimus, vol. 28 (1): 147-159
Andrew Hadfield, Edmund Spenser: A Life. Oxford: Oxford University Press, 2012. xxi + 624pp; 47 plates. £25.00. ISBN: 978-0199591022 (hb).
Matthew Woodcock, vol. 28 (1): 160-162

Volume 27 (5)

Make me a poet, and I'll quickly be a man: masculinity, pedagogy and poetry in the English Renaissance
Kate Chedgzoy, vol. 27 (5): 592-611
The Medici judge, a bitter lawsuit, and an embezzlement: the Opera del Sacro Cingolo's bronze chapel screen at Santo Stefano, Prato
Mayu Fujikawa, vol. 27 (5): 612-632
The understanding of a woman: Vittoria Colonna and Michelangelo's Christ and the Samaritan Woman
Bernadine Barnes, vol. 27 (5): 633-653
Plague in the city: identifying the subject of Giovanni di Paolo's Vienna Miracle of Saint Nicholas of Tolentino
Louise Marshall, vol. 27 (5): 654-680
Giovanni Bellini's Baptism of Christ in its visual and devotional context: transforming sacred space in Santa Corona in Vicenza
Joanne Allen, vol. 27 (5): 681-704
The Piacevoli Notti of Giambattista Casali: diplomats and fairy tales in early modern Italy
Megan K. Williams, vol. 27 (5): 705-723
The art of friendship: Daniel Nijs, Isaac Wake and the sale of the Gonzaga collection
Christina M. Anderson, vol. 27 (5): 724-737
Leonardo da Vinci. Painter at the Court of Milan (London, National Gallery, 9 November 2011–5 February 2012). Catalogue by Luke Syson with Larry Keith. London: National Gallery, 2011. ISBN: 978-1-85709491-6 (hb). La Sainte-Anne. L'ultime chef-d'oeuvre d
Juliana Barone, vol. 27 (5): 738-753
Bagliori dorati: Il Gotico Internazionale a Firenze, 1375–1440 (Galleria degli Uffizi, Florence, 19 June–4 November 2012). Catalogue by Antonio Natali, Enrica Neri Lusanna, Angelo Tartuferi, with contributions by Andrea Baldinotti, Marco Collareta, Vale
Scott Nethersole, vol. 27 (5): 754-764
Lucretius' Renaissance
Stuart Gillespie, vol. 27 (5): 765-769
Adrian Streete (ed.), Early Modern Drama and the Bible: Contexts and Readings, 1570–1625. Houndsmills: Palgrave, 2012. i-xii + 267pp. £50.00. ISBN: 978-0-230-30109-2 (hb).
David Walker, vol. 27 (5): 770-772
Nandini Das, Renaissance Romance: The Transformation of English Prose Fiction, 1570–1620. Farnham and Burlington, VT: Ashgate, 2011. xii + 242 pp. £55.00. ISBN: 978-1409410133 (hb).
Matthew Woodcock, vol. 27 (5): 772-774
Pascale Aebischer and Kathryn Prince (eds.), Performing Early Modern Drama Today. Cambridge: Cambridge University Press, 2012. xiii + 247 pp. £60.00. ISBN: 978-0521193351 (hb).
José A. Pérez Díez, vol. 27 (5): 774-776
John E. Law and Bernadette Paton (eds.), Communes and Despots in Medieval and Renaissance Italy. Farnham and Burlington VT: Ashgate, 2010. xx + 354 pp. £55.00, ISBN: 978-0754665083 (hb).
Stella Fletcher, vol. 27 (5): 776-778
Chloë Houston (ed.), New Worlds Reflected: Travel and Utopia in the Early Modern Period. Farnham and Burlington, VT: Ashgate, 2010. xi + 262 pp. £65.00. ISBN: 978-0754666479 (hb).
Tamsin Theresa Badcoe, vol. 27 (5): 778-780
Books Received
vol. 27 (5): 781-783

Volume 27 (4)

Introduction
David Rundle, Alessandra Petrina, vol. 27 (4): 480-486
‘Medieval’, ‘Renaissance’, ‘modern’. Issues of periodization in Italian university history
Peter Denley, vol. 27 (4): 487-503
Violence and Italian universities during the Renaissance
Jonathan Davies, vol. 27 (4): 504-516
Girolamo Cardano: university student and professor
Guido Giglioni, vol. 27 (4): 517-532
Beyond the classroom: international interest in the studia humanitatis in the university towns of Quattrocento Italy
David Rundle, vol. 27 (4): 533-548
Autonomy by imposition. The birth of the natio Scota in the law faculty of the University of Padua (1534)
Francesco Piovan, vol. 27 (4): 549-559
Notes from the archives concerning the Paduan days of Thomas Savage (1481–1482)
Elda Martellozzo Forin, vol. 27 (4): 560-571
Padua and English students revisited
Jonathan Woolfson, vol. 27 (4): 572-587

Volume 27 (3)

Postured like a whore? Misreading Hermione's statue
ERIC LANGLEY, vol. 27 (3): 318-340
Translating Cicero in Renaissance Catalunya
ALEJANDRO COROLEU, vol. 27 (3): 341-355
Perrault's memoirs and Bernini: a reconsideration
JEANNE MORGAN ZARUCCHI, vol. 27 (3): 356-370
Petrarch's letters of recommendation
KENNETH AUSTIN, vol. 27 (3): 371-388
‘Still finest wits are stilling Venus Rose’: Robert Southwell's ‘Optima Deo’, Venus and Adonis, and Tasso's canto della rosa
JASON LAWRENCE, vol. 27 (3): 389-406
Edmund Spenser and Elizabethan portraiture
TARNYA COOPER, ANDREW HADFIELD, vol. 27 (3): 407-434
The land of the Goths and Vandals: the visual presentation of Gothicism at the Swedish Court, 1550–1700
KRISTOFFER NEVILLE, vol. 27 (3): 435-459
Der Frühe Dürer (The Early Dürer) (Germanisches Nationalmuseum, Nuremberg, 24 May–2 September 2012). Catalogue, Der frühe Dürer, edited by Daniel Hess and Thomas Eser . Nuremberg, 2012. 604 pp. with 230 illus. €46.00. ISBN: 987-3936688597.
RUTH SLENCZKA, vol. 27 (3): 460-467