Rethinking History: The Journal of Theory and Practice articles

Volume 20 (1)

Feminism, Time, and Nonlinear History
vol. 20 (1): 134-136
The quest for reality: two contemporary views, Bohr and Wittgenstein
vol. 20 (1): 136-141

Volume 19 (4)

Editorial
vol. 19 (4): 547-547
The indocile image: cinema and history in Med Hondo's Soleil O and Les Bicots-Nègres, Vos Voisins
vol. 19 (4): 548-568
Desire for the past?
vol. 19 (4): 569-582
Historical re-enactment: narrativity, affect and the sublime
vol. 19 (4): 583-601
Time, identity, and history: on the cognitive psychology and figural practice of historiography
vol. 19 (4): 602-620
Truth at 24 frames a second? A working dialogue between a film-maker and a historical consultant about the making of The Enigma of Frank Ryan
vol. 19 (4): 621-639
Hayden White and liberation historiography
vol. 19 (4): 640-650
History set into motion again
vol. 19 (4): 651-667
The way it was?: fashioning history in Diary Film – I was 12 in’56
vol. 19 (4): 668-684
The fabric of reality
vol. 19 (4): 685-693
The practical past
vol. 19 (4): 694-697
History, memory, trauma in contemporary British and Irish fiction
vol. 19 (4): 697-699
Past sense: Studies in medieval and early modern European history
vol. 19 (4): 700-702

Volume 19 (3)

Rethinking history
vol. 19 (3): 323-323
Rethinking Metahistory: The Historical imagination in nineteenth century Europe
vol. 19 (3): 324-336
More than true: the rhetorical function of counterfactuals in historiography
vol. 19 (3): 337-356
One hundred days of horror: portraying genocide in Rwanda
vol. 19 (3): 357-369
Learning empathy through school history textbooks? A case study
vol. 19 (3): 370-392
From narrative to action: Paul Ricoeur's reflections on history
vol. 19 (3): 393-408
Beyond the island story?: The opening ceremony of the London 2012 Olympic Games as public history
vol. 19 (3): 409-428
For historians, even ‘historians of a postmodernist kind’, ‘presentation’ is the word.
vol. 19 (3): 429-449
Relations to the past: a research agenda for historical theorists
vol. 19 (3): 450-458
Forum: Lincoln: Introduction
vol. 19 (3): 459-462
‘Untold stories’
vol. 19 (3): 463-480
Emancipation
vol. 19 (3): 481-481
‘This isn't usual, Mr. Pendleton, this is history’: Spielberg's Lincoln and the production of historical knowledge
vol. 19 (3): 482-492
Seeing Lincoln: Spielberg's film and the visual culture of the nineteenth century
vol. 19 (3): 493-505
Lincoln: a man for too many seasons?
vol. 19 (3): 506-511
‘Your household accounts have always been so interesting’: family relations and gender politics in Lincoln's two ‘houses’
vol. 19 (3): 512-524
Haunting in the historical biopic: Lincoln
vol. 19 (3): 525-535
The history manifesto
vol. 19 (3): 536-537
Experience and history: phenomenological perspectives on the historical world
vol. 19 (3): 537-542
Music, piety, and propaganda: the soundscapes of counter-reformation Bavaria
vol. 19 (3): 542-546

Volume 19 (2)

Rethinking historical genres in the twenty-first century
vol. 19 (2): 145-157
Rethinking historical genres in the twenty-first century
vol. 19 (2): 145-157
Genre and history/historying
vol. 19 (2): 158-176
Genre and history/historying
vol. 19 (2): 158-176
Realist histories? When form clashes with function
vol. 19 (2): 177-192