Rethinking History: The Journal of Theory and Practice articles

Volume 21 (3)

But that’s not accurate: the differing perceptions of accuracy in cultural-heritage videogames between creators, consumers and critics
vol. 21 (3): 415-438
The politics of explanation: histories of the European Left and Israel
vol. 21 (3): 439-454

Volume 21 (2)

Introduction
vol. 21 (2): 131-134
Introduction
vol. 21 (2): 131-134
Mediated immediacy: constructing authentic testimony in audio-visual media
vol. 21 (2): 135-153
Mediated immediacy: constructing authentic testimony in audio-visual media
vol. 21 (2): 135-153
Politics and technologies of authenticity: the Second World War at the close of living memory
vol. 21 (2): 154-170
Politics and technologies of authenticity: the Second World War at the close of living memory
vol. 21 (2): 154-170
Doing pasts: authenticity from the reenactors’ perspective
vol. 21 (2): 171-192
Doing pasts: authenticity from the reenactors’ perspective
vol. 21 (2): 171-192
‘Part of the project of that book was not to be authentic’: neo-historical authenticity and its anachronisms in contemporary historical fiction
vol. 21 (2): 193-212
‘Part of the project of that book was not to be authentic’: neo-historical authenticity and its anachronisms in contemporary historical fiction
vol. 21 (2): 193-212
‘I am two distinct beings’: Paul de Man’s authenticating project
vol. 21 (2): 213-234
‘I am two distinct beings’: Paul de Man’s authenticating project
vol. 21 (2): 213-234
The guilt of the past: medievalist closures and disclosures
vol. 21 (2): 235-254
The guilt of the past: medievalist closures and disclosures
vol. 21 (2): 235-254
Negotiating accuracy and authenticity in an Aboriginal King Lear
vol. 21 (2): 255-273
Negotiating accuracy and authenticity in an Aboriginal King Lear
vol. 21 (2): 255-273
Dead history, live art: encountering the past with Stuart Brisley
vol. 21 (2): 274-295
Dead history, live art: encountering the past with Stuart Brisley
vol. 21 (2): 274-295
Telling stories: performing authenticity in the confessional art of Tracey Emin
vol. 21 (2): 296-309
Telling stories: performing authenticity in the confessional art of Tracey Emin
vol. 21 (2): 296-309

Volume 21 (1)

Editorial
vol. 21 (1): 1-1
Editorial
vol. 21 (1): 1-1
A storm in Sāmoa: an environmental microhistory
vol. 21 (1): 2-27
A storm in Sāmoa: an environmental microhistory
vol. 21 (1): 2-27
The year of living supernaturally
vol. 21 (1): 28-47
The year of living supernaturally
vol. 21 (1): 28-47
‘More reputation than she deserves’: remembering suffrage in Wyoming
vol. 21 (1): 48-66
‘More reputation than she deserves’: remembering suffrage in Wyoming
vol. 21 (1): 48-66
Rome remembers fascism: the monument to the Fosse Ardeatine massacre as immersive historical experience
vol. 21 (1): 67-90
Rome remembers fascism: the monument to the Fosse Ardeatine massacre as immersive historical experience
vol. 21 (1): 67-90
Memories of the counterculture through the lens of Irwin Klein
vol. 21 (1): 91-102
Memories of the counterculture through the lens of Irwin Klein
vol. 21 (1): 91-102
Lockridge family histories: looking for the raintree
vol. 21 (1): 103-119
Lockridge family histories: looking for the raintree
vol. 21 (1): 103-119
Imagining early modern histories
vol. 21 (1): 120-125
Imagining early modern histories
vol. 21 (1): 120-125
Historians
vol. 21 (1): 125-128
Historians
vol. 21 (1): 125-128