Rethinking History: The Journal of Theory and Practice articles

Volume 19 (3)

From narrative to action: Paul Ricoeur's reflections on history
vol. 19 (3): 393-408
Beyond the island story?: The opening ceremony of the London 2012 Olympic Games as public history
vol. 19 (3): 409-428
For historians, even ‘historians of a postmodernist kind’, ‘presentation’ is the word.
vol. 19 (3): 429-449
Relations to the past: a research agenda for historical theorists
vol. 19 (3): 450-458
Forum: Lincoln: Introduction
vol. 19 (3): 459-462
‘Untold stories’
vol. 19 (3): 463-480
Emancipation
vol. 19 (3): 481-481
‘This isn't usual, Mr. Pendleton, this is history’: Spielberg's Lincoln and the production of historical knowledge
vol. 19 (3): 482-492
Seeing Lincoln: Spielberg's film and the visual culture of the nineteenth century
vol. 19 (3): 493-505
Lincoln: a man for too many seasons?
vol. 19 (3): 506-511
‘Your household accounts have always been so interesting’: family relations and gender politics in Lincoln's two ‘houses’
vol. 19 (3): 512-524
Haunting in the historical biopic: Lincoln
vol. 19 (3): 525-535
The history manifesto
vol. 19 (3): 536-537
Experience and history: phenomenological perspectives on the historical world
vol. 19 (3): 537-542
Music, piety, and propaganda: the soundscapes of counter-reformation Bavaria
vol. 19 (3): 542-546

Volume 19 (2)

Rethinking historical genres in the twenty-first century
vol. 19 (2): 145-157
Rethinking historical genres in the twenty-first century
vol. 19 (2): 145-157
Genre and history/historying
vol. 19 (2): 158-176
Genre and history/historying
vol. 19 (2): 158-176
Realist histories? When form clashes with function
vol. 19 (2): 177-192
Realist histories? When form clashes with function
vol. 19 (2): 177-192
Rethinking (re)doing: historical re-enactment and/as historiography
vol. 19 (2): 193-206
Rethinking (re)doing: historical re-enactment and/as historiography
vol. 19 (2): 193-206
Gaming history: computer and video games as historical scholarship
vol. 19 (2): 207-221
Gaming history: computer and video games as historical scholarship
vol. 19 (2): 207-221
Open genre, new possibilities: democratizing history via social media
vol. 19 (2): 222-234
Open genre, new possibilities: democratizing history via social media
vol. 19 (2): 222-234
Human rights and the literary self-portrait: Vann Nath's A Cambodian Prison Portrait: One Year in the Khmer Rouge's S-21
vol. 19 (2): 235-251
Human rights and the literary self-portrait: Vann Nath's A Cambodian Prison Portrait: One Year in the Khmer Rouge's S-21
vol. 19 (2): 235-251
Layering history: graphic embodiment and emotions in GB Tran's Vietnamerica
vol. 19 (2): 252-267
Layering history: graphic embodiment and emotions in GB Tran's Vietnamerica
vol. 19 (2): 252-267
The conventions of unconventionality: reconsidering the cinematic historian in Even the Rain
vol. 19 (2): 268-284
The conventions of unconventionality: reconsidering the cinematic historian in Even the Rain
vol. 19 (2): 268-284
Tales of futures past: science fiction as a historical genre
vol. 19 (2): 285-299
Tales of futures past: science fiction as a historical genre
vol. 19 (2): 285-299
Foucault's archaeology: science and transformation
vol. 19 (2): 300-305
Foucault's archaeology: science and transformation
vol. 19 (2): 300-305
Moved by the past: discontinuity and historical mutation
vol. 19 (2): 305-309
Moved by the past: discontinuity and historical mutation
vol. 19 (2): 305-309
The view from the fence
vol. 19 (2): 310-321