Bibliographic update April 2017: All

Art History

Introduction: Art and Religious Reform in Early Modern Europe
Bridget Heal, vol. 40 (2): 246-255
Karlstadt's Wagen: The First Visual Propaganda for the Reformation
Lyndal Roper, Jennifer Spinks, vol. 40 (2): 256-285
‘Between these Two Kingdoms’: Exile, Election, and Godly Law in Sebald Beham's Moses and Aaron
Mitchell B. Merback, vol. 40 (2): 286-311
The Unassembled Grammar of the Drawing in the Era of Reform
Shira Brisman, vol. 40 (2): 312-335
The Family at Table: Protestant Identity, Self-Representation and the Limits of the Visual in Seventeenth-Century Zurich
Andrew Morrall, vol. 40 (2): 336-357
Lutheran Baroque: The Afterlife of a Reformation Altarpiece
Bridget Heal, vol. 40 (2): 358-379
Images (Not) Made By Chance
Amy Knight Powell, vol. 40 (2): 380-403
The Art of Solitude: Environments of Prayer at the Bavarian Court of Wilhelm V
Christine Göttler, vol. 40 (2): 404-429
The Reliquary Reformed
Mia M. Mochizuki, vol. 40 (2): 430-449
Afterword
Joseph Leo Koerner, vol. 40 (2): 450-455
Toward a Cultural Ecology of Architectural Glass in Early Modern Northern Europe
Morgan Ng, ONLINE EARLY
Fashioning the Passion: The Poor Clares and the Clothing of Christ
Holly Flora, ONLINE EARLY
‘His Wretched Hand’: Aubrey Beardsley, the Grotesque Body, and Viennese Modern Art
Nathan J. Timpano, ONLINE EARLY
‘No Picture more Charming’: The Family Portrait in Eighteenth-Century France
Emma Barker, ONLINE EARLY
Authorless Pictures: Uses of Photography in Christian Boltanski's Early Work (1969–75)
Olga Smith, ONLINE EARLY
The Oceanic Primitivism of Len Lye's Animation Tusalava (1929)
Ann Stephen, ONLINE EARLY
Flip, Linger, Glide: Coles Phillips and the Movements of Magazine Pictures
Jennifer A. Greenhill, ONLINE EARLY

Australian Economic History Review

Issue Information
vol. 57 (1): 1-1
Sectoral Trends and Shocks in Australia's Economic Growth
Kym Anderson, vol. 57 (1): 2-21
Editors' Notes
vol. 57 (1): 130-131
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