Bibliographic update January 2018: All

French History

British Writers and Paris 1830–1875
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William the Conqueror
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Jorge Semprún: The Spaniard Who Survived the Nazis and Conquered Paris
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The Courtesan and the Gigolo: The Murders in the Rue Montaigne and the Dark Side of Empire in Nineteenth-Century Paris
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‘Ces affaires sont toujours fâcheuses’: The marital separation case of the comte and comtesse de Sainte-Maure, 1724–31
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A Theatre of Diplomacy. International Relations and the Performing Arts in Early Modern France
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From Vichy to the Sexual Revolution Gender and Family Life in Postwar France
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Sentimental Savants: Philosophical Families in Enlightenment France
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Historical Journal of Film, Radio and Television

Shih-I Hsiung on the air: a Chinese pioneer at the BBC during World War II
vol. 38 (1): 163-178
Censoring Tarzan in Belgium: The Belgian Board of Film Control and the Tarzan films, 1932–1946
vol. 38 (1): 1-19
‘The dramatic idea of justice’: wrongful conviction, documentary television, and The Court of Last Resort
vol. 38 (1): 179-197
Legally Independent: The Exhibition of Independent Art Films
vol. 38 (1): 54-72
Bryanston Films: An Experiment in Cooperative Independent Film Production and Distribution
vol. 38 (1): 95-115
The Pragmatic Alliance of DEFA and Barrandov: Cultural Transfer, Popular Cinema and Czechoslovak-East German Co-productions, 1957–85
vol. 38 (1): 133-146
Radio and Urban Rhythms in 1930s Colonial Taiwan
vol. 38 (1): 147-162
An Uncompetitive Cinema: The British Fiction Short Film in the 1960s
vol. 38 (1): 116-132
The United States Government (in the form of the Federal Bureau of Investigation, the Immigration and Naturalization Service, and the House Committee on Un-American Activities) versus Three Alien Artists (Charlie Chaplin, Bertolt Brecht and Hanns Eisler)
vol. 38 (1): 20-53
The Script, The Séance And The Censor: Writing Night Of The Demon (1957)
vol. 38 (1): 73-94
When the Cock Crows: a History of the Pathé Exchange
vol. 38 (1): 212-213
Agatha Christie on Screen
vol. 38 (1): 201-204
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