Bibliographic update July 2015: All

Historical Journal of Film, Radio and Television

‘The Martyr’s Return’: A Poem Reflecting Relations within the All India Radio during the 1930s
vol. 35 (3): 503-510
Images & animation: introduction au cinéma d'animation en République Démocratique de Congo, au Rwanda et au Burundi
vol. 35 (3): 519-521
The documentary film book
vol. 35 (3): 541-543
Blood, Thunder and Showgirls: The Merchant Navy on the BBC, 1939–1945
vol. 35 (3): 473-488
Screening black political struggle on 1970s British Television: the case of the Play for Today, A Hole in Babylon (1979)
vol. 35 (3): 489-502
Filming the retreat from Burma, 1942: British newsreel coverage of the longest retreat in British Army history
vol. 35 (3): 438-453
The Office Cat Reports on World War II in Colour (Channel 5)
vol. 35 (2): 339-346
Notice
vol. 35 (2): 347-347
Crossroads (1970) and the origin of Islamic Cinema in Turkey
vol. 35 (2): 257-276
Channeling anti-fascism: Macleish, Welles and the disorienting power of the announcer
vol. 35 (2): 319-338
A Canadian Network? The CBC and Television, 1936–1939
vol. 35 (2): 300-318
‘The Birth of Black Consciousness on the Screen’?: The African American Historical Experience, Blaxploitation, and the Production and Reception of Sounder (1972)
vol. 35 (2): 277-299
Up, Up and Across: Superman, the Second World War and the Historical Development of Transmedia Storytelling
vol. 35 (2): 215-239
‘Did you ever notice this dot in the Mediterranean?’ Colonial Cyprus in the post-war British documentary
vol. 35 (2): 240-256
Propaganda, power and persuasion. From World War I to Wikileaks
vol. 35 (2): 364-367
French film in Britain: sex, art and cinephilia
vol. 35 (2): 378-379
David Lean
vol. 35 (2): 382-384
The vision of a nation: making multiculturalism on British Television, 1960–80
vol. 35 (2): 384-385
Polish cinema in a transnational context
vol. 35 (2): 367-368
The shock of America: Europe and the challenge of the century
vol. 35 (2): 356-357
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