Bibliographic update July 2015: All

Heritage & Society

Beyond “Natural” and “Cultural” Heritage: Toward an Ontological Politics of Heritage in the Age of Anthropocene
Rodney Harrison, vol. 8 (1): 24-42
Ontological Security in a Post-Crash World—A Tale of Two Yorkshire Cities
Jane Grenville, vol. 8 (1): 43-59
Crafting the Past: Mission Models and the Curation of California Heritage
Elizabeth Kryder-Reid, vol. 8 (1): 60-83
Book Reviews
Ethan Carr, vol. 8 (1): 84-94

Historical Journal of Film, Radio and Television

The Dictator as Spectator: Feature Film Screenings before Adolf Hitler, 1933–39
vol. 35 (3): 420-437
The Rise of Market Information Regimes and the Historical Development of Audience Ratings
vol. 35 (3): 511-517
D.W. Griffith’s Foray Into Eastern Europe: A Recuperation of History
vol. 35 (3): 401-419
The MacDonald Discussion Group: A Communist Conspiracy in Britain’s Cold War Film and Theatre Industry—Or MI5’s Honey-Pot?
vol. 35 (3): 454-472
‘The Martyr’s Return’: A Poem Reflecting Relations within the All India Radio during the 1930s
vol. 35 (3): 503-510
Images & animation: introduction au cinéma d'animation en République Démocratique de Congo, au Rwanda et au Burundi
vol. 35 (3): 519-521
The documentary film book
vol. 35 (3): 541-543
Blood, Thunder and Showgirls: The Merchant Navy on the BBC, 1939–1945
vol. 35 (3): 473-488
Screening black political struggle on 1970s British Television: the case of the Play for Today, A Hole in Babylon (1979)
vol. 35 (3): 489-502
Filming the retreat from Burma, 1942: British newsreel coverage of the longest retreat in British Army history
vol. 35 (3): 438-453
The Office Cat Reports on World War II in Colour (Channel 5)
vol. 35 (2): 339-346
Notice
vol. 35 (2): 347-347
Crossroads (1970) and the origin of Islamic Cinema in Turkey
vol. 35 (2): 257-276
Channeling anti-fascism: Macleish, Welles and the disorienting power of the announcer
vol. 35 (2): 319-338
A Canadian Network? The CBC and Television, 1936–1939
vol. 35 (2): 300-318
‘The Birth of Black Consciousness on the Screen’?: The African American Historical Experience, Blaxploitation, and the Production and Reception of Sounder (1972)
vol. 35 (2): 277-299
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