Bibliographic update July 2015: All

Historical Journal of Film, Radio and Television

Les catholiques et le cinéma. La construction d’un regard critique (France, 1895–1958)
vol. 35 (2): 348-349
British television drama: past, present and future
vol. 35 (2): 371-372
Walter Ruttmann and the cinema of multiplicity: avant-garde—advertising—modernity
vol. 35 (2): 375-378
Omnibus films. Theorizing transauthorial cinema
vol. 35 (2): 380-381
The postfeminist biopic. Narrating the lives of Plath, Kahlo, Woolf and Austen
vol. 35 (2): 396-397
Ethereal queer: television, historicity, desire
vol. 35 (2): 354-356
The collaboration: Hollywood’s pact with Hitler
vol. 35 (2): 357-359
Hollywood Vault: film libraries before home video
vol. 35 (2): 390-392
Spectacular Digital Effects: CGI and contemporary cinema
vol. 35 (2): 397-399
Importing Asta Nielsen: the international film star in the making 1910–1914
vol. 35 (2): 372-375
Dansk film under nazismen
vol. 35 (1): 208-210
Cinema in Central Asia: rewriting cultural histories
vol. 35 (1): 210-212
Writing and producing television drama in Denmark. From the Kingdom to the killing
vol. 35 (1): 202-204
Reception of War Propaganda in Fascist Italy: Second World War Fiction Films and Critical Audiences
vol. 35 (1): 1-26
British Governmental Institutions, the Regional Information Office in Singapore and the Use of the Official Film in Malaya and Singapore, 1948–1961
vol. 35 (1): 27-52
Crisis At The Capitole: A Cultural Economics Analysis Of A Major First-Run Cinema In Ghent, 1953–1971
vol. 35 (1): 75-124
‘If You Have Seen it, You Cannot Forget!’: Film Consumption and Memories of Cinema-Going in 1950s Rome
vol. 35 (1): 53-74
Film policy, national identity and period adaptations in Flanders during the 1970s and 1980s
vol. 35 (1): 125-144
W. B. Yeats and Broadcasting, 1924–1965
vol. 35 (1): 145-175
‘The Kind Of Program Service All The People Want’: Pat Weaver’s Failed Fourth Network
vol. 35 (1): 176-194
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