Bibliographic update July 2015: All

Historical Journal of Film, Radio and Television

Shooting the great war: Albert Dawson and the American Correspondent Film Company, 1914–1918
vol. 35 (2): 369-371
Television and British cinema. Convergence and divergence since 1990
vol. 35 (2): 352-354
Wochenschau und Tagesschau in den 1950er Jahren
vol. 35 (2): 392-394
The last western—Deadwood and the end of American empire
vol. 35 (2): 394-395
Emmet Dalton: Somme soldier, Irish general, film pioneer
vol. 35 (2): 386-387
Empire and film
vol. 35 (2): 359-361
Listen in terror: British horror radio from the advent of broadcasting to the digital age
vol. 35 (2): 387-390
Fascism in Italian cinema since 1945: the politics and aesthetics of memory
vol. 35 (2): 350-352
Film and the end of empire
vol. 35 (2): 361-363
Les catholiques et le cinéma. La construction d’un regard critique (France, 1895–1958)
vol. 35 (2): 348-349
British television drama: past, present and future
vol. 35 (2): 371-372
Walter Ruttmann and the cinema of multiplicity: avant-garde—advertising—modernity
vol. 35 (2): 375-378
Omnibus films. Theorizing transauthorial cinema
vol. 35 (2): 380-381
The postfeminist biopic. Narrating the lives of Plath, Kahlo, Woolf and Austen
vol. 35 (2): 396-397
Ethereal queer: television, historicity, desire
vol. 35 (2): 354-356
The collaboration: Hollywood’s pact with Hitler
vol. 35 (2): 357-359
Hollywood Vault: film libraries before home video
vol. 35 (2): 390-392
Spectacular Digital Effects: CGI and contemporary cinema
vol. 35 (2): 397-399
Importing Asta Nielsen: the international film star in the making 1910–1914
vol. 35 (2): 372-375
Dansk film under nazismen
vol. 35 (1): 208-210
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