Bibliographic update April 2017: All

Historical Journal of Film, Radio and Television

Legally Independent: The Exhibition of Independent Art Films
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Bryanston Films: An Experiment in Cooperative Independent Film Production and Distribution
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The Pragmatic Alliance of DEFA and Barrandov: Cultural Transfer, Popular Cinema and Czechoslovak-East German Co-productions, 1957–85
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Radio and Urban Rhythms in 1930s Colonial Taiwan
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Exposing the Film Apparatus: The Film Archive as a Research Laboratory
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An Uncompetitive Cinema: The British Fiction Short Film in the 1960s
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Video Nicies: Rethinking the relationship between video entertainment and children in Britain during the early 1980s
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Infectious Media: Debating the Role of Movie Theaters in Detroit during the Spanish Influenza of 1918
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From Public–Private Virtue to Cultural-Corporate Amoeba: Mr Blobby and the Rise of BBC Worldwide During the 1990s
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The United States Government (in the form of the Federal Bureau of Investigation, the Immigration and Naturalization Service, and the House Committee on Un-American Activities) versus Three Alien Artists (Charlie Chaplin, Bertolt Brecht and Hanns Eisler)
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Frances Marion, The Secret Six, and the Evolving Heroine in 1930s Hollywood
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Restoring Whiteness, Sanitizing Blackness and Authenticating Modern Artifice: Pepsodent Toothpaste and the Visual Branding of Amos ‘n’ Andy
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Memorial Notice: Daniel J. Leab (1936–2016)
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Twenty British Films: A Guided Tour
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Broadcasting in the UK and the US in the 1950s: Historical Perspectives
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Hollywood and the Great Depression: American Film, Politics and Society in the 1930s
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Notions of Genre: Writings on Popular Film Before Genre Theory
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German Television: Historical and Theoretical Perspectives
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Creating Carmen Miranda: Race, Camp, and Transnational Stardom
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The Chaplin Machine: Slapstick, Fordism and the Communist Avant-Garde
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