Bibliographic update October 2016: All

Historical Journal of Film, Radio and Television

What’s wrong with this picture: casual disregard for history in George Clooney’s The Monuments Men (2014)
vol. 36 (3): 392-414
A transnational history of radio listening groups I: the United Kingdom and United States
vol. 36 (3): 436-465
British TV Comedies: cultural concepts, contexts and controversies
vol. 36 (3): 481-484
Projektionen der Moral: Filmskandale in der Weimarer Republik
vol. 36 (3): 466-468
Fantasia of Color in Early Cinema
vol. 36 (3): 468-470
The adventures of Jonathan Dennis: bicultural film archiving practice in Aotearoa New Zealand
vol. 36 (3): 470-473
Hollywood Riots: Violent Crowds and Progressive Politics in American Film
vol. 36 (3): 473-475
Alain Delon: style, stardom, and masculinity
vol. 36 (3): 479-481
‘Russian Americans’ in Soviet Film: Cinematic Dialogues between the US and the USSR
vol. 36 (3): 484-486
Robert Altman: in the American grain
vol. 36 (3): 486-488
George Kleine and American cinema: the movie business and film culture in the silent era
vol. 36 (3): 488-489
Hitchcock à la Carte
vol. 36 (3): 477-479
Engel der Effizienz: eine Mediengeschichte der Unternehmensberatung
vol. 36 (3): 475-476
The making of the Crew of the Dora
vol. 36 (3): 490-491
Cinema of simulation: hyperreal Hollywood in the long 1990s
vol. 36 (2): 257-258
‘Never Let the Camera Catch me Acting’: Lillian Gish as Actress, Star, and Theorist
vol. 36 (2): 175-189
Third Reich Cinema and Film Theory
vol. 36 (2): 190-213
The studios after the studios: neoclassical Hollywood (1970–2010)
vol. 36 (2): 264-266
Film criticism as a political weapon: theory, ideology and film activism in Nuestro Cinema (1932–1935)
vol. 36 (2): 214-231
The literary origins of film criticism in Argentina and Uruguay: Horacio Quiroga’s reviews, 1918–1931
vol. 36 (2): 232-251
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