Bibliographic update July 2017: All

Gender and History

Caitriona Clear, Women's Voices in Ireland: Women's Magazines in the 1950s and 60s (London: Bloomsbury Academic Press, 2016), pp. xiv + 189. ISBN 978-1-4742-3668-3 (hb).
JENNIFER REDMOND, ONLINE EARLY
Dominic Janes, Picturing the Closet: Male Secrecy and Homosexual Visibility in Britain (Oxford: Oxford University Press, 2015), pp. viii + 222. ISBN 978-0-1902-0563-8 (hb).
CHARLES UPCHURCH, ONLINE EARLY
Anne Schwan, Convict Voices: Women, Class, and Writing about Prison in Nineteenth-Century England (New Hampshire: University of New Hampshire Press, 2014), pp. xii + 290. ISBN 978-1-61168-672-2 (pb).
LUCY WILLIAMS, ONLINE EARLY
Amy M. Froide, Silent Partners: Women as Public Investors during Britain's Financial Revolution, 1690–1750 (Oxford: Oxford University Press, 2017), pp. xi + 225. ISBN 978-0-19876-798-5 (hb).
CATRIONA M. MACLEOD, ONLINE EARLY
Zubin Mistry, Abortion in the Early Middle Ages, c.500–900, (Woodbridge: Boydell & Brewer, 2015), pp. xiv + 342. ISBN 978-1-903153-57-4 (hb).
JENNIFER C. EDWARDS, ONLINE EARLY
Elizabeth Cox, Liz Herbert McAvoy and Roberta Magnani (eds), Reconsidering Gender, Time and Memory in Medieval Culture (Cambridge: D. S. Brewer, 2015), pp. 203. ISBN 978-1843-84403-7 (hb).
BRONACH KANE, ONLINE EARLY
Gary Ferguson, Same-Sex Marriage in Renaissance Rome: Sexuality, Identity, and Community in Early Modern Europe (Ithaca: Cornell University Press, 2016), pp. 232. ISBN 978-1-5017-0237-2.
MARIE H. LOUGHLIN, ONLINE EARLY
Jennifer D. Thibodeaux, The Manly Priest: Clerical Celibacy, Masculinity, and Reform in England and Normandy, 1066–1300 (Philadelphia: University of Pennsylvania Press, 2015), pp. viii + 230. ISBN 978-0-8122-4752-7 (hb).
MATTHEW MESLEY, ONLINE EARLY
BIOGRAPHIES
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Historical Journal of Film, Radio and Television

Industrial organization of film exhibitors in the Low Countries: comparing the Netherlands and Belgium, 1945–1960
vol. 37 (3): 475-498
Creating an anti-communist motion picture producers’ network in Asia: the Asia Foundation, Asia Pictures, and the Korean Motion Picture Cultural Association
vol. 37 (3): 517-538
Toi, c’est moi (1936) and Prends la route (1937): mobilising desire in the operetta films of Jacques Pills and André Tabet
vol. 37 (3): 436-454
‘The Hideous Difficulty of Recreating Nazism at War’: escaping from Europe in The Wooden Horse (1950) and the British Prisoner of War Film
vol. 37 (3): 539-558
The omnibus film as message picture: cold war politics and the myth of national unity in It’s a Big Country (1951)
vol. 37 (3): 499-516
Whatever happened to the British ‘B’ movie? Micro-budget film-making and the death of the one-hour supporting feature in the early 1960s
vol. 37 (3): 559-576
‘They’ll Be Dancing in the Aisles!’: Youth audiences, cinema exhibition and the mid-1930s swing boom
vol. 37 (3): 455-474
Notions of Genre: Writings on Popular Film Before Genre Theory
vol. 37 (3): 579-581
German Television: Historical and Theoretical Perspectives
vol. 37 (3): 581-583
Off to the Pictures: Cinema-going, Women’s Writing and Movie Culture in Interwar Britain
vol. 37 (3): 577-579
Notions of Genre: Writings on Popular Film Before Genre Theory
vol. 37 (3): 579-581
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