Bibliographic update April 2017: All

Journal of Victorian Culture

Steal it, Change it, Print it: Transatlantic Scissors-and-Paste Journalism in the Ladies’ Treasury, 1857–1895
vol. 22 (1): 24-39
On Not Reading The Soldier’s Pocket-book for Field Service
vol. 22 (1): 40-56
Place and Progress in the Works of Elizabeth Gaskell
vol. 22 (1): 123-126
Dickens and the Business of Death
vol. 22 (1): 127-128
Engines of Truth: Producing Veracity in the Victorian Courtroom
vol. 22 (1): 128-131
Weeping Britannia: Portrait of a Nation in Tears
vol. 22 (1): 134-136
Iron, Ornament and Architecture in Victorian Britain; Myth and Modernity, Excess and Enchantment
vol. 22 (1): 136-139
Full of Eastern Promise
vol. 22 (1): 131-133
Beyond the Civilizing Process: A Response to Peter K. Andersson’s ‘How Civilized Were the Victorians?’
vol. 22 (1): 105-114
Who Owns the Victorians?
vol. 22 (1): 89-98
Who Owns the Victorians?
vol. 22 (1): 89-98
Beyond the Civilizing Process: A Response to Peter K. Andersson’s ‘How Civilized Were the Victorians?’
vol. 22 (1): 105-114
Notes on Contributors
vol. 22 (1): 140-142
Notes on Contributors
vol. 22 (1): 140-142
The Darwinian Subject in Sculpture: George Frampton’s Peter Pan
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The Darwinian Subject in Sculpture: George Frampton’s Peter Pan
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Sex, Fashion, Work: James Joyce and the Late-Victorian Actress
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The Representation of Joe Whelks: Charles Dickens’s Reflections on a Theatre Audience
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Nostalgia or das Heimweh: Homesickness and the Press-ganged Soldier in Sylvia’s Lovers (1863)
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Workflow
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