Bibliographic update July 2017: All

Historical Journal of Film, Radio and Television

Conflicting interpretations of Rome, Open City in 1945 Italy
vol. 37 (2): 203-219
Early transcontinental film relations: Japan, Germany and the compromises of co-production, 1926–1933
vol. 37 (2): 174-202
Anglo-Italian co-productions in the 1950s and 1960s: film finances, the Prince and Venice
vol. 37 (2): 220-241
Lost adaptations: piracy, ‘Rip Offs’, and the Australian Copyright Act 1905
vol. 37 (2): 161-173
A crusade over the airwaves: the Blue Division on Radio Nacional de España (1941–1954)
vol. 37 (2): 295-314
Banging the gong: the promotional strategies of Britain’s J. Arthur Rank Organisation in the 1950s
vol. 37 (2): 242-271
Expressionism in the Cinema
vol. 37 (2): 347-349
The US–Mexico Border in American Cold War film: Romance, Revolution, and Regulation
vol. 37 (2): 349-351
Exposing the Film Apparatus: The Film Archive as a Research Laboratory
vol. 37 (2): 351-354
Memorial Notice: Daniel J. Leab (1936–2016)
vol. 37 (2): 362-364
Twenty British Films: A Guided Tour
vol. 37 (2): 356-357
Broadcasting in the UK and the US in the 1950s: Historical Perspectives
vol. 37 (2): 338-340
Hollywood and the Great Depression: American Film, Politics and Society in the 1930s
vol. 37 (2): 342-343
Creating Carmen Miranda: Race, Camp, and Transnational Stardom
vol. 37 (2): 334-336
The Chaplin Machine: Slapstick, Fordism and the Communist Avant-Garde
vol. 37 (2): 340-342
The Children’s Film Foundation: History and Legacy
vol. 37 (2): 343-345
Mad Men: A Cultural History
vol. 37 (2): 359-361
Aguirre, the Wrath of God
vol. 37 (2): 354-356
Cecil Hepworth and the Rise of the British Film Industry, 1899–1911
vol. 37 (2): 345-347
Of Elephants and Toothaches: Ethics, Politics, and Religion in Krzysztof Kieślowski’s Decalogue
vol. 37 (2): 336-338
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