Bibliographic update July 2016: All

Heritage & Society

Nara+20: a Theory and Practice Perspective
Aylin Orbaşlı, vol. 8 (2): 178-188
Towards World Heritage: International Origins of the Preservation Movement, 1870–1930
Ethan Carr, vol. 8 (2): 189-191
Managing Cultural Heritage: An International Research Perspective
Neil Asher Silberman, vol. 8 (2): 192-194

Historical Journal of Film, Radio and Television

The Creation of the Nippon Newsreel Company: Personal Rivalry and Profit in Wartime Japan
vol. 36 (3): 352-372
Preview Screenings and the Spaces of an Emerging Local Cinema Trade in Scotland
vol. 36 (3): 285-304
‘Are You Proud to Be British?’: Mobile Film Shows, Local Voices and the Demise of the British Empire in Africa
vol. 36 (3): 331-351
A chance for a propaganda coup? The Reagan administration and The Day After (1983)
vol. 36 (3): 415-435
‘Adjuncts of Government’: Darryl F. Zanuck and 20th Century-Fox in Service to the Executive Branch, 1935–1971
vol. 36 (3): 373-391
‘The good earth and the still waters’: new deal rhetoric in FDR’s political speeches and M-G-M’s captains courageous
vol. 36 (3): 305-330
What’s wrong with this picture: casual disregard for history in George Clooney’s The Monuments Men (2014)
vol. 36 (3): 392-414
A transnational history of radio listening groups I: the United Kingdom and United States
vol. 36 (3): 436-465
British TV Comedies: cultural concepts, contexts and controversies
vol. 36 (3): 481-484
Projektionen der Moral: Filmskandale in der Weimarer Republik
vol. 36 (3): 466-468
Fantasia of Color in Early Cinema
vol. 36 (3): 468-470
The adventures of Jonathan Dennis: bicultural film archiving practice in Aotearoa New Zealand
vol. 36 (3): 470-473
Hollywood Riots: Violent Crowds and Progressive Politics in American Film
vol. 36 (3): 473-475
Alain Delon: style, stardom, and masculinity
vol. 36 (3): 479-481
‘Russian Americans’ in Soviet Film: Cinematic Dialogues between the US and the USSR
vol. 36 (3): 484-486
Robert Altman: in the American grain
vol. 36 (3): 486-488
George Kleine and American cinema: the movie business and film culture in the silent era
vol. 36 (3): 488-489
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