Bibliographic update July 2016: All

Historical Journal of Film, Radio and Television

Robert Altman: in the American grain
vol. 36 (3): 486-488
George Kleine and American cinema: the movie business and film culture in the silent era
vol. 36 (3): 488-489
Hitchcock à la Carte
vol. 36 (3): 477-479
Drei Sensationen und zwei Katastrophen: Feuilletons zur Welt der Kinos
vol. 36 (2): 262-264
Images of blood in American cinema: The Tingler to The Wild Bunch
vol. 36 (2): 266-268
Batman
vol. 36 (2): 275-277
Cinema of simulation: hyperreal Hollywood in the long 1990s
vol. 36 (2): 257-258
‘Never Let the Camera Catch me Acting’: Lillian Gish as Actress, Star, and Theorist
vol. 36 (2): 175-189
Third Reich Cinema and Film Theory
vol. 36 (2): 190-213
The studios after the studios: neoclassical Hollywood (1970–2010)
vol. 36 (2): 264-266
Film criticism as a political weapon: theory, ideology and film activism in Nuestro Cinema (1932–1935)
vol. 36 (2): 214-231
The literary origins of film criticism in Argentina and Uruguay: Horacio Quiroga’s reviews, 1918–1931
vol. 36 (2): 232-251
Béla Balázs: a Gestalt theory of film
vol. 36 (2): 133-155
Taming the Cowboy: Early Danish Film Theory, 1910–1940
vol. 36 (2): 156-174
The permanent crisis of film criticism: the anxiety of authority
vol. 36 (2): 255-257
Latin American cinema
vol. 36 (2): 272-275
Fünfzig Jahre Österreichisches Filmmuseum 1964–2014
vol. 36 (2): 281-283
Media and nostalgia: yearning for the past, present and future
vol. 36 (2): 253-255
The Nordic media and the Cold War
vol. 36 (2): 279-281
Jim Jarmusch: music, words and noise
vol. 36 (2): 258-260
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