Bibliographic update July 2017: All

Historical Journal of Film, Radio and Television

Banging the gong: the promotional strategies of Britain’s J. Arthur Rank Organisation in the 1950s
vol. 37 (2): 242-271
Conflicting interpretations of Rome, Open City in 1945 Italy
vol. 37 (2): 203-219
Early transcontinental film relations: Japan, Germany and the compromises of co-production, 1926–1933
vol. 37 (2): 174-202
Anglo-Italian co-productions in the 1950s and 1960s: film finances, the Prince and Venice
vol. 37 (2): 220-241
Lost adaptations: piracy, ‘Rip Offs’, and the Australian Copyright Act 1905
vol. 37 (2): 161-173
(Un)Familiar spaces of television production: the BBC’s visit to the Soviet Union in 1956
vol. 37 (2): 315-332
Corrigendum
vol. 37 (2): 365-365
Corrigendum
vol. 37 (2): 365-365
Introduction
vol. 37 (1): 1-4
Exploring the Lost Television and Technique of Producer Fred O’Donovan
vol. 37 (1): 5-23
Forgotten, Neglected and Lost: The Television Play in the Early 1950s – The Case of Anastasia (1953)
vol. 37 (1): 24-33
Drama for People ‘in the know’: Television World Theatre (BBC 1957–1959) and Festival (BBC 1963–1964)
vol. 37 (1): 34-48
Revisiting Francis Durbridge: West German Television, European Reconciliation and the Representation of Morality During the Late 1950s and 1960s
vol. 37 (1): 49-64
Dominic Behan and the Beginnings of Television ‘Troubles’ Drama
vol. 37 (1): 65-81
‘Must We Wait ‘Til Doomsday?’: The Making And Mauling Of Churchill’s People (BBC1, 1974–75)
vol. 37 (1): 82-95
Drama as Science Documentary: The Ethics of Making and ‘Banning’ The Black Pool
vol. 37 (1): 96-112
Uncovering Forgotten, Unseen and Contested Representations of ‘Black Britain’: Gloo Joo (1979) and Meadowlark (1982)
vol. 37 (1): 113-127
The Feel-Bad Film
vol. 37 (1): 134-136
Aesthetics of Displacement: Turkey and its Minorities on Screen
vol. 37 (1): 140-143
Introduction
vol. 37 (1): 1-4
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