Bibliographic update January 2017: All

Historical Journal of Film, Radio and Television

Re-orientating Japanese cinema: cold war criticism of ‘anti-American’ films
vol. 36 (4): 529-547
Reconfiguring radio drama after television: the historical significance of Theater 5, Earplay and CBS Radio Mystery Theater as post-network radio drama
vol. 36 (4): 649-667
The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain
vol. 36 (4): 698-702
Hitler, Mein Kampf: Eine kritische Edition
vol. 36 (4): 702-704
Bollywood in Britain: cinema, brand, discursive complex
vol. 36 (4): 689-691
The Great War in Popular British Cinema of the 1920s: before Journey’s End
vol. 36 (4): 706-708
Using Film as a Source
vol. 36 (4): 719-721
Icelandic National Cinema. Film- und Rezensionsanalysen nationaler Identität
vol. 36 (4): 691-694
French Cinema: A Critical Filmography
vol. 36 (4): 694-698
American Cinematographers in the Great War, 1914–1918
vol. 36 (4): 704-706
Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship
vol. 36 (4): 708-710
Borderland Films. American Cinema, Mexico, and Canada during the Progressive Era
vol. 36 (4): 710-712
Storyboarding: a Critical History
vol. 36 (4): 712-713
In Secrecy’s Shadow: the OSS and CIA in Hollywood Cinema 1941–1979
vol. 36 (4): 713-716
Border Crossing: Russian Literature into Film
vol. 36 (4): 716-719
Grindhouse Nostalgia: Memory, Home Video and Exploitation Film Fandom
vol. 36 (4): 721-723
Teletext in Europe: from the Analog to the Digital Era
vol. 36 (4): 723-726
Editorial Board
vol. 36 (4): 0-0
The Creation of the Nippon Newsreel Company: Personal Rivalry and Profit in Wartime Japan
vol. 36 (3): 352-372
Preview Screenings and the Spaces of an Emerging Local Cinema Trade in Scotland
vol. 36 (3): 285-304
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