Bibliographic update January 2017: All

Historical Journal of Film, Radio and Television

Hitler, Mein Kampf: Eine kritische Edition
vol. 36 (4): 702-704
Bollywood in Britain: cinema, brand, discursive complex
vol. 36 (4): 689-691
The Great War in Popular British Cinema of the 1920s: before Journey’s End
vol. 36 (4): 706-708
Using Film as a Source
vol. 36 (4): 719-721
Icelandic National Cinema. Film- und Rezensionsanalysen nationaler Identität
vol. 36 (4): 691-694
French Cinema: A Critical Filmography
vol. 36 (4): 694-698
American Cinematographers in the Great War, 1914–1918
vol. 36 (4): 704-706
Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship
vol. 36 (4): 708-710
Borderland Films. American Cinema, Mexico, and Canada during the Progressive Era
vol. 36 (4): 710-712
Storyboarding: a Critical History
vol. 36 (4): 712-713
In Secrecy’s Shadow: the OSS and CIA in Hollywood Cinema 1941–1979
vol. 36 (4): 713-716
Border Crossing: Russian Literature into Film
vol. 36 (4): 716-719
Grindhouse Nostalgia: Memory, Home Video and Exploitation Film Fandom
vol. 36 (4): 721-723
Teletext in Europe: from the Analog to the Digital Era
vol. 36 (4): 723-726
Editorial Board
vol. 36 (4): 0-0
The Creation of the Nippon Newsreel Company: Personal Rivalry and Profit in Wartime Japan
vol. 36 (3): 352-372
Preview Screenings and the Spaces of an Emerging Local Cinema Trade in Scotland
vol. 36 (3): 285-304
‘Are You Proud to Be British?’: Mobile Film Shows, Local Voices and the Demise of the British Empire in Africa
vol. 36 (3): 331-351
A chance for a propaganda coup? The Reagan administration and The Day After (1983)
vol. 36 (3): 415-435
‘Adjuncts of Government’: Darryl F. Zanuck and 20th Century-Fox in Service to the Executive Branch, 1935–1971
vol. 36 (3): 373-391
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