Bibliographic update January 2017: All

Historical Journal of Film, Radio and Television

‘The good earth and the still waters’: new deal rhetoric in FDR’s political speeches and M-G-M’s captains courageous
vol. 36 (3): 305-330
What’s wrong with this picture: casual disregard for history in George Clooney’s The Monuments Men (2014)
vol. 36 (3): 392-414
A transnational history of radio listening groups I: the United Kingdom and United States
vol. 36 (3): 436-465
British TV Comedies: cultural concepts, contexts and controversies
vol. 36 (3): 481-484
Projektionen der Moral: Filmskandale in der Weimarer Republik
vol. 36 (3): 466-468
Fantasia of Color in Early Cinema
vol. 36 (3): 468-470
The adventures of Jonathan Dennis: bicultural film archiving practice in Aotearoa New Zealand
vol. 36 (3): 470-473
Hollywood Riots: Violent Crowds and Progressive Politics in American Film
vol. 36 (3): 473-475
Alain Delon: style, stardom, and masculinity
vol. 36 (3): 479-481
‘Russian Americans’ in Soviet Film: Cinematic Dialogues between the US and the USSR
vol. 36 (3): 484-486
Robert Altman: in the American grain
vol. 36 (3): 486-488
George Kleine and American cinema: the movie business and film culture in the silent era
vol. 36 (3): 488-489
Hitchcock à la Carte
vol. 36 (3): 477-479
Engel der Effizienz: eine Mediengeschichte der Unternehmensberatung
vol. 36 (3): 475-476
The making of the Crew of the Dora
vol. 36 (3): 490-491
Small Screen to Big Screen Made-for-TV Movies in American and International Cinemas
‘Territory Going Fast!’ State rights distribution and the early multi-reel feature film
The omnibus film as message picture: cold war politics and the myth of national unity in It’s a Big Country (1951)
Whatever happened to the British ‘B’ movie? Micro-budget film-making and the death of the one-hour supporting feature in the early 1960s
Fair do’s: Tom Hadaway and the regional voice in 1970s British television
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