Bibliographic update October 2016: All

Journal of Urban History

Paving Power: Western Urban Planning and Imperial Space from the Streets of Meiji Tokyo to Colonial Seoul
Grunow, T. R., vol. 42 (3): 506-556
Urban Survey and Planning in Twentieth-Century Japan: Wajiro Kons "Modernology" and Its Descendants
Kuroishi, I., vol. 42 (3): 557-581
Toward an "Unburnable City": Reimagining the Urban Landscape in 1930s Japanese Media
Shepherdson-Scott, K., vol. 42 (3): 582-603
Metabolist Utopias and Their Global Influence: Three Paradigms of Urbanism
Lin, Z., vol. 42 (3): 604-622
Rediscovering Japanese Urban Space in a World Context
Oshima, K. T., vol. 42 (3): 623-633
Freedom North Studies, the Long Civil Rights Movement, and Twentieth-Century Liberalism in American Cities
Purnell, B., vol. 42 (3): 634-640
"I Love You Peters Proud Creation": Cultural Topographies of St. Petersburg
Anemone, A., vol. 42 (3): 641-646
From Silks to Spices: Changing Processes of Retailing and Consumption in Eighteenth-Century English Towns
Dyer, S., vol. 42 (3): 647-653

Journal of Victorian Culture

Portraits of the Artist as Politician, the Politician as Artist: Commemorating the Disraeli Phenomenon
vol. 21 (3): 281-300
Landscape and Identity in Australian Melodrama
vol. 21 (3): 363-386
English Fiction and the Evolution of Language, 1850–1914
vol. 21 (3): 405-408
Convict Voices: Women, Class, and Writing about Prison in Nineteenth-Century England
vol. 21 (3): 411-414
Dickens, Reynolds, and Mayhew on Wellington Street: The Print Culture of a Victorian Street
vol. 21 (3): 408-411
The Stereoscope and Popular Fiction: Imagination and Narrative in the Victorian Home
vol. 21 (3): 346-362
‘Rot the Genuine’: Moral Responsibility and Far from the Madding Crowd’s Cancelled Fragment
vol. 21 (3): 387-404
‘The Stupidest Tea-Party in All My Life’: Lewis Carroll and Victorian Psychiatric Practice
Behind You!
What the Victorians Read, How to Find Out, and Why it Matters
Perspective: Digitizing the Diary – Experiments in Queer Encoding (A Retrospective and a Prospective)
Strange Modernity?
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