Bibliographic update July 2016: All

Art History

The Monument to Louis XIV at the Place Vendôme (1699) as a Technical Achievement: A Question of Interest
Etienne Jollet, vol. 39 (2): 318-339
A Clock Picture as a Philosophical Experiment: The Tableau Mécanique in the Physics Cabinet of Bonnier de la Mosson
Hanneke Grootenboer, vol. 39 (2): 340-355
Of Air Pumps and Teapots: Joseph Wright of Derby, John Singleton Copley and the Technology of Seeing
Bryan J. Wolf, vol. 39 (2): 356-375
Technologies of Illusion: De Loutherbourg's Eidophusikon in Eighteenth-Century London
Ann Bermingham, vol. 39 (2): 376-399
Telegraphic Images in Post-Revolutionary France
Richard Taws, vol. 39 (2): 400-421
Seizing Attention: Devices and Desires
Barbara Maria Stafford, vol. 39 (2): 422-427
Life Drawing and the Crisis of Historia in French Eighteenth-Century Painting
Susanna Caviglia, vol. 39 (1): 40-69
Abstracts & Authors’ Biographies
vol. 39 (1): 4-7
Genevieve Warwick, vol. 39 (1): 8-9
Wandering Gothic
Tom Nickson, vol. 39 (1): 152-155
Making and Meaning
Beth Williamson, vol. 39 (1): 156-159
Seeing and Reading Modernist Art Historiography
Francesco Ventrella, vol. 39 (1): 160-166
Later Realism's Fifteen Minutes
Samuel Raybone, vol. 39 (1): 166-170
Rediscovering Kurt Seligmann
Gražina Subelytė, vol. 39 (1): 170-173
From Mousike to Synaesthesia: New Interdisciplinary Agendas in Music and Visual Culture
Mark Stuart-Smith, vol. 39 (1): 173-181
The Einsteinian Eclipse: The Paradigmatic Fourth Dimension in Modern Art Before and After Relativity
Fae Brauer, vol. 39 (1): 182-188
Abbott Thayer and the Invention of Camouflage
Dogs and Dogma: Perception and Revelation in Rembrandt's Presentation in the Temple, c. 1640
Elizabeth Sutton, ONLINE EARLY
Disaster in Paris: Andy Warhol and the French Automotive Imaginary, c. 1964
Liam Considine, ONLINE EARLY
A Calendar of Happenings: Allan Kaprow, Counter-Chronologies and Cataloguing Performance, c. 1970
Catherine Spencer, ONLINE EARLY
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