Bibliographic update July 2017: All

Journal of Victorian Culture

The Darwinian Subject in Sculpture: George Frampton’s Peter Pan
vol. 22 (2): 143-165
The Darwinian Subject in Sculpture: George Frampton’s Peter Pan
vol. 22 (2): 143-165
Sex, Fashion, Work: James Joyce and the Late-Victorian Actress
vol. 22 (2): 166-182
The Representation of Joe Whelks: Charles Dickens’s Reflections on a Theatre Audience
vol. 22 (2): 204-221
Workflow
vol. 22 (2): 222-223
Stuck in the Middle: Developing Research Workflows for a Multi-scale Text Analysis
vol. 22 (2): 224-231
From Chartist Newspaper to Digital Map of Grass-roots Meetings, 1841–44: Documenting Workflows
vol. 22 (2): 232-247
Digitization for the Masses: Taking Users Beyond Simple Searching in Nineteenth-Century Collections Online
vol. 22 (2): 248-255
Harriet Martineau and the Birth of Disciplines: Nineteenth-Century Intellectual Powerhouse
vol. 22 (2): 280-283
Politics, Performance and Popular Culture: Theatre and Society in Nineteenth-Century Britain
vol. 22 (2): 271-274
Lewis Carroll: Photography on the Move
vol. 22 (2): 262-264
Military Men of Feeling: Emotion, Touch, and Masculinity in the Crimean War
vol. 22 (2): 268-271
Romance’s Rival: Familiar Marriage in Victorian Fiction
vol. 22 (2): 277-280
The Evangelical Age of Ingenuity in Industrial Britain
vol. 22 (2): 274-277
William Clark Russell and the Victorian Nautical Novel: Gender, Genre and the Marketplace
vol. 22 (2): 259-261
The Victorian Geopolitical Aesthetic: Realism, Sovereignty, and Transnational Experience
vol. 22 (2): 256-258
Acts of Desire: Women and Sex on Stage 1800–1930
vol. 22 (2): 265-268
Acts of Desire: Women and Sex on Stage 1800–1930
vol. 22 (2): 265-268
The Victorian Geopolitical Aesthetic: Realism, Sovereignty, and Transnational Experience
vol. 22 (2): 256-258
Romance’s Rival: Familiar Marriage in Victorian Fiction
vol. 22 (2): 277-280
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