Bibliographic update April 2017: Historical Journal Of Film, Radio And Television

Historical Journal of Film, Radio and Television

Julie Christie
vol. 37 (1): 136-138
The Rise and Fall of the UK Film Council
vol. 37 (1): 143-145
Producing Behind the Silver Screen: A Modern History of Filmmaking
vol. 37 (1): 145-147
Expressionism and Film
vol. 37 (1): 130-132
The Marvel Studios Phenomenon: Inside a Transmedia Universe
vol. 37 (1): 147-149
Moralizing Cinema: Film, Catholicism, and Power
vol. 37 (1): 154-156
Cinema in Service of the State: Perspectives on Film Culture in the GDR and Czechoslovakia, 1945–1960
vol. 37 (1): 151-154
Shooting from the East: Filmmaking on the Canadian Atlantic
vol. 37 (1): 156-159
Lichtspiele im Schatten der Armut
vol. 37 (1): 138-140
Animation: A World History
vol. 37 (1): 149-151
Film Bild Kunst: Visuelle Ästhetik des vorklassischen Stummfilms
vol. 37 (1): 132-134
Legally Independent: The Exhibition of Independent Art Films
ONLINE EARLY
Bryanston Films: An Experiment in Cooperative Independent Film Production and Distribution
ONLINE EARLY
The Pragmatic Alliance of DEFA and Barrandov: Cultural Transfer, Popular Cinema and Czechoslovak-East German Co-productions, 1957–85
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Radio and Urban Rhythms in 1930s Colonial Taiwan
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An Uncompetitive Cinema: The British Fiction Short Film in the 1960s
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Video Nicies: Rethinking the relationship between video entertainment and children in Britain during the early 1980s
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Infectious Media: Debating the Role of Movie Theaters in Detroit during the Spanish Influenza of 1918
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From Public–Private Virtue to Cultural-Corporate Amoeba: Mr Blobby and the Rise of BBC Worldwide During the 1990s
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The United States Government (in the form of the Federal Bureau of Investigation, the Immigration and Naturalization Service, and the House Committee on Un-American Activities) versus Three Alien Artists (Charlie Chaplin, Bertolt Brecht and Hanns Eisler)
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