Bibliographic update July 2015: Historical Journal Of Film, Radio And Television

Historical Journal of Film, Radio and Television

‘Did you ever notice this dot in the Mediterranean?’ Colonial Cyprus in the post-war British documentary
vol. 35 (2): 240-256
Propaganda, power and persuasion. From World War I to Wikileaks
vol. 35 (2): 364-367
French film in Britain: sex, art and cinephilia
vol. 35 (2): 378-379
David Lean
vol. 35 (2): 382-384
The vision of a nation: making multiculturalism on British Television, 1960–80
vol. 35 (2): 384-385
Polish cinema in a transnational context
vol. 35 (2): 367-368
The shock of America: Europe and the challenge of the century
vol. 35 (2): 356-357
Shooting the great war: Albert Dawson and the American Correspondent Film Company, 1914–1918
vol. 35 (2): 369-371
Television and British cinema. Convergence and divergence since 1990
vol. 35 (2): 352-354
Wochenschau und Tagesschau in den 1950er Jahren
vol. 35 (2): 392-394
The last western—Deadwood and the end of American empire
vol. 35 (2): 394-395
Emmet Dalton: Somme soldier, Irish general, film pioneer
vol. 35 (2): 386-387
Empire and film
vol. 35 (2): 359-361
Listen in terror: British horror radio from the advent of broadcasting to the digital age
vol. 35 (2): 387-390
Fascism in Italian cinema since 1945: the politics and aesthetics of memory
vol. 35 (2): 350-352
Film and the end of empire
vol. 35 (2): 361-363
Les catholiques et le cinéma. La construction d’un regard critique (France, 1895–1958)
vol. 35 (2): 348-349
British television drama: past, present and future
vol. 35 (2): 371-372
Walter Ruttmann and the cinema of multiplicity: avant-garde—advertising—modernity
vol. 35 (2): 375-378
Omnibus films. Theorizing transauthorial cinema
vol. 35 (2): 380-381
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