Bibliographic update January 2017: Historical Journal Of Film, Radio And Television

Historical Journal of Film, Radio and Television

Storyboarding: a Critical History
vol. 36 (4): 712-713
In Secrecy’s Shadow: the OSS and CIA in Hollywood Cinema 1941–1979
vol. 36 (4): 713-716
Border Crossing: Russian Literature into Film
vol. 36 (4): 716-719
Grindhouse Nostalgia: Memory, Home Video and Exploitation Film Fandom
vol. 36 (4): 721-723
Teletext in Europe: from the Analog to the Digital Era
vol. 36 (4): 723-726
Editorial Board
vol. 36 (4): 0-0
Preview Screenings and the Spaces of an Emerging Local Cinema Trade in Scotland
vol. 36 (3): 285-304
The Creation of the Nippon Newsreel Company: Personal Rivalry and Profit in Wartime Japan
vol. 36 (3): 352-372
‘Are You Proud to Be British?’: Mobile Film Shows, Local Voices and the Demise of the British Empire in Africa
vol. 36 (3): 331-351
A chance for a propaganda coup? The Reagan administration and The Day After (1983)
vol. 36 (3): 415-435
‘Adjuncts of Government’: Darryl F. Zanuck and 20th Century-Fox in Service to the Executive Branch, 1935–1971
vol. 36 (3): 373-391
‘The good earth and the still waters’: new deal rhetoric in FDR’s political speeches and M-G-M’s captains courageous
vol. 36 (3): 305-330
What’s wrong with this picture: casual disregard for history in George Clooney’s The Monuments Men (2014)
vol. 36 (3): 392-414
A transnational history of radio listening groups I: the United Kingdom and United States
vol. 36 (3): 436-465
British TV Comedies: cultural concepts, contexts and controversies
vol. 36 (3): 481-484
Projektionen der Moral: Filmskandale in der Weimarer Republik
vol. 36 (3): 466-468
Fantasia of Color in Early Cinema
vol. 36 (3): 468-470
The adventures of Jonathan Dennis: bicultural film archiving practice in Aotearoa New Zealand
vol. 36 (3): 470-473
Hollywood Riots: Violent Crowds and Progressive Politics in American Film
vol. 36 (3): 473-475
Alain Delon: style, stardom, and masculinity
vol. 36 (3): 479-481
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