Bibliographic update October 2016: Historical Journal Of Film, Radio And Television

Historical Journal of Film, Radio and Television

The literary origins of film criticism in Argentina and Uruguay: Horacio Quiroga’s reviews, 1918–1931
vol. 36 (2): 232-251
Béla Balázs: a Gestalt theory of film
vol. 36 (2): 133-155
Taming the Cowboy: Early Danish Film Theory, 1910–1940
vol. 36 (2): 156-174
The permanent crisis of film criticism: the anxiety of authority
vol. 36 (2): 255-257
Latin American cinema
vol. 36 (2): 272-275
Fünfzig Jahre Österreichisches Filmmuseum 1964–2014
vol. 36 (2): 281-283
Media and nostalgia: yearning for the past, present and future
vol. 36 (2): 253-255
The Nordic media and the Cold War
vol. 36 (2): 279-281
Jim Jarmusch: music, words and noise
vol. 36 (2): 258-260
Film programming: curating for cinemas, festivals, archives
vol. 36 (2): 260-262
Early Film Theory Revisited: Historical Perspectives
vol. 36 (2): 127-132
The Routledge-IAMHIST Best Article Prizes for 2015
vol. 36 (2): 252-252
Adapting Graham Greene
vol. 36 (2): 268-270
Surviving images: cinema, war, and cultural memory in the middle east
vol. 36 (2): 270-272
Jean Desmet’s dream factory: the adventurous years of film (1907–1916)
vol. 36 (2): 277-279
Hollywood’s Muddle East: political change in Egypt and Israel and the consequences for Hollywood’s Middle Eastern Movie Theaters
A crusade over the airwaves: the Blue Division on Radio Nacional de España (1941–1954)
Toi, c’est moi (1936) and Prends la route (1937): mobilising desire in the operetta films of Jacques Pills and André Tabet
Banging the gong: the promotional strategies of Britain’s J. Arthur Rank Organisation in the 1950s
‘The Hideous Difficulty of Recreating Nazism at War’: escaping from Europe in The Wooden Horse (1950) and the British Prisoner of War Film
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