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Thomas Jefferson has had a rough few years. Since DNA established beyond a reasonable doubt that he fathered children with his slave Sally Hemings, Jefferson has been pushed into the shadows and forced to watch as his political rivals John Adams and Alexander Hamilton enjoy the limelight.
Paradigm shifts in historiography seem to come all at once rather than being spaced evenly along the disciplinary trajectory. The last such shift in writing about slavery and race (including civil rights) in the United States came between the late 1950s and the mid-1970s.
The Cry of the Renegade begins with the ending of the story. The book starts by mapping the procession that took place on 1 October 1920, when thousands took to the streets to pay their respects and say farewell to José Domingo Gómez Rojas, a poet, university student, and municipal clerk. In his narrative of the procession, Raymond B.
On the 18th of June, 1556, Mr Francesco, a second-hand goods dealer with a shop near the clock tower in Piazza San Marco, borrowed two Greek manuscripts from the collection that would later become the heart of Venice’s famous Marciana library: Proclus on Platonic Theology, and The Commentary of Hierocles on the Golden Verses of Pythagoras.
In his 2013 book, The Enlightenment: And Why It Still Matters, Anthony Pagden devoted a chapter to the European ‘discovery’ of ‘man in nature’, partly through their study of the individual men whom French and British explorers brought back from their voyages to the South Pacific.
In 1775, Samuel Johnson had already identified the central paradox of United States history. He notoriously challenged British readers to explain why ‘we hear the loudest yelps for liberty among the drivers of negroes’. Generations of historians have tried to answer that question. How could a movement espousing belief in liberty include so many slaveholders?
The sub-title says it all. This is a book about the elites of Belle Epoque Paris, primarily about the cultural elites, but also about their patrons, high society, industrialists and fashion designers, and all those who made the headline contributions to that Paris which sticks in the popular imagination.
Jason Garner's monograph on the origins of the Federación Anarquista Ibérica (FAI) is an illuminating and much-welcomed addition to the inchoate body of English-language scholarship dealing specifically with pre-Civil War Spanish anarchism.
‘It was the best of times, it was the worst of times’, is how Charles Dickens began his stirring evocation of the French Revolution in A Tale of Two Cities. He had it about right. The first ten years of the French Revolution was a time of limitless hope and shattering violence.
John Dee is a name that often conjures up images of shady spells muttered in dark rooms with bubbling potions, but the exhibition at the Royal College of Physicians, titled Scholar, Courtier, Magician: the Lost Library of John Dee seeks to offer a view of Dee as an articulate, extremely well-read, educated man.