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Jessica M. Frazier’s Women’s Antiwar Diplomacy During the Vietnam War Era illuminates a consistently overlooked feature of anti-war activism; the transnational exchanges and relationships forged between US women and their Vietnamese counterparts.
For more than 75 years the historiographical debate surrounding the appeasement policy of the 1930s has centred upon the notorious 1940 publication Guilty Men, in which a trio of left-leaning British journalists unleashed a vitriolic polemic castigating those men responsible for leading a hopelessly ill-prepared Britain into a catastrophic war.
In late 1909, a suffragette attacked the Asquith government’s youthful President of the Board of Trade, slashing his face with a whip as he prepared to give a speech in Bristol station. Briefly stunned, he fell toward the station’s tracks at the same moment a train pulled out of the station.
‘We have to produce something that doesn’t yet exist and of which we can have no idea of what it will be’.
While there has been sustained focus on modern women’s relationship to their culture and society, and, with the upcoming centennial commemorations of the First World War a surge of renewed interest in the art generated by the conflict, war-related imagery produced by women artists remains largely overlooked.
Nest of Deheubarth, a 12th-century Welsh princess, has a presence well beyond academic history and interests. She was one of the most famous Welsh princesses and over the centuries has had a significant impact on Welsh history and identity.
The SS-Helferinnenkorps, the women who volunteered to support the SS, and who formed a female Nazi elite, have to date been the subject of minimal research. Until now, very little was known about these women, where they came from, why they volunteered, how they were trained, where they worked, and what became of them after the war.
I was 16 or 17 when I first read Pat Barker’s Regeneration trilogy, and 26 when I completed my PhD on shell shock in First World War Britain.
Barbara Hately-Broad’s purpose is to insert the neglected subject of British prisoner-of-war (POW) families into the history of army, navy and air force families during the Second World War, a subject that is itself rather thinly tackled by historians.
Behind Enemy Lines is about the experiences of women and men who were recruited and trained by the British Special Operations Executive (SOE), and then infiltrated into France to undertake clandestine resistance operations such as sabotage.