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Penelope Fitzgerald’s historical novel The Beginning of Spring, set in Moscow in 1913 but written at the height of perestroika, conveys an ambivalence familiar to those of us who spent time there during the Gorbachev years.
The challenge in writing a comparative review of Kate Lowe’s fine study of early modern Italian convents Nuns’ Chronicles and Convent Culture with Sarah Dunant’s gripping novel Sacred Hearts is to find ways of making sense of the experience of reading both beyond stating the obvious.
For those historians who have studied the English Reformation or the writing of polemics, histories and plays in the 16th century the name John Bale (1495–1563) appears high on the list of English scholars supporting a reformist agenda. Bale popularised the genre of martyrology for an English audience, later taken to its logical conclusion in John Foxe’s Book of Martyrs.