Browse all Reviews
While there has been sustained focus on modern women’s relationship to their culture and society, and, with the upcoming centennial commemorations of the First World War a surge of renewed interest in the art generated by the conflict, war-related imagery produced by women artists remains largely overlooked.
Studies of the National Portrait Gallery have analysed its history as an institution, as an architectural space, or as instrumental in the development of portraiture (1).
In 1993 Amanda Vickery's now well-known historiographical review 'Golden Age to Separate Spheres?' provided an exhaustive survey of the interpretation of the position, identity and role of English women from the early modern to the Victorian periods.(1) It was a timely project in response the wealth of interest and research in that field over the previ