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Paying Freedom’s Price is a slim volume that joins the African American History Series, a coterie of books with the aim of being both historically informative and accessible to a popular audience. It succeeds in being a concise, readable, broad stroke overview of African American engagements and struggles prior, during, and after the Civil War.
One might be forgiven for thinking that British defence policy between the Napoleonic era and the outbreak of the First World War was always geared towards a large, continental commitment.
Civil war plagues our times. As David Armitage notes in his brilliant work, Civil Wars: A History in Ideas, the idea of the ‘Long Peace’ after the Second World War is in many ways misleading as intrastate conflict has become far more common than in previous centuries.
Christopher Magra believes that impressment played a vital role in the origins of the American Revolution. Sailors not only were the shock troops of the resistance movement in popular disturbances in the 1760s and 1770s.
Imagine the surprise of Henry Rowe Schoolcraft when, on a humid July day in 1846, he picked up a copy of the Albany Argus, a New York state Democratic Party newspaper, only to learn that he had been murdered. The paper carried an obituary which reported that Schoolcraft had been shot in Sault Ste. Marie, Michigan by a ‘half breed’ named John Tanner.
The cover of Jan Rüger’s Heligoland shows a small, forbidding and desolate rock surrounded by inclement seas and with no sign of human habitation. This unwelcoming glimpse of land from afar – as so often the case with islands – will prove to be misleading. It gives no sense of the history on a grand scale that is to come.
The social history of the navy is a rapidly developing field and there is a recent trend for studies which seek to uncover the complex and varied personal experiences of officers and sailors, as well as to trace broader trends in cultural representation.
In 1850 Abraham Lincoln’s most celebrated rival, Stephen Douglas of Illinois, delivered an impassioned speech in the United States Senate.
One of the oldest and most familiar tropes in the historiography of the American Civil War argues that the conflict posed an urban industrial Union against a rural agricultural Confederacy.
‘We are not enemies, but friends. We must not be enemies’.(1) These famous lines from Abraham Lincoln’s first inaugural address serve as a stark point of contrast in the introduction of Damn Yankees! Demonization and Defiance in the Confederate South. For whilst Lincoln implored the nation to avoid violent confrontation, the war of words had already begun.