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Writing at the dawn of the new millennium, historian Peniel Joseph lamented the scholarly neglect of Black Power. While studies of the Black liberation movement’s ‘heroic period’ from 1955-1965 abounded, research on Black Power ‘languished’ due to lack of interest, limited archival sources, and a prevailing declension narrative that cast Black Power as civil rights’ ‘evil twin’.
Media, with alarming regularity, reports nuclear threats from North Korea and President Trump’s rhetorical belligerency; Russian and Chinese irredentism conflicts in the Middle East and Afghanistan, across the Sahel region of Africa and Yemen; not to forget the asymmentry of terrorism. Is there any consolation to be had in philosophy for the cultural phenomenon of war?
This is an extremely ambitious, thought-provoking, challenging and inspiring book.
One might be forgiven for thinking that British defence policy between the Napoleonic era and the outbreak of the First World War was always geared towards a large, continental commitment.
The Cold War, understandably, was for a long time viewed through a prism of the confrontation between the Soviet Union, it allies and the United States-led West. Conflicts, even in what used to be termed the Third World, were often described as proxy wars.
Since London’s Great Exhibition of 1851, world’s fairs and international expositions have been an important global cultural phenomenon that has defined progress and modernity for hundreds of millions of visitors.
Civil war plagues our times. As David Armitage notes in his brilliant work, Civil Wars: A History in Ideas, the idea of the ‘Long Peace’ after the Second World War is in many ways misleading as intrastate conflict has become far more common than in previous centuries.
In Understanding the Imaginary War: Culture, Thought and Nuclear Conflict, 1945–90, Matthew Grant and Benjamin Ziemann present a collection of essays offering a new interpretation of the Cold War as an ‘imaginary war’.
Traversing varied material, institutional, and conceptual terrains, plotting shifts in how space has been represented and enacted throughout the 20th century, and rendering connections between spatial technologies and politics, After The Map ventures far beyond conventional boundaries of the history of cartography.
Leisure, Travel and Mass Culture – The History of Tourism is an online archive of tourism resources, curated by Adam Matthew Digital. The site is beautifully presented and easy to access for users. Like all good tourism attractions, it is welcoming to visitors, who will be curious to explore its enticing content.