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Paradigm shifts in historiography seem to come all at once rather than being spaced evenly along the disciplinary trajectory. The last such shift in writing about slavery and race (including civil rights) in the United States came between the late 1950s and the mid-1970s.
Since London’s Great Exhibition of 1851, world’s fairs and international expositions have been an important global cultural phenomenon that has defined progress and modernity for hundreds of millions of visitors.
At the height of the Greek financial crisis, reports from colleagues based in Athens painted a sorry picture of respectable citizens who had fallen upon hard times desperately rummaging in dustbins to supplement their dwindling larders. The statistics told an even grimmer story – between 2010 and 2011, suicide rates in Greece rose by 40 per cent.(1)
On 25 March 1911, a fire broke out on the eighth floor of the Asch Building in Greenwich Village, New York, and quickly began to spread. This floor, as well as the ninth and tenth, housed the Triangle Waist Company, a sweat shop producing ladies’ blouses.
Civil war plagues our times. As David Armitage notes in his brilliant work, Civil Wars: A History in Ideas, the idea of the ‘Long Peace’ after the Second World War is in many ways misleading as intrastate conflict has become far more common than in previous centuries.
Although most Americans take pride in being ‘a nation of immigrants’ (a slogan apparently popularized by John F. Kennedy), the process of immigration causes perennial controversy in the United States. That is true even in New York City, which would not exist without it, and which stars in many historical narratives of it.
This is a wide ranging, specialist exhibition on peace activity and war resistance in Britain which is laid out in defined, chronological sections that run from the First World War to the 2003 Stop The War Coalition march in London.
I was recently in a conversation with a friend who told us that his parents, who were communists in New Zealand, used to make him sit through slide shows on China in the 1970s. Young Philip was subjected to these presentations because China was, his parents told him, the closest place to utopia on this earth.
In 2012 a host of commemorative events took place in France to mark the 50th anniversary of Algeria’s independence, an indication for some that decades of imposed silence and reticence on the part of those who experienced the pangs of decolonization were finally drawing to an end.
Shlomo Sand is no stranger to controversy.